Category: Cartoon

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Now Available at PhotoshopCAFE!


While the hard copy of my first DVD will be making its debut at Photoshop World this coming week in Orlando, it is now available for purchase as a download from PhotoshopCAFE. The hard copy will be available in the next couple of weeks.

This is a little surreal, having my own training DVD, but part of the natural evolution of being an artist. ‘Learn it, do it, teach it’ is a fairly common saying, and it does tend to bring things full circle. While I will always have more to learn, and will never be finished working to make myself a better artist, it’s been an interesting experience teaching a little of what I’ve learned so far.

This was a huge undertaking for me, and I wondered if I’d ever get it done, but I’m very pleased with the result, and already planning my next title. By all accounts, the second one should be a lot easier.

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Coming Soon: My First Training DVD


Regular readers will know that I’ve been working on a DVD for PhotoshopCAFE for a number of months, now. With a final push through a very busy week, I managed to get everything finished this past weekend. The final editing days were difficult, but I managed to meet deadline, and the DVD is now in production.

Entitled ‘Cartoon Illustration Techniques in Photoshop,’ I recorded over 4.5 hours of training, taking the viewer through the entire process I use to turn a sketch into the finished image you see above. The majority of the lessons are done in real time, so I’m actually working while talking, and only a couple of painting sessions are sped up and narrated. This is the process I use every day when drawing my syndicated editorial cartoons and when creating cartoon illustrations in the same style.

This is my first DVD for PhotoshopCAFE with plans to record more on other techniques in the near future. It will be available for purchase online and at the PhotoshopCAFE booth at Photoshop World in Orlando next week. As soon as it’s available, I’ll be posting links.

While the entire process was difficult, and more than a little frustrating at times, I learned a LOT about audio and video recording, had incredible support from Colin Smith at PhotoshopCAFE, and am pleased with the result. My intention at the beginning of this was to record the DVD I would have liked to have had when I was first starting out cartooning in Photoshop and I think I achieved that.

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iPad Cartooning: An Ongoing Experiment


Having done some finger painting on the iPad, I thought I’d be happy just continuing to do that. I was getting pretty decent results, having a fair bit of fun, and didn’t feel I was really lacking in any tools that would allow me to create the images I wanted.

I had heard the Pogo Stylus was a compromise at best, and many were using it simply because they couldn’t find anything better. I bought the Dagi Stylus after reading a good review, but it ended up scratching my screen in three places on the first day so I stopped using that right away. The scratches, by the way, are not obvious. I’d have to point them out to anyone wanting to see them. No real harm done, but enough that I wouldn’t use that pen again. I’d almost given up on finding a stylus, until I started hearing really good reviews about the Targus stylus (also sold as the Griffin stylus).

Since it was less than $20, I figured I’d give it a shot. Ordered one from Best Buy, with low expectations. I’m happy to report that I LOVE this pen. It works so well on the iPad screen. The rubber tip looks like it might have the consistency of a pencil eraser, but it actually has a fair bit of give, slides nicely over the screen and doesn’t require a great deal of pressure to activate the drawing apps.

You’ll notice that I’m wearing a glove on my drawing hand. While you can buy pre-fab gloves for this sort of screen work that look nice and pretty, I just bought a pair of glove liners from a local sports store. I cut the thumb, index, and middle fingers from the gloves, so that I can still use my fingers to activate the app features, such as tool presets, zooming, panning, etc. But by keeping the last two fingers on the glove, I can rest my hand on the screen while drawing, without the heel of my hand activating anything on the app. Works very well and as an added bonus, it cleans the screen as you draw.

It should be noted that I do NOT have a screen protector. I tried a couple when I first got my iPad and hated them. The installation was incredibly frustrating, and once I did get one applied well, I didn’t like how it made my images look or the feel of the screen so I removed it many months ago. It is my understanding that a screen protector will seriously decrease the effectiveness of some of these stylus pens, so be warned that if you have one on your iPad, your experience may not be as good as mine.

I do have the Apple case on my iPad at all times, and those three little scratches on the screen made by the Dagi stylus are the only ones I’ve ever had. Since I use the iPad every day, and have been using the Targus stylus quite a bit as well, I’m not worried about getting any more scratches at all, so I won’t replace the screen protector.

The app I used for this cartoon is ArtStudio. I also use Sketchbook Pro and like them both. While I will still do some finger painting for large brush painting, and less precise work, I am definitely going to continue to keep using the Targus as it’s a great addition to my iPad workflow.

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Thank you for continuing to hold…


Lately, I’ve been working on my training DVD for PhotoshopCAFE, entitled Cartoon Illustration Techniques in Photoshop. It has been a steep learning curve with regard to the audio and video software and hardware. Even though I had an animated editorial cartoon for about five months a few years back, this has proven to require a very different set of skills.

I’ve had a number of false starts and have had to rewrite session scripts when I realized that I had forgotten to talk about crucial steps. I’ve also had more than a few sleepless nights trying to make sure that everything I talk about is going to be coherent.

Worst of all, fitting this very large project into my already heavy workload has been challenging and this has taken far longer than I had intended it to. But, I can finally see the light at the end of the tunnel, and thankfully, it doesn’t appear to be a train. As in all things new and difficult, I’ve no doubt that I’ll come out the other side better for the experience with another set of skills to add to my repertoire. I’ll also be in need of a little time off.

So for those who’ve been asking when the DVD will be done, I plan to be able to make that announcement very soon, and thanks for your patience.

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Another iPad Finger Painting


This finger painting was done on a new app that I bought for the iPad, called ArtStudio. I had been using Sketchbook Pro, and even though I still consider it a great painting app, I now prefer ArtStudio by a wide margin. Without going into great detail, I’ll just say that this is as close to Photoshop as I’ve seen in an iPad painting app, and I found it very easy and enjoyable to use.

There are third party stylus pens available for the iPad, but they all seem to have mixed reviews, and one I tried put a few little scratches on the screen, so I’ve opted out of trying another one just yet. For now, I’m content to just keep on finger painting, as I don’t think I’m really losing anything.

I don’t know how much time I spent on this painting, as it was just ten minutes here and there over the past couple of weeks. It is doubtful that I’ll ever produce any finished work on the iPad, but I’m enjoying using it as a sketch pad.

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Business As Usual

While I normally try to have a blog entry done every week, lately I have been remiss, simply because of my heavy workload. Because of the projects I’ve agreed to, and the fact that I want to put my best effort into them, I have decided not to take any new commission work until the new year.

Here is a brief update of the various items I’m working on, in addition to the daily editorial cartoons.

Cartoon Illustration DVD
This has been a big learning experience so far and I’ve got nothing but positive things to say about PhotoshopCAFE. I’ve had a ton of great support while I learn the ropes. In a perfect world, I’d like to put everything else aside just to pour all of my energy into this, but the bills have to be paid, so it’s a juggling act.

There have been a few hiccups, but nothing insurmountable. The first install of Photoshop CS5 Extended didn’t take, and it was freezing up daily. A reinstall thankfully solved that issue and it’s been working well ever since. Camtasia Studio 7 is the video screen capture software that I’m using, and so far, it’s working smoothly. For any Mac users out there, I’ve been told it doesn’t work well on that platform, so fair warning, but I’m on Windows and the only issue I experienced was a conflict with my Wacom tablet. A download of the latest tablet drivers solved that problem.

I’ve been using a CRT monitor as my main monitor for years as I’ve always preferred them to LCD screens, but due to aspect ratio limitations and the requirements for recording, I finally had to make the switch to the 24″ Samsung that I’ve been using for my painting demo display. I’ve used a dual monitor display for years, but the new size makes it feel like I’m using three. Whether it was the LCD or the larger size, the first couple of days I had a splitting headache and sore eyes. I’ll admit to being worried that this was going to be a major problem, but I’ve since gotten used to the new display and am quite enjoying the increased screen real estate.

Lesson plan and sketches have been approved, test recording has been done and submitted, so all that’s left is the actual recording, which I’ve started this week. I won’t lie, it’s been pretty intimidating, but I’ve no doubt I’ll be pleased with it when it’s done.

Totem Prints
The paintings are no longer available at Editions Gallery in Red Deer as I removed them earlier this month. After a number of months in the gallery, there wasn’t one sale and apparently not much interest in them. Whether it was because of the style or the subject, I don’t know, so I’m just going to accept that Central Alberta may not be the right market for these paintings, at least not now.

The paintings are selling well in Canmore and Banff, and I made a trip into Calgary yesterday to pick up another batch of prints. This is the first batch of framed canvas prints and I’m very pleased with how they look. The framed Wolf and Moose Totem paintings will be available in both Banff and Canmore today in the 18″X24″ size.

A line of matted paper prints will be available at Two Wolves Trading Co. in Canmore today as well. The Moose, Wolf, Grizzly, and Ground Squirrel in two sizes, 11″X14″ and 16″X20″. Each print is mounted with a black matte, open edition, ready for framing. I’ll eventually have all of the Totem series available in matted paper prints.

New Totem Paintings
Another live painting demo is scheduled for Two Wolves Trading Co. in Canmore on November 13th and 14th, working on a bighorn sheep as my next image. I’ve wanted to do this one for awhile. I already have the next four paintings planned out, and have secured the rights to the reference photos for three of them. As I haven’t done any new paintings since I finished the Wolf, I am very anxious to get started.

There are a couple of other projects I’m working on that I can’t talk about yet, but needless to say, I’m busy, and while there are days I’m hanging on by my fingernails to balance it all, I’m doing what I love for a living, and grateful for it.