Posted on 8 Comments

iPad Painting and the Wacom Bamboo Stylus

Here’s another iPad painting that I just finished.  This is Marcia Gay Harden in character as ‘Mother Carmody’ from the Frank Darabont movie, ‘The Mist,’ based on the novel by Stephen King.  She is one of my favorite movie villains which made this a lot of fun to work on.  Frank Darabont is one of my favorite filmmakers and Stephen King is my favorite author, so it should come as no surprise that The Mist is one of my favorite movies.  How many times can you use ‘favorite’ in a sentence?

Darabont has made movies out of a number of King’s books.  In addition to The Mist, there was The Green Mile and The Shawshank Redemption.  He is also responsible for the breakout miniseries ‘The Walking Dead,’ which is one of the few television shows I would pay extra to see.  And if that weren’t enough, Darabont has used Drew Struzan (one more favorite) to create the posters for a number of his movies, including the ones I’ve mentioned here.  It’s no wonder I’ve chosen two of his characters to paint on the iPad.

I’ve already written a great deal about the process for painting on the iPad and the ArtStudio app, which is still preferred over all others.  If you’d like to see other iPad paintings and posts, there are links at the end of this entry.  The process is very much like other digital painting, with some limitations due to the nature of the iPad.

What made this current painting different is that I was taking a new stylus for a test drive.  Up until now, I had been using (and recommending) the Targus stylus, but I recently got my hands on the new Bamboo Stylus for iPad by none other than Wacom.  I’ll be honest, I had REALLY high expectations for this stylus.  Wacom has long been established as the go-to company for drawing tablets, and having owned more than a few of them, I’m a pretty big fan.  I couldn’t do my work without a Wacom tablet.

I already knew that the stylus wasn’t going to be reinventing the wheel.  Anybody expecting pressure sensitivity (something Wacom tablets are very well known for) should dismiss it now, no matter what stylus you’re using.   The iPad currently does not support pressure sensitivity, so that discussion ends pretty darn quick.

Without going into great boring technical details, I can sum up the Wacom Bamboo Stylus pretty easily.  It is the best stylus I’ve used so far.  Every other stylus I’ve tried, and there have been four of them, has been a little like drawing with a piece of chalk.  A large surface area with the tip, because the iPad is built to register a finger, not a pen.   What it looks like Wacom did, however, was take that tip size to the ultimate minimum.  The contact surface is significantly smaller than any other stylus I’ve seen so far.  It’s still not fine point tip, but it’s a definite improvement over all others I’ve tried.

What else did they get right?  Well, it’s longer than any other stylus I’ve used, so it feels better in my hand.  It has better balance, too.  They included a clip (something others have failed to do) and it looks good, too.  While I’m sure a lot of work went into the research and development of this stylus, it’s not a complicated device.  It’s a pen that allows you to write, draw, and paint on the iPad.

Many people will recall that I liked the Targus stylus, and up until now, it was all I needed.  Wacom, however, raised the bar with the Bamboo Stylus and it’s now my primary drawing device for the iPad.  I still have to use the glove so I can rest my hand while drawing without activating the app with the heel of my hand, but that’s a compensation for the iPad, not the stylus.

As with all of the stylus products out there, there are metal parts on them, so a little bit of care for your iPad is warranted.  Don’t leave your stylus sitting on the screen or push really hard at a very steep angle as there is always the risk of slipping and possibly scratching the iPad.  You don’t need to push hard with ANY stylus, and if you use the Bamboo Stylus properly, you should have no issues.

I do not have a screen protector on my iPad, so I can’t say how it works with one, but I used my iPad a LOT, do a lot of painting with it, and the only scratches I’ve ever got were from a brief test of the Dagi stylus which put three nice little scars on the screen.  Even those are hard to find, but it was enough for me to abandon it.  The Apple case is all I’ve ever needed for the iPad, so I don’t see the need for a screen protector.

Bottom line, I would highly recommend buying the Wacom Bamboo Stylus.  Yes, at $29.95, it costs a little more than others on the market, but I’ve always believed that you get what you pay for, and this one is worth it.  It’s a joy to paint with and after the first few minutes, I didn’t think about the pen at all, which is the best endorsement I can offer.  I find the best products (hardware and software) are the ones that allow you to think about your work, not the tools you use to create it.

As for those who are demanding pressure sensitivity, talk to Apple about it.  In the meantime, you can easily fake pressure sensitivity with most apps on the market by varying the opacity of the brush in the app itself.  That’s what I did throughout this whole painting and it worked very well.  I rarely use full brush opacity when painting, even in Photoshop.

One final note about painting with the iPad in general…

The iPad has limitations that prevent me from producing ready-for-market paintings.  Just the color calibration and resolution limitations are enough to put the brakes on creating finished work.  This ‘actual pixels’ image is as close as you can zoom in on the first-gen iPad.  Were I to import this into Photoshop, it would serve as a sketch for a painting, with many more hours required to create a finished piece.  Had I painted this in Photoshop, I would consider this to be about half done at this stage.

With that in mind, you might wonder why I bother painting with the iPad at all, when I can get much more detail and a tighter rendering with Photoshop and a traditional Wacom tablet.  The reasons are simple.  With the right app, and the right stylus, the iPad is a great sketchbook.  I also enjoy the challenge of seeing how far I can take a painting, and it’s just great overall painting practice.  Another reason is simply to show that you can create quality artwork on the iPad, despite the critics (fewer all the time) that say it’s of no practical use to artists.  One thing I’ve learned over the years by watching what talented and creative people do with all sorts of mediums in this world is that artists will decide for themselves what is and isn’t of practical use for their own creativity.

If you’d like to see other iPad painting posts I’ve written along and images I’ve painted, here are some links.

iPad Cartooning: An Ongoing Experiment

iPad Painting: Billy Connolly

iPad Painting: James Whitmore

iPad Painting: Daniel Day-Lewis

Posted on Leave a comment

And your little dog, too!

I’m working on my next DVD for PhotoshopCAFE! This time, I’ll be teaching the brush and composition techniques I use for painting animals.  Even though MY paintings of animals have a whimsical and caricature quality to them, I realize that not everybody is into that style.  So for this DVD, in order to appeal to a wider audience, I’ll be painting a more traditional looking animal portrait.  The painting techniques are exactly the same, but without the cartoon and exaggerated features evident in the animals in my Totem wildlife series.

Meet Don Diego, a wonderful little fella who belongs to Scott and Pat Wendt, the owners of Bluestem Books in Lincoln, Nebraska.

Pat is a good friend of mine and she is a very talented photographer.   Anybody who knows Pat and Scott knows Don Diego, and from the first time I saw him, I wanted to paint him.  Fortunately, Pat has graciously allowed me to use Don Diego’s likeness for this DVD, and I’m thrilled about it.

Now, this photo you see here, taken by Pat Wendt,  is not the one I’ll be using for the DVD.  Pat provided me with a great reference photo to use, and I’ll reveal that in the DVD itself.  Unlike many other Photoshop painting DVD’s on the market, this is not going to teach you to ‘photo-paint,’ which involves manipulating or painting over a photo.  Everything I paint begins with a blank canvas in Photoshop and no photo is ever part of the finished painting.  I’ve been accused of photo manipulation in the past, and while that’s sort of a compliment (even though the accusation is never meant as one), I’m looking forward to showing a complete painting from start to finish, to finally put that to rest.  But you still need a good reference photo to work from (or a VERY patient pup), and that’s where Pat’s skills as a photographer come in, not to mention a handsome little subject like Don Diego.

Because of the length of time it takes to complete these paintings, much of the DVD playback will be at an increased speed, with my narration.  Trust me, you’d get bored of watching 15-20 hours of painting.  But the crucial steps will all be in real time.  I’m pleased with the DVD I recorded on cartooning, but I’m REALLY looking forward to this one on painting.  This is the work that excites me as an artist, and I’m hoping it comes through on the DVD.

 

Posted on 2 Comments

A DVD in the hand

My DVD’s arrived in the mail this week, some of my promotional copies from PhotoshopCAFE.

While it seems like quite awhile ago that I finished the challenging task of recording my first training DVD, it really hasn’t been that long at all.  At the time I was working on this project, it felt like a monstrous undertaking.  In retrospect, I wouldn’t change the experience, because I can now look back on it with a great sense of accomplishment.  Holding the finished product in my hand is made all that much sweeter because of the difficulty and stress I went through recording it.  Many times during the process, I thought to myself, “there is no way I’m going to finish this, and if I do, it’s going to be an incoherent mess.”

I’m now working on my second DVD for PhotoshopCAFE, and while it will still be a challenge,  I find myself without any of the anxiety I felt while working on the first one.  Without challenges forcing you to step out of your routine, there is no growth.  Even though I already knew that, it would appear that I need to be reminded of it once in awhile.  This DVD did just that, and I’m grateful for the lesson.

Posted on 2 Comments

Now Available at PhotoshopCAFE!


While the hard copy of my first DVD will be making its debut at Photoshop World this coming week in Orlando, it is now available for purchase as a download from PhotoshopCAFE. The hard copy will be available in the next couple of weeks.

This is a little surreal, having my own training DVD, but part of the natural evolution of being an artist. ‘Learn it, do it, teach it’ is a fairly common saying, and it does tend to bring things full circle. While I will always have more to learn, and will never be finished working to make myself a better artist, it’s been an interesting experience teaching a little of what I’ve learned so far.

This was a huge undertaking for me, and I wondered if I’d ever get it done, but I’m very pleased with the result, and already planning my next title. By all accounts, the second one should be a lot easier.

Posted on 1 Comment

Coming Soon: My First Training DVD


Regular readers will know that I’ve been working on a DVD for PhotoshopCAFE for a number of months, now. With a final push through a very busy week, I managed to get everything finished this past weekend. The final editing days were difficult, but I managed to meet deadline, and the DVD is now in production.

Entitled ‘Cartoon Illustration Techniques in Photoshop,’ I recorded over 4.5 hours of training, taking the viewer through the entire process I use to turn a sketch into the finished image you see above. The majority of the lessons are done in real time, so I’m actually working while talking, and only a couple of painting sessions are sped up and narrated. This is the process I use every day when drawing my syndicated editorial cartoons and when creating cartoon illustrations in the same style.

This is my first DVD for PhotoshopCAFE with plans to record more on other techniques in the near future. It will be available for purchase online and at the PhotoshopCAFE booth at Photoshop World in Orlando next week. As soon as it’s available, I’ll be posting links.

While the entire process was difficult, and more than a little frustrating at times, I learned a LOT about audio and video recording, had incredible support from Colin Smith at PhotoshopCAFE, and am pleased with the result. My intention at the beginning of this was to record the DVD I would have liked to have had when I was first starting out cartooning in Photoshop and I think I achieved that.

Posted on 5 Comments

iPad Cartooning: An Ongoing Experiment


Having done some finger painting on the iPad, I thought I’d be happy just continuing to do that. I was getting pretty decent results, having a fair bit of fun, and didn’t feel I was really lacking in any tools that would allow me to create the images I wanted.

I had heard the Pogo Stylus was a compromise at best, and many were using it simply because they couldn’t find anything better. I bought the Dagi Stylus after reading a good review, but it ended up scratching my screen in three places on the first day so I stopped using that right away. The scratches, by the way, are not obvious. I’d have to point them out to anyone wanting to see them. No real harm done, but enough that I wouldn’t use that pen again. I’d almost given up on finding a stylus, until I started hearing really good reviews about the Targus stylus (also sold as the Griffin stylus).

Since it was less than $20, I figured I’d give it a shot. Ordered one from Best Buy, with low expectations. I’m happy to report that I LOVE this pen. It works so well on the iPad screen. The rubber tip looks like it might have the consistency of a pencil eraser, but it actually has a fair bit of give, slides nicely over the screen and doesn’t require a great deal of pressure to activate the drawing apps.

You’ll notice that I’m wearing a glove on my drawing hand. While you can buy pre-fab gloves for this sort of screen work that look nice and pretty, I just bought a pair of glove liners from a local sports store. I cut the thumb, index, and middle fingers from the gloves, so that I can still use my fingers to activate the app features, such as tool presets, zooming, panning, etc. But by keeping the last two fingers on the glove, I can rest my hand on the screen while drawing, without the heel of my hand activating anything on the app. Works very well and as an added bonus, it cleans the screen as you draw.

It should be noted that I do NOT have a screen protector. I tried a couple when I first got my iPad and hated them. The installation was incredibly frustrating, and once I did get one applied well, I didn’t like how it made my images look or the feel of the screen so I removed it many months ago. It is my understanding that a screen protector will seriously decrease the effectiveness of some of these stylus pens, so be warned that if you have one on your iPad, your experience may not be as good as mine.

I do have the Apple case on my iPad at all times, and those three little scratches on the screen made by the Dagi stylus are the only ones I’ve ever had. Since I use the iPad every day, and have been using the Targus stylus quite a bit as well, I’m not worried about getting any more scratches at all, so I won’t replace the screen protector.

The app I used for this cartoon is ArtStudio. I also use Sketchbook Pro and like them both. While I will still do some finger painting for large brush painting, and less precise work, I am definitely going to continue to keep using the Targus as it’s a great addition to my iPad workflow.

Posted on Leave a comment

Thank you for continuing to hold…


Lately, I’ve been working on my training DVD for PhotoshopCAFE, entitled Cartoon Illustration Techniques in Photoshop. It has been a steep learning curve with regard to the audio and video software and hardware. Even though I had an animated editorial cartoon for about five months a few years back, this has proven to require a very different set of skills.

I’ve had a number of false starts and have had to rewrite session scripts when I realized that I had forgotten to talk about crucial steps. I’ve also had more than a few sleepless nights trying to make sure that everything I talk about is going to be coherent.

Worst of all, fitting this very large project into my already heavy workload has been challenging and this has taken far longer than I had intended it to. But, I can finally see the light at the end of the tunnel, and thankfully, it doesn’t appear to be a train. As in all things new and difficult, I’ve no doubt that I’ll come out the other side better for the experience with another set of skills to add to my repertoire. I’ll also be in need of a little time off.

So for those who’ve been asking when the DVD will be done, I plan to be able to make that announcement very soon, and thanks for your patience.

Posted on Leave a comment

Final Painting Demo of the Year


Last Saturday, I was painting in Banff, but this Saturday, I’ll be in Canmore again for the final painting demo of the year. Still working on the Owl and the Bighorn Sheep, and they’re really starting to come alive. I’m working on the fine details of both paintings and while they won’t be done ’til January, they’re awfully close. Probably another five or six hours left on each.

If you happen to be in the area on Saturday the 18th, and would like to see some digital painting, ask some questions, or just stop by to say Hello, I’ll be at Two Wolves Trading Company from 11-3.

Hope to see you there!

Posted on 2 Comments

Painting Demo Prep


A couple of half finished paintings I’ll be working on today at Editions Gallery in Banff. This morning, I’m taking an hour to do my prep.

The prep work for one of these sessions is fairly easy, just making sure I have all of the pieces I need. For hardware, it’s my laptop, Cintiq, spare Intuos4 tablet, iPad, secondary display monitor, connection cords, power cords, and extension cords. For software, it’s having the working files for the paintings, the reference photos to paint from, the Photoshop brush set for live painting and making sure that it’s all working well. Finally, I need to bring any surplus canvas and paper prints to have on hand if the event generates any extra sales.

I’ve done 6 or 7 of these now, and each one gets easier. What’s the difference between the first one and the one I’m doing today? Well first of all, I was incredibly nervous the first time, and today, no nerves at all. As in all things, the hardest part is usually taking the first step. At this point, it honestly just feels like going to a part-time job.

In the beginning, I was disappointed if these live sessions didn’t result in sales, but that’s no longer the case. The paintings are selling well now without the demos, so the goal from these appearances is just to generate interest and provide a little education. While somebody may not buy a painting today, they may see one a month from now and remember that they saw me working on something similar. Sometimes having a connection to a painting, having a story to tell about it, makes the image more desirable.

There’s a lot more I need to learn about the publicity and sales aspects of these paintings, and I imagine that will always be the case. So I’ve chosen to keep doing these painting demos on a regular basis, and just consider it ‘on-the-job’ training.

Posted on Leave a comment

Another Painting Demo in Banff


The Bow Valley is usually quite busy this time of year. Whether it’s folks visiting for skiing or other winter activities, shopping for the holidays, or just taking a break from the city and coming out to see the fresh snow on the mountains, there are plenty of people milling about Banff and Canmore on the weekends.

With that in mind, I’m going to be doing a couple more painting demos before the year closes out. This Saturday, December 11th, I’ll be at Editions Gallery in The Cascade Plaza in Banff from 12-2, 3-5, and 6-8, working on the Bighorn Sheep and Great Horned Owl paintings that I currently have on the go.

If you’re in the area, stop by and watch a little digital painting, ask a few questions, or just say Hello.