Category: Digital Painting

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If It’s Broke, Fix It

Taking the summer off from promoting my business was an uncomfortable decision.

Covid-19 was the catalyst, but this period of reflection was overdue. I’ve been uninspired, bored with my own art and writing, unable to maintain the pace.

In 2005, I had been working as an Office Admin for a small physiotherapy clinic here in Canmore, spending early mornings, evenings and weekends drawing editorial cartoons. Eventually, that part-time side hustle allowed me to quit my job and become a full-time artist.

It seemed like a big risk, but not massive. We decided that if I couldn’t pay my half of the bills, I’d just get a part-time job. There were plenty of them available.

I’ve had a pretty good run as an editorial cartoonist for the past two decades. It afforded me the ability to try other art-related avenues, one of which became the evolution of my career, painting my funny looking animals.

I’ve never lost sight of the fact, however, that the foundation of my profession for the past twenty years has been an industry afflicted by a slow and terminal cancer. To expect that I will be drawing editorial cartoons in ten years is almost fantasy.

Then again, I said the same thing in 2001, so what do I know?

We pretend to be masters of our own fates, but we’re notoriously bad at predicting the future. Who had Global Pandemic on their schedule for 2020?

As one might expect, those first years were a struggle. I often went into overdraft on my business account and couldn’t afford many luxuries. I did get a part-time job working at a local DVD rental place (remember those?) but not because of the money. I needed to get out of the house and one of the perks was free movie rentals. This was in the dark ages, kids, before streaming video.

I enjoyed the experience for a year, but working until 11:30 some nights, then getting up at 5:00 to draw quickly lost its appeal.

There were some in my profession who figured the next evolution in the craft would be animated editorial cartoons.  I invested in Flash software, training courses, royalty free music, learned how to record audio, and spent countless unpaid hours creating those things. During a federal election one year, all of the big Canadian media outlets wanted to run my animations on their websites, but in a sign of things to come, almost none were willing to pay for them.

I even had a weekly series called Big Plans, where a cartoon beaver in a suit and tie, talked about the week’s political events, complete with cutaway scenes. It was an animated version of the Daily Show or Rick Mercer Report, without interviews and not nearly as funny.

It took about twenty hours a week to create each one, and I only got paid a small amount for a handful of them.

I didn’t like the work much and wasn’t a very good animator. I was more relieved than distraught when it came to an end. But I took the risk, and invested the time, on the off chance that it might pay off.

There have been a few ventures like that, but I’ve learned something from each, lessons for the next idea. Eventually, one of those tries became my whimsical wildlife paintings, changing the course of my life and career. As Steve Jobs once said, you can only connect the dots in hindsight.

When COVID-19 landed on us, a lot changed for most people in a short amount of time. All in the same week, several of my newspapers told me they could no longer afford to pay any freelancers. A temporary layoff, but nobody could say for how long. That was at the end of March. Only one of those papers has hired me back.

This year was supposed to be a big one for my painted work, building on the momentum of my newest license with Pacific Music and Art. I was beginning to see (and hear about) my work being sold in stores all over the place. With multiple re-orders, more retailers signing on and word getting out, 2020 should have been a leap forward.

I don’t need to explain why it wasn’t.

Thankfully, Mike at Pacific Music and Art had the foresight to see the coming demand for face masks and that my paintings would work well on them. I put in late nights, even earlier mornings, and long days preparing the images while still drawing the same number of cartoons for about half the clients.

Promoting, packaging and shipping the masks, plus the paperwork and bookkeeping, it was exhausting. Add in the uncertainty of the pandemic, both the health and financial repercussions, and burn-out was inevitable.

Thanks to my newsletter followers, I filled two large mask orders, and a third smaller one, the revenue helping to shore up my other losses. Pacific Music and Art is now selling the masks wholesale to retailers and individual customers can order directly from their site. I’ve received photos from people who’ve bought my masks at The Calgary Zoo. They’re also available at Shopper’s Drug Mart here in Canmore, stores in Banff, plus a bunch of other places in Western Canada and in the Pacific Northwest.

Those sales now will mean revenue later this year.

I did a couple of successful print promotions, launched my 2021 calendar, and have gotten used to this new reality. You thought I was going to say normal, didn’t you? I think we can all agree, that ship has sunk. We need to build a new one.
This frenzy of activity, adapting daily to more potholes than road, I had no gas left in the tank. I was still meeting my cartoon deadlines, but painting was a slog, and it felt like anything I’d write would be crap, even before I put my fingers to the keys. My past work seemed like garbage and I was circling the drain.

When you spend year after year creating art, promoting it, trying to sell it and come up with something better every day, taking time off from promoting it feels irresponsible.

I like to work. I don’t do well with too much time off. I’ve got a friend who has been talking about his retirement for years and finally managed to do it before he was 60. Unless something radical changes in me in the next ten years, the thought of not working does not appeal to me.

At this stage in my life, looking down the road, retirement to me would mean the freedom to only do the work I want to do. But I still want to work.

My biggest fear is that something will happen that will prevent me from being able to create, paint, and write. I dread the thought of an injury, an illness, a cognitive deficiency, something that will rob me of my abilities or mental faculties.

On report cards when I was a kid, common teacher comments were “doesn’t pay attention in class” and “not living up to his potential.”

It’s ironic that I’m now wary of not having enough time to reach that full potential.

Last year, my friend Jim and I were sitting on a deck of a cabin we rent, looking out at the pasture. In front of us, there were two windows in the covered section, but to the immediate left, the deck is wide open. A wasp was repeatedly bouncing off the glass, trying to get through.

I don’t recall if I said it or if Jim did, but we both connected with the message. “Boy, if that’s not a metaphor for life.”

All that wasp had to do was back off, turn left and fly six inches to freedom. Instead, it just kept bouncing off the glass.

Jim credits that moment with his decision to finally retire.

I took it as a message to rethink where I’m putting my energy.

There are many ways to reach your goals but beating your head against an immovable object isn’t one of them.

I’m already getting up early every day, working hard. I rarely take a day off and when I do, I still somehow manage to squeeze in something related to my business. It might be taking photos, doing some writing, reading trade articles, but that’s only because I enjoy my work and the creative pursuit. I don’t know how to separate the two, so I don’t try.

That also means there is no extra time to do more. It’s such a cliché, to work smarter, not harder, but clichés have longevity because they contain simple wisdom.

Maybe it’s because he was younger, with seemingly more time ahead of him than I’ve got. But, there’s a lot of water under the bridge between me and the guy who said, “well, if I don’t make enough money, I’ll just get a part-time job.”

I feel like I have a lot more to lose than he did.

He didn’t know that editorial cartooning would provide him with a good living for the next fifteen years. I know for a fact that it won’t provide me with another fifteen. Failing to course correct for that reality would be short-sighted.

I remember somebody telling me once to cup my hands together as if I were holding some water within them, then to squeeze my hands into fists and asked, “what happened to the water?”

When you hold onto something too tightly for fear of losing it, you lose it anyway.

During the past two months of promotional hiatus, I completed a few paintings, wrote quite a bit in a fiction novel I started this year, drew the usual editorial cartoons, listened to podcasts, read books and articles and I worked. My computer died suddenly one night, which I’ll talk about in another post, and I had to get a new one built. I got away to the cabin for a few days, took some pictures, and hid from the tourists who have flooded this valley all summer.

And I asked myself some hard questions.

“Where do I want to be in a couple of years? Five years? Ten?”

“On what am I wasting a lot of time and effort that doesn’t get me there?”

“What marketing opportunities am I missing out on?”

“If I stopped banging into the glass, backed up, took a breath, and looked around, what might I see?”

For the first couple of weeks, I felt like I’d forgotten something, that nagging feeling like I’d left the stove on. I’d become so used to posting on Instagram, sharing stories, scrolling through other people’s stuff. It ate up a lot of creative time.

When I finished a painting, it felt strange not to immediately size it for the blog, create a closeup, write a post about it, share it on Instagram with all of the hashtags, tell a story, write a newsletter, share that, then wait to see what kind of reaction I might get.

Promotion and marketing, it’s part of working for yourself. It’s necessary if you want to make a living with your art or whatever you create. You must sell it. But taking this break made me think about how I’m doing that.

Do I need to share it as soon as it’s done? Would it matter if I waited a day? Maybe two? Do I have to immediately write about it? Does it have to be immediately shared on Instagram?

The answer to these last questions is No.

One marketing opportunity I’ve decided to explore is to offer an audio version of some of my blog posts, starting with this one.

I’ve had several people tell me they like my writing, but some get the newsletter and realize they haven’t the time to read it, They put it aside for later and never get back to it.

I hear ya. Happens to me all the time. But if there’s an audio version, it can be downloaded and listened to at your leisure.

An audio version allows followers to consume the content the way they want to. From what I’ve read, it increases followers and site interaction, which directly translates to sales.

Will that kind of marketing work for me? I have no idea, but I’ll give it a try.

As for those other questions, they’ll require a longer view, some percolation in the old melon. Not quite as deep as “Why am I here?” but not so shallow as, “Peanut butter? Or jam, too?”

The break was worth it and I will do it again.

Whether you read this, or listened to it in the new format, thanks for making the time. One thing I’ve never forgotten in this roller coaster life of being creative for a living…it wouldn’t happen without you. 

___

© Patrick LaMontagne
Follow me on Instagram @LaMontagneArt
Sign up for my newsletter which features blog posts, new paintings and editorial cartoons, follow this link to the sign up form.

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Another Funny Looking Animal

In the waning days of the self-isolation portion of our COVID program, I bought new glasses to replace the ones I’d broken near the end of March. I took a selfie and posted it on Instagram, complete with a goofy expression. Someone said, “you look like a caricature of yourself,” to which I replied, “I AM a caricature of myself.”

That planted the seed for this painting, although it became more of a self-portrait than caricature, with little exaggeration. My face just looks like that when I ham it up.

Isn’t Shonna a lucky lady?

Why do artists create self-portraits? That occurred to me while painting this.

Is it narcissism? Sure, that’s part of it. Though artists are notorious for self-criticism, we wouldn’t bother to put our creations out into the world without at least a little conceit.

Self-portraits are also about process and practice. I’ve painted caricatures and portraits of myself a few times over the past twenty years, mostly for promotional reasons.

It’s also a way to see the evolution of art skills, an exercise in progress, and an opportunity to poke a little fun at myself. And I’m a model who works cheap.

I paint portraits of people for my enjoyment, primarily characters from movies, though I have done one professional portrait commission of Canadian Paralympian Rick Hansen for Canadian Geographic Magazine.  I only accepted that one because the editor’s proposed vision was clear, and he hired me because he liked all of my other portraits. I’m not actively seeking other such opportunities but never say never.

I know some excellent portrait photographers whose editing abilities are one of their most laudable skills.

It’s a common photography practice to augment reality by taking portraits using excellent lighting, backdrops, great gear and the all-important artistic eye. If a blemish can easily be removed, have at it. Nobody wants a head-shot, especially for business, that shows a pimple, stray hair, red eyes or deep shadows in undesirable places.

When it stops looking like the person, however, that’s a clear indication you’ve gone too far. A skilled portrait photographer knows just how far to take it without it becoming surreal. Unless of course, that’s what the artist is going for, which is a whole other realm of artistic expression.

It’s easy to spot those social media selfies where the result is more filters than photo because nobody looks like that in real life. The lines in our faces are part of who we are. We age, we weather, we’re asymmetrical and imperfect.

Even though we pretend to go along with the ruse, to obtain that perfect selfie, some take two dozen shots, fix their hair many times, change their shirt, apply makeup, filters, suck in their belly, adjusted the lighting, primp and preen, all to make it look like the photo was spontaneous.

The next time you see one of those serene-looking yoga poses, that meditative scene with bright sun rim lighting, in the mountains, by a river, or any other idyllic setting, take a moment to consider that they had to set up the camera and position themselves into the pose. Using either a timer or remote, they took the shot, went back to the camera or phone, checked the result, then repeated the process until they got the one that looked most like they had achieved nirvana and oneness with the universe.

The photo I used for reference for this painting had less than ideal lighting, my eyes were a little redder, I hadn’t shaved that day, and the background was my kitchen. But in the painting, I was careful to alter or improve only the things that I could do naturally in real life. Had I taken the shot following a better night’s sleep and after I’d put a razor to my face, it would look more like what you see here.

Naturally, it’s still a promotional painting and done in the same style I paint my animals and other portraits. It’s not supposed to look just like the photo, but it still needs to look like me.

Had I removed the grey or stray hairs from my beard, the lines in my face, or painted a perfectly coiffed hairstyle, I’d only be fooling myself, but not really.
While painting this portrait, I often forgot that it was me. It was just about getting the likeness right, the shape of the features, the values in the shadows and highlights.

Shonna is always my harshest critic. She can spot the flaws in my paintings, and it used to drive me nuts. I now brace myself before asking her opinion because she’s going to be honest. While it’s always frustrating, the nits she picks will usually result in a better-finished piece.

When I asked her about this portrait, her only critique was a structural problem with the bridge of my nose, easily fixed once I could see it. Other than that, I’m confident it’s me, or at least how she sees me.

While she liked this painting, she has suggested I should do another, one that shows my dark side, a glimpse of the inner demons with which we all wrestle. I told her I find that idea frightening, which she said was probably a good thing, kind of like art therapy.

Yet, one more reason for this artist to paint a self-portrait.

___

© Patrick LaMontagne
Follow me on Instagram @LaMontagneArt
Sign up for my newsletter which features blog posts, new paintings and editorial cartoons, follow this link to the sign up form.

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Midnight Blue


Another horse painting, finished earlier this month.

I took the reference for this at the cabin a couple of years ago, the same weekend as the previous horse painting. While my recent Gold painting was a warm colour palette, this one is colder, a black horse in a winter scene. Each presented its challenges, though I find warm tones easier to paint.

Black fur is difficult. Using pure black or pure white in a painting will rob it of any life. For the darkest shadow areas, I’m careful not to use absolute black because it will appear as a flat spot in the image, especially when printed. There’s always a little colour in it. Even Sire, my black and white lion painting, is just shades of de-saturated blue. If it were pure black, white, and grey, it would appear lifeless, at least it would to me.
The lighter areas on black fur are often warmer or cooler tones, reflections of the environment and ambient light. The same goes for white animals, the shades and shadows made up of whatever light is present.

Since my artwork isn’t supposed to be an accurate representation of the animal, I push the features to get a whimsical expression. Not quite caricature, but not real, either. I often do the same thing with the colours, which is why this horse looks very blue.

I’m confident I’ll paint more horses in the future, but having painted two in the past couple of months, I’m ready to move on to something else. Thankfully, I have a massive archive of reference photos, so no shortage of potential subjects.

Cheers,
Patrick

___

© Patrick LaMontagne
Follow me on Instagram @LaMontagneArt
Sign up for my newsletter which features blog posts, new paintings and editorial cartoons, follow this link to the sign up form.

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Where Does the Time Go?

It doesn’t seem like too long ago that I took a break from the blog, newsletter and Instagram. I realized this week, however, that it’s just a few days shy of two months, which feels like long enough. I’ve got a longer post coming shortly about the break, but I figured I’d ease into it today with a few updates.

New Paintings
I’ve completed two new paintings over the break, with a third that I’ll finish in a day or two. Here’s the first one…Gold.
I took the reference for this painting over two years ago, while up at the cabin that friends and I rent near Caroline. As with many of my paintings, there’s often quite a bit of time between taking the reference photos and using them. I found this painting a little intimidating as I find horses especially challenging, but I’m pleased with how it turned out. This was completed about a month ago.

As always, if you’d like to share my work, please do, with my thanks.

Here’s a closer look.

Masks
In recent weeks, many communities have made it mandatory to wear a mask. A month ago, I often felt like a conspicuous minority when wearing mine in the grocery store, but now it seems like anyone not wearing one is the outlier.

I’m at home most of the time, but Shonna has seen quite a few people wearing the masks featuring my artwork. I’ve had friends, family members, and newsletter followers send me pictures, too. From displays at stores to family outings in full mask regalia, I’ve enjoyed seeing those.

Many have said they get compliments on the masks (I have as well), and people are asking them where they can buy some.
The initial pre-orders went well, the first two resulting in substantial orders, the third one quite a bit smaller, but a clear indication that those who follow my work got what they needed. Lately, I’m receiving more inquiries.

While I could do another order, I don’t think it’s necessary. You’d order masks from me; I’d place an order with Pacific Music and Art, they’d ship them to me, then I’d send them to you. At the beginning of this adventure, the printing and delivery pipeline was shaky, there were bugs to work out, and we were all still learning the ropes. In that climate, the pre-ordering worked well.

Now, Pacific Music and Art has a streamlined system for efficient ordering and delivery, both for individuals and retailers, and I’m advising people to buy directly from them. You’re still supporting my artwork because I get a royalty from each sale.

Shopper’s Drug Mart in Canmore has a nice selection of my masks, and I’d encourage Bow Valley residents to support that local business.

Shonna’s Mom and her husband came down for the day on the weekend. When they came over for dinner, they said they saw my masks in some stores in Banff.

A friend of mine (thanks, Fred!) sent me this photo of one of the large mask displays at the Calgary Zoo. They’ve got a few new designs, too.
With all that in mind, I’d encourage you to support these and other retailers currently selling my work, rather than do another order myself right now.

If you’d like to order from Pacific Music and Art directly, here’s the link.


Cartoons

Even though many of my newspapers still haven’t hired me back, I’ve been drawing the same number of cartoons each week. My clients are used to having a wide selection to choose from, so it didn’t seem fair to deprive them of that, especially since they’ve kept me in groceries this summer. While I draw them every day, cartoons are posted weekly on my site, either on Wednesdays, Fridays or both.

You can see them all on the Cartoons page.

Instagram

As you read this, I’ll have re-installed the Instagram app on my phone and iPad to start posting images again and see what’s been going on with my friends and fellow creatives. I’m not looking forward to being back on social media, but promotion is part of the business, which will be the subject of a forthcoming post, possibly in the next few days.

You can follow me there at @lamontagneart

I hope you’ve all been well, as we adapt to…whatever this is becoming. With the US election powered up, the Canadian Parliament prorogued, the ongoing debate about masks, COVID cases up and down, and whatever other steaming piles of excrement 2020 has yet to serve up for our consumption, I’d ask that you ponder the following.

This is tough for everybody. Each of us is dealing with our unique challenges. Before sharing passive-aggressive memes, angry political rants, and self-righteous nastiness, please reconsider. Given how social media works, chances are you’re only sharing that stuff with people who agree with you anyway, preaching to the choir as it were.

Speaking from experience, you won’t make yourself less angry by feeding that insatiable beast. Consuming and sharing bad news every day will make you miserable.

Play nice, would ya?

Cheers,
Patrick

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Face Masks: To Wear Or Not To Wear

The second order of whimsical wildlife face masks arrived this week and in less than two days, I was able to get them all out the door. Banff and Canmore local deliveries are done and all of the Canadian and US orders have shipped.

Compared to the first order, this one was a breeze.

As these are being sold to retailers and other venues, they need to look attractive on the shelf, so Pacific Music and Art added snazzy new packaging. While the quality and printing of the masks was already there the first go ‘round, the new packaging makes them look even better. That’s a large and small mask shown here. If you are an interested retailer, please contact Mike at Pacific Music and Art and he’ll be happy to set you up.
Plenty of people have told me that they’ve received positive comments when wearing the masks. So far, I’ve only worn the Lion Face and the Amur Tiger, but I got a few more for myself on this order, too.

The Sasquatch looks ridiculously funny on the pictures I’ve seen, so I wanted to have one of my own.

As a lifelong wearer of eyeglasses, the most annoying part of wearing a mask is that they fog up. I tried doing the dish soap method, it just doesn’t work. But I found a great solution online from an optometrist. He explains it well in this video.

I’ve made one modification myself to his method, by rolling two strips of medical tape on the inside of the top of the mask.
The inexpensive hypo-allergenic paper tape can be found at any drugstore. I prep the mask before I leave the house so I don’t have to mess with it (or wear it) in the car. When I get to the grocery store or post office, I put the mask on, press the taped areas in place and my glasses no longer fog up.

When I got a haircut the other day, for the first time in four months, I was required to wear a mask. But I anticipated that wearing the ear loops would make it a challenge to cut around my ears, so I taped the sides of the mask to my face so that the ear loops didn’t need to be secured. Worked like a charm and the tape doesn’t irritate the skin.
Here’s the before and after haircut pic. Someone used the word nefarious to describe my expression in the after picture. I won’t argue that. I’m fortunate to still have thick healthy hair at my age, and for that I’m grateful. I was, however, very happy to get rid of it all.

To wear or not to wear, that is the question.

Here in Canmore and Banff, I’m surprised that few people are wearing face masks. I don’t mean on the street or in places where you can keep the 6ft. distance, but in grocery stores, post offices and other places where close proximity is not only possible, but probable.

This isn’t a question about whether or not the virus is as serious as they say, whether the precautions taken were too much or too little, or how much the masks help or don’t help. I’ve seen the arguments online and the uncertainty of it all isn’t what disturbs me most, but how people are speaking to one another in the discussions.

Whether an expression of their own fear or frustration with this new normal, I don’t know, but people are being downright nasty to each other, and it’s completely unnecessary. The discussion can be had without the vitriol.

My wife Shonna works full-time at a law firm, but has also worked part-time at Safeway for more than a decade. There are two senior women who work at the law firm, and at the beginning of the isolation, they had expressed concern about her coming in to work every day while still working at Safeway.

So she sacrificed that part-time income for the past few months so she didn’t potentially introduce the virus to the law office staff.

With no local cases, things opening up again, and safety measures in place at Safeway for the workers, she went back to work at the grocery store on Monday and has already worked a couple of shifts. Suddenly, she’s aware of how many people are wearing masks, or rather aren’t wearing them.

There are Plexiglas barriers at grocery stores now, but people forget themselves. They look around them, put their hands on the sides, and aren’t keeping the distance they should. Shonna has said she feels a little more relaxed and safer when a customer is wearing a mask, because she can’t wear one herself for her entire shift.

The messaging has been clear. A reusable non-medical mask is unlikely to protect the wearer from a virus, but it might prevent an asymptomatic person from passing it on to somebody else.

People need to be reminded that you aren’t wearing the mask for yourself.

Wearing a mask tells people that whether they believe in the threat or not, whether there are local cases or not, whether it’s all a deep-state, Illuminati, government conspiracy or not, you’re wearing one to make the people around you feel a little safer.

It’s an act of community.

People talk a really good game on Facebook, Twitter, Instagram and in the comments section about how other people should behave and how people don’t care as much as they used to and how things used to be better in the world. They use words like ‘hero’ for front line workers and grocery store clerks (Shonna does not), failing to understand that those people shop for groceries, too. They go to the post office, the bank, and the coffee shop. You can’t clutch your hands to your chest, get all weepy-eyed, and share memes on Facebook supporting them, then dismiss them as a kook in a mask behind you in the checkout line.

You don’t reveal yourself by the things you say, you reveal yourself by the things you do.

I get it, I’ve been the only one in an aisle at the grocery store wearing one. I’m very healthy, have no immunity issues, and I’m not worried about getting sick. It feels a little silly or unnecessary to wear one sometimes, but ultimately it costs me nothing but a few minutes to put it on and take it off, and wash it when I get home. And if people think I’m a sheep, or a dork, or paranoid for wearing one, that’s fine. The issue is theirs, not mine.

One of my best friends has asthma, two others have high blood pressure, and more than I like to think about are entering their senior years. That puts them in the vulnerable category. I’m not wearing the mask for me, I’m wearing it for them and people like them. That doesn’t make me noble, or better than anybody else, it just makes me part of a community.

Just as we’re all supposed to wear our seat belts, stop at traffic lights, drive the speed limit (or close to it), and stop behind a school bus to keep children safe, wearing a mask in close quarters is a simple act of telling your neighbours, “I’ll look after you, you look after me, and we’ll all look silly together.”

They had to make those other things a law because people didn’t get it. They shouldn’t have to make this mandatory, too.

You might think I’m just trying to sell you more masks, but I don’t care which one you wear. There are plenty of designs out there or you can make your own. I’m also not going to tell you what to do, because there are too many people doing that already. But give it some thought, especially the next time you’re at the grocery store and see a senior citizen, somebody with mobility issues, or just the looks of worry on the faces of your fellow shoppers. Do you really want to risk getting them sick, even if that risk is small, simply because you couldn’t be bothered?

This is all so new, we’re all frustrated, and hopefully it’s temporary. It’s not that big a sacrifice.

I thought this was going to be the last pre-order I did for a while. With warmer weather, people able to socialize outside and keep their distance, the demand seemed to be waning. But now with talk of a second wave, whether that’s a real threat or not, and that more people are seeing my masks out in the world, I’m getting more inquiries. Nobody wants to be trying to find them in the fall if there’s a sudden spike in demand.

As such, SUNDAY (the 21st) I’ll send out another newsletter, with an opportunity to order more. The new 2021 calendars will be available in that one as well. So stay tuned.

If you have any friends or family interested in the masks, have them sign up for my newsletter. It has proven to be the most efficient method of getting the word out.

Cheers,
Patrick

___

© Patrick LaMontagne
Follow me on Instagram @LaMontagneArt
Sign up for my newsletter which features blog posts, new paintings and editorial cartoons, follow this link to the sign up form.

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Ripley – A Portrait

In 2014, the cast of the 1986 film, Aliens reunited at the Calgary Comic and Entertainment Expo. There were autograph signings, photo ops, and a stand-alone event one night where the cast was interviewed, and shared stories in front of an audience of thousands.

Because I was working at my booth, selling my funny looking animal prints, I missed it.

For one reason or another, sci-fi and fantasy movie fans have one favorite franchise.

For some it’s Star Wars, others it’s Star Trek, Lord of the Rings, the Marvel Universe and many others. While I can take or leave the Lord of the Rings, I enjoy those others and have seen them multiple times. Then again, I’ve seen all of the Scorsese’s stuff multiple times, too.

I just love movies.

Even though television writing has improved in leaps and bounds in recent years, and I’ve got many shows I like, I’d choose movies over TV every day of the week.

I’ve been a fan of the Alien movie franchise for most of my life, although I can’t remember when I first saw the original movies but I know it wasn’t in a theatre. I do know that the gateway movie for me, however, was James Cameron’s Aliens.

Over the years, I’ve owned the box sets in multiple formats and have watched them often. I own all six on Blu-Ray and digital and enjoy each movie on its own and as part of the whole. I could rate them in order of preference, but I’m not a militant fan-boy about it. They’re still just movies.

You won’t find me on a forum anywhere arguing continuity errors, or debating the Ridley Scott vision of the canon vs. James Cameron’s. I didn’t get angry when Prometheus and Covenant went off in a truly unexpected direction, because I’m just a fan along for the ride. They don’t owe me anything and truth be told, I like those latest movies, too.

I don’t have shelves full of toys and action figures…OK, I have one xenomorph figure, and I also have the poster for Alien: Covenant beside my desk, but simply because I love the art.

H.R. Giger’s Alien design and art wasn’t part of why I started liking these movies, but it certainly is today.

It’s fun escapism and for whatever reason, this franchise resonates with me. I can quote more lines from Aliens than from any other movie, much to the eye-rolling annoyance of my wife.

For reasons I need not explain, I’ve been pretty low the past couple of months. Lost a big chunk of my newspaper clients, the licensing momentum I was looking forward to building upon this year has been crippled,  the Calgary Expo was cancelled, along with two trips to Vancouver Island this spring and summer, and until recently, I haven’t been able to see my friends.

I haven’t slept well in quite some time and my back is killing me, both directly related to my inability to deal with stress. It’s been a shitty year so far, as it has been for everyone.

I have little motivation to paint happy animals right now, because I’m just not feeling it.

Even before the virus-that-shall-not-be-named ruined everything, I’ve fallen down in the dumps creatively from time to time. It happens to all artists.

While it usually occurs at the end of the calendar year, when the darkness and cold of winter sets in, this year it’s spring, usually my most upbeat and productive time of year. It’s a feeling that everything I’ve ever painted sucks and there’s no hope for it to get better. I’m a hack, kidding myself about my skills, might as well throw in the towel and give up this foolishness. Anyone who creates anything knows this feeling at some point.

What has worked in the past to help me shake the blues is to paint a portrait of a movie character I like. It gives me a break from the commercial stuff, reminds me why I like painting, and has no financial pressure or deadline attached to it. With a few exceptions, most of the portraits in my Character gallery were painted for my own enjoyment.

Canadian Geographic Magazine commissioned me to paint Rick Hansen in 2018, and a couple paintings have attracted attention after I posted them on Twitter years ago, most notably Martin Sheen and Canadian astronaut Chris Hadfield. The latter sent me two tweets from the International Space Station about my work, a surreal experience.  But, I don’t really expect the subject will see the portrait I paint of them.

So even though I’ve been focused on keeping my finances secure during all of this, trying to maximize revenue, my mood has been steadily declining and I needed a break.

I figured my skills might finally be good enough to attempt a painting of my favorite movie action hero, Ellen Ripley, played by Sigourney Weaver in multiple films.

My buddy Derek once asked me if she was a movie crush and no, it was never about that. What I admired about the character was that she was a regular person, put to the test. Step up or buckle, and most likely die.

At a time when women in action movies were usually just damsels in distress, T&A accessories for the men who would ultimately save them, Ripley became a leader who held it all together and kicked some ass, even though she didn’t want the hero role.

Say what you want about James Cameron and the stories about him being difficult to work for, but he’s always written great roles for strong independent women. Sarah Connor in Terminator, Rose in Titanic, Lindsey in The Abyss, Neytiri and Grace in Avatar, and Ripley in Aliens.

True, Ridley Scott birthed the Ripley character in the original Alien movie, but it was Cameron who allowed Sigourney Weaver to turn her into a badass.

Interesting side note about James Cameron’s creative skills, it was his hands drawing the portrait of Rose in the movie Titanic. He was drawing right handed for those scenes but is actually left handed. He also drew all of the sketches in Jack’s portfolio for that film.

Throughout this painting, I found myself rushing it at times and having to stop myself. This wasn’t a deadline, I had all the time in the world, and the whole point was to enjoy it, get lost in it, and to improve my skills with the work.

While watching the movie again to find reference, I had a lot of options. I could have painted her with the pulse rifle in the action hero pose, the alien eggs around her, ready to start firing. Maybe in the power loader suit doing battle with the Alien Queen, or standing outside on the planet after they realized they were stranded on LV-426, right after Newt says, “They mostly come at night. Mostly.”

I know, I’m descending into nerdy stuff here. Bear with me.

Ultimately when I choose to paint a character, there’s usually a look I see on screen, combined with the right lighting and I just know that’s it.

This painting is from a scene close to the end. The colony has been blown up, the drop ship has returned to the Sulaco in orbit and Ripley is telling Bishop that he did okay. Seconds later, the Alien Queen emerges from the landing gear, tears Bishop in two and starts looking for revenge.

It’s at that moment, Ripley looks up at the Queen in disbelief, but realizes once again that it’s either step up or run and hide. That’s the moment I painted.

Not long after, Ripley steps out into the light in the power loader and says one of the most memorable lines in movie history.

“Get away from her, you bitch!”

The two hardest parts of any painting is starting and finishing. Getting those first lines of the sketch down, convincing myself, “I can do this,” while a louder voice in my head says, “No, you can’t.”

Eventually I come to a moment when I have to say, “This is the best I’ve got right now” and call it finished, while that other voice is saying, “well your best ain’t much.”

It happens on every single painting.

In between those moments, however, it’s like working clay, smoothing out the curve of a cheekbone, lightening a shadow that’s too dark, choosing colours, angles, highlights, a hair here, another there, and putting in the hours, all in search of an accurate likeness and bringing a vision to life.

A likeness in a portrait isn’t about getting the features right, it’s about the relationship between those features as well. I could paint the eyes perfectly, but if the nose is too far away from them, or the angle of the mouth is wrong, the whole thing falls apart.

It’s a balancing act, zooming in and out, squinting, painting tweaks here and there, flipping the canvas and reference back and forth to see what I’m not seeing, shutting it down and walking away, only to open it again the next day and instantly see something I need to fix.

Finally I had to call it done; knowing that a year from now, I’ll look at this and think I could do a better job of it. But that’s art for you; it’s the epitome of the cliché about the journey vs. the destination.
As for the whole cast coming to Calgary that year, my priority was my booth, not signatures and photo-ops. The video of the interview session in the corral was put online later on, so I still got to watch all of that after the fact. I enjoy behind-the-scenes stories of movie making, especially ones I’ve enjoyed for years.

I did share an elevator with Lance Henriksen, who played the android Bishop, at the Palliser Hotel that week, twice in fact. I didn’t embarrass myself, and simply said it was nice to see him and I hoped he enjoyed Calgary.

Shonna and I and our friend Michelle were having a late dinner one night in the lounge, when almost the entire cast of Colonial Marines from Aliens came in to have a drink together. Peppered around the room were other celebrity guests. It was quite the surreal environment, but in true Canadian fashion, nobody approached or bothered them, mindful that they deserved their downtime too.

I never did see Sigourney Weaver or Bill Paxton that week, but I was fine with that. Had I the skills to have painted this portrait then, I might have lined up to have Ms. Weaver sign it, but that would have been an exceptional circumstance.

At the end of the Expo that year, while everybody began tearing down, a voice came over the loudspeaker. I don’t know if it was live or recorded earlier, but Bill Paxton recited some of his most famous lines from Aliens, including Hudson’s “Game Over, Man”, with intentional overacting.

After five long days, the vendors and staff exhausted, weary and wanting to go home, the place went nuts with cheers and applause. That’s one of my favorite memories from Expo, and a little bitter sweet. Paxton died four years later at 61, complications from surgery to repair a damaged heart valve.

I don’t know what I’m going to paint next, will need to give it a bit to see if this portrait shook loose the creative cobwebs, but I’m glad I made the time.

Cheers,
Patrick

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© Patrick LaMontagne
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Two Prints, FREE Calendar

As of this morning, I’ve added five new prints to the online store, the first time these paintings have been offered. They are, in order of appearance below, the Clearwater Calf, Sire, Ring-tailed Lemur, Roar and Snow Day.


My 2021 calendar from Pacific Music and Art has launched and I received my first shipment last week. This year’s theme is BEARS, an animal I greatly enjoy painting, and have done so often.


For the launch of this calendar, I’m offering a limited time special promotion.

It’s very simple…Buy any TWO prints in the store and receive the 2021 calendar FREE. That’s a $12.99 value. You don’t even need to let me know that you want the calendar. I will automatically include ONE calendar in any order of two or more prints. There are 43 different prints available, you can check them out here.

For those who just want to purchase the calendar, I’ll have that option available once this promotion has ended.

IMPORTANT: Due to the COVID-19 restrictions and safety measures, shipping takes more time these days, even with tracked packages, so please be patient with delivery.

Cheers,
Patrick

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© Patrick LaMontagne
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A Little ‘Bout Licensing

“That was a great idea you had with the masks!”

I’ve heard that many times over the past few weeks, and as much as I’d like to take credit for it, I always set the record straight.

Yes, the artwork is all mine, and I put a lot of work into designing (redesigning and redesigning again) the templates for the masks.

But the idea was Mike’s. He’s the owner of Pacific Music and Art.

Like many self-employed in the gig economy, I’ve lost a number of clients during this pandemic, primarily weekly newspapers. Many of these losses are supposed to be temporary, but I suspect some won’t come back. A lot of businesses operate with a small profit margin, so for some, this shutdown will be the last straw.

The other half of my business is my funny looking animal paintings.
 I’ve had a number of licensing contracts over the years. My work has appeared on T-shirts, decals and cases for devices, print-on-demand canvas and prints from quite a few international companies, and thanks to my relationship with the Art Licensing agency, there are new ones popping up all of the time. Right before this current COVID-19 situation landed in our laps, I approved a deal on puzzles for a number of my designs. I have no idea when that will become a reality, but that’s the nature of licensing.

Most of the time, especially if it goes through an agency, the artist’s involvement is minimal.

In a traditional licensing arrangement, the artist supplies the images to a company or agency under contract, which often has a term limit of anywhere from 2 to 5 years. A royalty percentage is agreed upon by both parties, along with a payment schedule, usually quarterly.

Licensing is not a get rich quick process. There is a lot of time between the initial signatures and making any money. To put merchandise into production, find an audience, and to generate sales, it can take years before a design produces revenue and even then, it often doesn’t. I’ve got a couple of licenses where I see less than $100 a year.

At the end of a contract, usually with 90 days written notice, both parties decide if it’s worth continuing with the agreement. I’ve terminated licenses I no longer felt were in my best interest and I’ve had companies end contracts because my images didn’t reach their sales quotas.

A company called The Mountain used to sell my work on T-shirts. I was pleased with the monthly cheques, but after 6 years, the company sold, they went in a different direction and my portfolio was no longer what they wanted. I was disappointed, but it ended as well as could be expected. They do still have the license on one design, however, my Ostrich painting. It shows up in the strangest places, too.
In a generous gesture, the former owner of the company sent my work to Art Licensing and I’ve been with them for several years now, having gained many new contracts as a result.

There are many websites and blogs whose whole focus is art licensing, because it’s such a broad topic.  I’m no expert, but I learn more all the time, mostly hard lessons on what not to do.

I’ve had bad licensing experiences, including an early one that could have gone horribly wrong if not for some advice from a lawyer instructor at Photoshop World one year. He told me that the license was toxic and that I should, “Get out, immediately.”

That company said all the right things, made all of the right promises, and I wanted to believe their bullshit, which made me an easy mark. They kept avoiding a written contract, a big red flag.

One of the best pieces of advice I ever got was from a New Hampshire licensing lawyer I hired to go over my contract with The Mountain. She said you’ll find out everything you need to know about a company the minute you tell them you’re having your lawyer look over a contract.

If they get angry, act offended or insulted, or try to prevent you from doing so, they’re not a company with whom you want to work. Contract negotiations are part of the business and both parties should expect that.

When I told The Mountain I was going to have my lawyer look at the contract, they simply told me to contact them when I was done. My lawyer went to town on the contract, made lots of changes, and when I sent it back, some of them were accepted, others were not and I was pleased with the end result.

At that point, my involvement with the process was over. I’d complete a new painting, submit it to them, they’d tell me if they wanted it or not, and make an amendment to the contract for that image.

Most of the time, I have little contact with a license after the initial contract is signed.

Licensing allows me to reach a larger audience and get my work on different products. These companies have the contacts, resources, focus and reach that an individual artist could never have on his own.

They do all of the grunt work, the marketing, the sales and production, and the artist gets a royalty. When an agency gets involved, that royalty gets smaller. But an artist makes his or her money on the volume of sales, not on the individual percentage. If you make 30 cents on one coffee mug, it seems like nothing. But if you make 30 cents on 10,000 of them, now you’re talking.

It’s the same as my nationally syndicated editorial cartoons. I don’t make my income on one weekly paper in Saskatchewan. I make my income on many papers across Canada running the same cartoon or one of the seven I do each week.

With licensing, you can make revenue for many years after a painting is created. I have several current bestselling images that I painted many years ago. While older paintings are being sold over and over again, I’m free to paint new images for future licensing.  

For many years, I had a print and canvas commission deal with a store in Banff called About Canada. The owners were very nice people, paid me every month for print sales, told me what was working, what wasn’t, and I enjoyed the relationship. They required exclusivity on my prints in Banff. Since I made good money from their store, I was willing to do that.

A couple of years ago, they decided to sell the store and retire. Since I would no longer be held to exclusivity in Banff, and I knew they worked with wholesalers, I asked them for advice on who I might contact.

Sending each a personal email, Richard generously recommended me to two companies. Both offered me contracts and I decided I wanted to work with Pacific Music and Art.

The other company was much bigger and more international, but because of my relationship with Art Licensing, I already knew what it was like to be one artist among hundreds of others within a company. Even though they’re professional and friendly in our interactions, I’m a small fish in a very large pond.

With Pacific, I had a better chance of being a big fish in a small pond. I wanted to have the ear of the owner of the company, to have a hand in some of the decisions, to make sure my work looked the way I wanted it to look. That’s often not possible, nor practical, with a large corporation, at least not until (if ever) you’re one of the top horses in their stable.

I’ve long admired the work of Sue Coleman. She’s one of those artists where even if you don’t know her name, you’ve seen her paintings. Her work is licensed through Pacific Music and Art, which I took as a good sign.

Pacific Music and Art is a different animal altogether, a unique relationship unlike any other license I’ve signed.

I signed my contract in October of 2018. They now have over 50 of my paintings available to retailers on art cards, magnets, coasters, notepads, trivets, aluminum art and many other products. I create my own designs for each of those products, based on their templates. It’s a lot more work, and not normally part of the artist’s responsibility, but I like having input on how my work will look on a product.

Mike has final say on everything, decides whether or not a painting becomes part of the catalog and he’ll suggest animals I might consider, but I enjoy having a voice in the process.

As a result, over the past couple of years, I can’t tell you how many times a friend or family member has sent me a photo of my art from a gift store located somewhere I’ve never been.
A good friend sent me a picture of my Eagle painting on notepads from Harrison Hot Springs, BC. Somebody else sent me a pic from a store in Oregon, another from Alaska, and a whole display of my art on products at the Banff Springs Hotel.

I painted two pet portrait commissions early this year, the client having found me after seeing my work in a Vancouver Island ferry terminal gift shop.

Like many artists, I’ve been ripped off a lot over the years, and have sent cease-and-desist orders to stores and companies. Because people who know me well are aware of this, they’re often on the lookout for my stuff and when they send the pics, they ask, “Is this legit?”

Thanks to Pacific Music and Art, it’s been my pleasure to answer most of these recent suspicions with a virtual thumbs-up.

My art is now sold to retailers all over British Columbia, Alberta, Alaska, the Pacific Northwest of the United States and is expanding into many other areas in Canada and the US thanks to recent trade show introductions to new markets.

Pacific Music and Art launched my first calendar in 2020, which was very popular. It sold in Save On stores across Western Canada. My 2021 Bears calendar was just released this week.
Of course, COVID-19 has thrown a wrench into the gears this year and the forward momentum has slowed significantly.

I was supposed to be on Vancouver Island right now, returning home this Tuesday. For the first few days, I was going to be in Victoria, spending time at Pacific Music and Art. Mike and I have met in person a few times, but here in Canmore. He was going to introduce me to some of his best clients out there and I wanted to see his operation.

I was going to visit Harlequin Nature Graphics in Cobble Hill, a company that sells my work on T-shirts. I had planned to meet Sue Coleman at her studio north of the city, and then I was going to be out in Ucluelet and Tofino for five days, taking reference photos on wildlife tours for future paintings.

As we’ve all experienced this year, plans change. Now that we’re beginning to open up, I’m hoping those changes begin to trend positive.

When Mike first brought up the idea of the masks, we had a discussion about the possible perception of profiteering. We came to the easy conclusion that it didn’t fit the definition. We weren’t claiming these to be medical masks, and many retailers were encouraged to produce reusable cloth masks in order to meet the demand. The pricing model was reasonable compared to similar products, and it was simply adapting to a new situation, in order to keep our respective businesses solvent.

It’s no different than a restaurant that had previously only offered a dine-in experience, now shifting their business model to takeout and delivery. Distilleries are making hand sanitizer, sign companies are making plexi-glass barriers and auto manufacturers are making ventilators. A company in BC that makes dog beds has shifted to making medical masks and protective clothing.
The face masks required a lot of work. Pacific Music and Art had to source the blanks, purchase and learn the printing equipment, solve fitting and design problems, deal with slow shipping, adapt to supply chains that suddenly stopped, and more. I had to redesign the masks three separate times to account for variables we hadn’t anticipated, spent hours of work tweaking them, while still drawing my daily editorial cartoons and trying (and failing) to find time to paint.

Throughout the process, Mike and I spent a lot of time on the phone and Face-time, exchanging emails and texts. Given the stress of the situation, dealing with our own personal challenges, we annoyed each other more than once, but managed to work through the frustration for a positive result.

I have had one day off since the middle of March. I’m tired and worn out. And yet, I know that Mike has worked even harder than I have, under some difficult circumstances of his own, not the least of which is a stressed-out, obsessive, perfectionist, worry-prone artist type from Canmore.

So while I’m not having a good time right now, I’m disappointed I missed out on the trip to the Island, and I look to the future with more uncertainty than ever before, I’m glad I chose Pacific Music and Art over that other company and that they chose me as well.

And once we’re all out in the world again, if you happen to see one of my funny looking animals giving you the eye from a store shelf in some far off place, please take a photo and send it to me. I love that.

Cheers,
Patrick

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© Patrick LaMontagne
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Good News Comes in Threes

Now that some businesses and services are opening up again, I’ve realized how many little things I take for granted.

My eye appointment last Monday for new glasses was a strange experience with all of the precautions, but I was grateful to have had it after I broke my frames weeks ago. Looking forward to the new ones, as a piece of duct tape is holding the current ones together.

The week everything shut down, I was supposed to have my teeth cleaned, something I do three times a year. Our hygienist has been looking after Shonna’s and my teeth for more than twenty years and has never seen me as happy about an appointment as I was yesterday.

Because of how busy they are at the best of times, I book my haircuts months in advance. Obviously, I have missed the last two, but I’ve got another booked for next Thursday. They’re not open yet, but I’ve got my fingers crossed.

Shonna and I went to Costco in Calgary for the first time in three months on Tuesday. We spent a lot more than we usually do, but we’re set for a while on the stuff we use most. They were well organized, and we went on a Tuesday morning, so it didn’t take long at all.

I noticed quite a few people wearing masks while we there. We were both wearing my Lion Face design and got quite a few appreciative looks. One woman asked where she could get one, so I suggested she follow my newsletter for when the next order would be available. She opened her purse on her cart, stepped back to maintain physical distancing and asked me to drop my card into it—what a strange new dance we’re all doing.

Here’s a selfie I took in Costco to send to a friend.
Which brings me to…

The Next Face Mask Order

The masks from the first order have all been delivered or shipped. I know many still haven’t received them with the mail moving a lot slower these days. But some of you have been sending me photos the last few days of you or your families wearing your newly received masks, and I’ve enjoyed that a lot. Some of them have made me laugh out loud.

So if you want to send me a picture of yourself in your mask, please do! And if you’re OK with me sharing it on my Instagram profile, let me know if that’s OK, too.

I heard from several newsletter followers who were disappointed they missed out on the first pre-order. For one reason or another, as happens to all of us, they missed that email.

With that in mind, this is the TWO DAY warning that the next mask pre-order will be happening on Saturday, May 23. Just as I did with the last one, I will be announcing it Saturday morning, sending out the options, pricing, and when you can expect them.

Pacific Music and Art went through a gauntlet of challenges with the first order, but they’ve worked out the bugs, supplies are on hand, and we aren’t expecting any delays.

Sign up for the newsletter here. Please don’t send me any orders until after I send the next newsletter on Saturday. Because of the work involved taking the orders and that I still have other editorial cartoon deadlines on the weekend, there will be a 24-hour window to get your order in.

Calendars


My 2021 calendar from Pacific Music and Art has launched, and the first shipment is on its way to me right now. I expect to receive it any day, might even be today. I’ll be offering those for sale sometime next week. The theme for my second calendar is BEARS, which is appropriate, considering that it’s National Bear Awareness Week.

I received my first sample with the last order of masks and was quite pleased with it. It’s funny that six of these bear paintings are of Berkley from Discovery Wildlife Park, and two of the black bears live there as well.

Prints

I’ll be uploading half a dozen new prints to the online store next week, and spending a good part of today putting those together. There will be a promotional offer combined with a calendar that will go along with that, with more details to follow soon.

Thanks for stopping by, and I hope you’re all doing well.

Cheers,
Patrick

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© Patrick LaMontagne
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Face Masks: The First Order

In addition to the usual daily editorial cartoons, this business of face masks has occupied the majority of my last few weeks. The response from my newsletter subscribers was overwhelming and far exceeded my expectations. While there were delays for various reasons, and I sent regular updates to those who ordered, it all came together this past week.

With two shipments from Pacific Music and Art, three evening visits to Shonna’s work to use the postage meter, four visits to the post office, and one trip to Bow Valley Basics when I ran out of large bubble mailers, not to mention the hours of sorting, checking and double-checking the list, it’s been a challenge.
I made two trips around Canmore delivering masks, one trip to Banff yesterday morning, and by the end of day yesterday, the bulk of this adventure has been completed.

(I did come home from Banff with home-baked cookies. Thanks, Helen!)

As of yesterday, all of the Canadian orders have been delivered or shipped. There are a couple more minor deliveries I need to make, and the U.S. orders will go out Tuesday morning. Monday is a holiday here in Canada so the post office will be closed. The US orders are a little more work with Customs forms and the fact that they have to go as small parcels, rather than regular large letter mail like the Canadian shipments.

The masks just didn’t arrive in time for me to get all of that done by the cut-off yesterday.
I sent a bunch of masks to Discovery Wildlife Park and The Alberta Birds of Prey Foundation yesterday, both places I’m anxious to visit as soon as I’m allowed. My friend Serena said they can’t wear masks around the animals as it freaks them out, but I donated them for the keepers to use in their regular day to day lives wherever it might be required.

The first orders were sent Wednesday morning and some in Calgary already got them. People have been kind enough to send me photos, which was fun to see. I’m sharing them here with permission.

I’ve been getting many requests for a second order, but making no promises, as this situation seems to change every five minutes. Right now, the demand is incredibly high but I don’t know if that will continue. It seems some are switching gears from extremely diligent to, “screw it, who cares?”

For example, Alberta was still advising caution on Thursday, and then yesterday announced, “Hey, it’s the long weekend, have at ‘er!”

I’m not sure how a large group of people having a backyard BBQ are expected to keep a 6 ft. distance outside, but then all go into the house to use the same bathroom and hand towels. Not to mention that it’s well established that alcohol and impaired judgment go hand in hand. Hopefully, in hindsight, this won’t be referred to as the Victoria Day Petri Dish Debacle.

Guess we’ll see what happens.

All of the masks contained an additional method of ensuring a good fit.

Some received a little packet inside containing a couple of rubber grommets. Since the actual grommets are still on back-order, the owner of Pacific Music and Art tried a number of different solutions and came up with surgical tubing. He then cut it into little pieces, and included instructions on how to attach them. Because I wanted to make sure I had all of the masks for the orders, I only took one mask out for myself this week; to wear into the post office and other confined spaces. The grommet solution worked very well. They stayed in place and allowed me to put the mask on and take it off without touching the front of it, which is what ‘they’ advise.
While that first shipment arrived with the grommets, the second shipment included plastic pieces that go behind your head. The ear loops attach to different prongs and make it adjustable. Some have been calling these ear savers, as thin elastic ear loops are irritating the wearer. In the limited time I wore my mask, I found the grommets worked well and didn’t find the loops to be a problem.

Some orders will receive a mix of grommets and those plastic fasteners.
Production costs were higher than expected and prices have been adjusted accordingly. If you did get the plastic piece, count yourself fortunate. On future mask orders, those will be an add-on with additional cost of $3.00. The masks themselves have gone up in price. $15.99 for the large, $14.99 for the small.

So while my newsletter customers had to be patient through delays on the first order, they got the masks at a much better price, with additional fasteners at no extra cost.

I’ve had three people this week tell me to send them a text when the next order is available. That’s not realistic. For any future offers, sign up for my newsletter, as that’s where I’ll announce it.

Since I haven’t had any time to do so lately, I wanted to get up and start a new painting this morning, but that didn’t happen. I still have plenty of work to do today, but I’m not in the right frame of mind for the creative stuff. I’ve been hearing a lot about idle time and boredom during this isolation and how people are trying to occupy themselves. I haven’t experienced any of that. I’m worn out.

Thanks to all who ordered the masks and were so patient throughout the process.

Cheers,
Patrick
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© Patrick LaMontagne
Follow me on Instagram @LaMontagneArt
Sign up for my newsletter which features blog posts, new paintings and editorial cartoons, follow this link to the sign up form.