Digital Painting Archives - Page 23 of 35

Posted on April 4, 2015April 4, 2015 by Patrick LaMontagne

Polar Bear Totem

Here’s my latest painting, the Polar Bear Totem. I’ve mentioned before how I never really know when I’m going to paint a specific animal. I’ll keep reference photos for some animals for years before using them, waiting for the time to seem right. In other cases, I’ll get the urge to paint an animal and go searching for reference right before I start the painting, as I did for this one. I bought several stock photo images and used all of them in the painting of this bear, although as always, no photo is part of the painting, only used for reference. It was painted in Photoshop CC on my Wacom Cintiq 24HD display.

In my experience, if I paint an animal for commercial purposes alone, it often doesn’t end up working for me or it turns out to be less than I’d hoped for. The Magpie and Ground Squirrel have always felt like that for me, because I painted them for my first gallery in Banff, rather than for myself.

On many occasions, I’ll enjoy working on a painting, but I’ll feel the finished result just isn’t as good as it could be, so it’ll take me some time away from it until I feel good about it. Even then, some of my most popular paintings aren’t my personal favorites.

Thankfully, this one felt special and the final few hours were some of the most enjoyable I’ve spent painting this year.

Initially, I wanted to have this done for the upcoming Calgary Expo show in less than a couple of weeks, but to make my deadline to get all of my prints done, allowing me time to sign and package them, it would have had to have been done a couple of weeks ago. I was feeling rushed, looked at how many prints of images I was already bringing and it became clear that I didn’t need it, so I decided to take my time. I’m quite pleased that I did as I’m very happy with the result.
I’ve always loved bears, even though I’ll admit to an irrational fear of them, which sometimes does put a dark cloud over camping trips. I live in bear territory, specifically blacks and grizzlies. Despite the fact that I hike alone quite a bit, and have seen plenty of bear sign, I’ve never run into one in the wild, which after twenty years in the Bow Valley, is kind of odd. But I’m ‘bear aware’ as they say in these parts, carry bear spray and know what to do if I encounter one. In most cases, as long as you don’t startle them or they aren’t feeding or with cubs, they’ll want to get as far away from you as they can. Even if they charge you, it’s often a bluff, and if you can keep your wits about you, they’ll stop short of contact or veer off and hightail it in the other direction.

I’ve worn a black bear’s tooth around my neck for many years now, given to me by an acquaintance years ago in Banff. He’d found it somewhere in Quebec years ago, still in the skull, and it’s very old. I had a jeweler friend craft a silver bezel setting for it so I could wear it on a chain.

The first Totem I painted was a Grizzly, but it hasn’t felt right yet to paint a black bear. Sooner or later, it’ll show up, I’m sure.

Why I felt the time was right to paint a polar bear, is beyond me. Perhaps it’s the increased frequency of their mention in the news, associated with climate change and the expected loss of their habitat. Scientists fear that polar bears, while very adaptable, show no inclination to survive solely on land. They thrive on sea ice, that’s their habitat, and when it’s gone, likely they will be as well. A recent CBC report stated that ‘Inuvialuit traditional knowledge’ says the bear numbers are actually fine, so as in all things, the truth of their future lies somewhere in the middle, although they are classified as a threatened species.

The polar bear has no natural predators other than man. Classified as a marine mammal, it’s carnivorous and a skilled hunter. While they will avoid encounters with humans when they can, they aren’t fearful of us and have been known to kill and eat people. Considering how many of them have been killed by humans, I say turnabout is fair play.

I’d like to visit Churchill, Manitoba one day and take one of the polar bear tours, to see them in their natural surroundings.

If you’d like to receive my newsletter which features blog posts, new paintings and editorial cartoons, follow this link to the sign up form. Thanks!

Posted on March 2, 2015 by Patrick LaMontagne

Tiger Totem

The latest in the series, this is the Tiger Totem. Specifically a Malaysian Tiger, but most people won’t be too concerned over the species.

It’s funny how these always turn out. I start with a vision in my head of what I think it will look like but every Totem always becomes something different than what I’d expected. I don’t think that’s a bad thing, because the final image is usually a pleasant surprise. For example, with this painting, I rather expected the tiger to look stern and a little menacing along the lines of my Cougar Totem. Clearly it didn’t end up that way, but I kind of like it.

I’ve often said that the personality just shows up at some point in each of these paintings and this one was no different. Many artists will speak of their muse, that ‘other’ that contributes to their work, provides a spark that isn’t entirely their own. Define it how you will, but it’s that which infuses these animals with something that doesn’t quite feel like it was mine to begin with. So when the personality shows up and is different than what I’d envisioned, I just go with it.

When I posted this online yesterday, one person said that this one looked a little more anthropomorphized than my others. That’s basically a ten dollar word (one I’ve always liked) to describe a human quality or character in something that isn’t human. It definitely fits for my work. As for there being more or less in this one, that’s up to the viewer and I would refer you back to the previous paragraph.

A couple of other people said that it looked like the tiger was taking a selfie. Likely it’s because of the lighting and the way I painted the body below the head, making it look like his front legs are outstretched. In point of fact, the tiger was resting on his front legs in the reference image and I decided to keep that pose. Did I get it wrong? Maybe. Do I wish I could change it? No.

Each of these paintings comes with a decision tree where one choice leads to another and so on. I thought about putting foliage in the foreground, might have added more depth. I thought of putting a darker and lighter background. The reference featured the entire body of the tiger and I thought about putting more of that in as well. But my Totems are all about the detail and I can only show that in a close-up of the face on a larger animal. Somebody else might have chosen differently.

Just as I paint what I see, everybody sees something different as well. If to some it looks like he’s taking a selfie, then that’s what it looks like, and they’re not wrong. I’ve learned that with signature or niche pieces, creations that aren’t done for a client or somebody else, an artist just has to paint what they see and separate themselves from the result and how others will interpret it.

Some will love my work, some will downright hate it, and there’s nothing I can do about it. It’s a constant struggle to be at peace with that and every artist I know has been through it.

This was painted in Adobe Photoshop CC using both a Wacom Cintiq 13HD and Cintiq 24HD displays. Photos were only used for reference and the painting was done entirely with brush work. On a personal note, a big thank you to Alan Hess, a photographer friend who gave me the main reference photo I used for this piece, a shot he took at the San Diego zoo. I’ve had the photo for many months, but it finally felt right to paint this Totem.

Alan is a talented professional photographer, author and instructor. I would recommend taking a look through the images on his website as you’ll find some great shots on a wide range of subjects.

Thanks for stopping by.
Patrick

If you’d like to receive my newsletter which features blog posts, new paintings and editorial cartoons, follow this link to the sign up form. Thanks!

Posted on January 12, 2015January 12, 2015 by Patrick LaMontagne

Lemur Totem

My first Totem painting of the year, this is a Mongoose Lemur. While many people think of the Ring-tailed species when you mention Lemur, mostly due to the animated movie Madagascar, I painted this species because of all of the reference pics I’ve shot at the Calgary Zoo. The resident lemurs are free-roaming with no cage or glass between them and the people wandering around inside the large rainforest enclosure. They don’t move all that fast and are very cooperative models.

While this little guy (or gal) is very cute, you might wonder why I made the choice to put so much work into it and add it to my Totem series, since mongoose lemurs aren’t as universally popular as say, a wolf or grizzly bear. From a marketing perspective, it might seem like this would have been a better sketch painting. But, one thing I’ve learned from painting these animals is that I usually get the best results when I put the time and work into the ones that just feel right at the time.

In the past, I’ve forced specific animals, painted them solely because I thought they’d be good sellers. One in particular, the Magpie Totem, I did for that reason. These birds are in abundance in this area, they’re interesting in appearance, exhibit amusing behaviour, and the tourists seem to be fascinated by them. An apt description by one of my former local editors is that, “they’re just crows with better fashion sense.”

The first gallery that sold my work in Banff, the manager suggested I paint a magpie because the tourists often asked him what that bird was they kept seeing. So that’s exactly what I did, even did some of the painting at a live demo in the gallery. Even though people do buy it, it is probably my least popular Totem painting and I learned a valuable lesson. From then on, I decided to paint the animals I want to, when it feels right to do so.

In the case of our little Lemur friend, I’ve had reference for this one for well over a year and it just felt like the right time. I don’t know if it will sell well or not, but I had a great time painting it and the fur was a real challenge. It’s made up of very short hairs packed tightly together, so I had to experiment with my hair and fur brushes to find the best way to go about it. In the end, it simply required putting in the time to get it right. Looking forward to seeing this one in print.

Here are a few images of this painting at different stages. This was painted in Photoshop CC on a Wacom Cintiq 24HD display. It’s all brush work and photos were only used for reference.
If you’d like to receive my newsletter which features blog posts, new paintings and editorial cartoons, follow this link to the sign up form. Thanks!

Posted on December 21, 2014December 21, 2014 by Patrick LaMontagne

Another great year, looking forward to the next.

Coming up on the end of another year and while it’s just a date on a calendar, having these periodic markers along the way does give a person a chance for reflection and to make plans for the next go round the sun.

I’ve been fortunate that every year in my art career has been better than the one that came before it. 2014 was no exception. Always learning and improving my skills, the challenge this year was to keep my eyes on where I’m going, despite the distractions that tempted me to lose focus. It’s easy to look at what other artists are doing and to wonder if they know something you don’t, but in my experience, we’re all just winging it, no matter what profession you’re in.

This past year, I found myself doing a lot of sketch paintings, simply the term I use for what I consider unfinished work. Some of those went further to become finished paintings in my Totem collection, others ended up being practice pieces, and still others sold well as prints, even though that hadn’t been my intention at the beginning of the year. I plan to do a lot more of that type of work in 2015, as I really enjoyed it.

In the spring, my wife and I were once again working my booth at the Calgary Comic and Entertainment Expo, our second year at that event. As it was a big success for us, I’ve been signed up for the 2015 Expo almost since the last one ended. I’ll be trying a few new things with print sales this year and I look forward to participating in their tenth anniversary. We also plan to have a booth at a few other trade shows during the year.

I painted my first landscape in 2014, an enjoyable personal project I did just to see if I could. I doubt that I’ll become a landscape artist anytime soon, but I’ve still got a few ideas I’d like to bring to light, so there will likely be one or two in the coming year, along with some experiments that may or may not involve animals.

One of the reasons I chose that particular image to paint, a landmark called White Face Rock, was that I had fond memories of Ucluelet, British Columbia, somewhere my wife and I had vacationed a few years ago. I decided to go back this year on my own in June for sort of an artist’s retreat and it ended up being one of the best experiences of my life so far. I rented a little cabin off the harbour for four days, took three days of wildlife cruises through Barkley Sound, brought home plenty of photos and thoroughly enjoyed myself. That trip also gave me the opportunity to get my work into two new galleries in Ucluelet and Tofino. In the New Year, I plan to go back there and will stop in at some other places along the way. I still have reference photos I have yet to use from the last trip and I plan to get to some more of those soon.

One of the more valuable life lessons I’ve learned is to make time for personal projects. Seems each one ends up yielding unexpected benefits. One such project this year came from finding a nest of Great Horned Owls up at Grassi Lakes here in Canmore. After watching the family of owls for a couple of weeks, taking plenty of photos and doing some sketch paintings, I ended up with a painting that I called, ‘One in Every Family.’ It was a departure from my usual style of animal paintings.

At Photoshop World in Las Vegas this year, that painting won me the Best in Show Guru Award, the second year I’ve received that honour. A nice surprise bonus of that award was winning a Canon 5D Mark III camera, a professional piece of hardware that I am enjoying learning how to use. I’ve discovered that photography as a hobby has opened new creative avenues for me, especially since it contributes directly to my work. I take the camera with me whenever I go hiking or for a drive and it has helped me get even better reference photos for paintings. Funny how things work out.

While I’ve got plenty of fond memories of Photoshop World in Las Vegas, having attended five times, made plenty of friends and learned a lot, this year was a high note and I think a good ending for me for that particular event. I don’t think I’ll be going back anytime soon, certainly not in 2015. I’ve learned never to say never, but there are plenty of other experiences and trips I’d like to take. The world’s a big place.

In August, I met a gentleman named Bruno, a vendor at one of the Canmore Market booths. I just liked his character and felt the urge to paint him, another personal project. He was willing to participate in the experience and I ended up doing a portrait piece that I was quite proud of.

Since then, I’ve gotten to know Bruno and he has been giving my wife and I a crash course in the community and inner workings of the artist trade show circuit in Western Canada. We’ve been learning a lot and planning to venture into that world a little more as a result. Serendipity once again. I will be doing more portraits in the coming year.

And finally, one of my favorite pieces this year was the commissioned painting of Denzil, one I consider to be my best work to date, at least when it comes to a realistic rendering. It raised the bar for what I will now consider a finished piece and it’s going to make me try harder. Many times I’ve finished a painting and thought, “that’s it, I can’t do better than that,” and I’m always wrong. With time and practice comes more skill and that applies to everyone and everything, no matter what you do.

I’ve no desire for time to move quicker than it already does, but I find myself excited to think about the paintings I’ll do five years from now.

For the next year, I’m playing the long game. I’ve met with and hired a local designer friend and neighbour who is going to help me bring a book of my artwork into reality, something I’ve wanted to do for years. Up until now, I didn’t feel I had enough pieces with which to populate the book I had in mind. I still don’t, but by the end of 2015, I will, so there will be a lot of painting this year. Before I commit to anything else as the year goes on, that will be front of mind.

It’s with quiet confidence that I close out 2014, with great expectations for the coming year. I see no reason why the recent trend should not continue and I look forward to 2015 being better than the year that came before it.

If you’re reading this, you’re probably a follower of my work. Perhaps you’ve purchased my prints at the galleries, online or at Expo, or you’ve been a client that hired me to paint one of your fuzzy faced loved ones. You might follow my Facebook page, Twitter feed, or subscribe to my newsletter. You might be one of my many editors across Canada who sees fit to publish my cartoons on your editorial page. Maybe you’re one of those friends or industry colleagues I’ve been fortunate to know and work with over the years. No matter where you fit in with your support of my daily work of drawing and colouring all day, please accept my sincere thanks. I do appreciate it.

My very best to all of you in the coming year. Take chances, start checking items off those bucket lists, don’t wait to live the life you’ve imagined. It is well worth the risk.

If you’d like to receive my newsletter which features blog posts, new paintings and editorial cartoons, follow this link to the sign up form. Thanks!

Posted on December 11, 2014December 11, 2014 by Patrick LaMontagne

An Opportunity to Give

A couple of weeks ago, I was asked by the Banff Community High School to speak to their digital media and art classes about the type of work I do.

In the past, these presentations have been more about editorial cartooning, especially when students are studying politics and current events. It provides a window into the difference between journalism and opinion, satire and commentary. There is value there, and I think those talks are important, too, but my passion lies with the other artwork I do, so I was really looking forward to this one, as it was about the art, not the politics. To paraphrase the teacher who contacted me, it was basically an opportunity for students to be exposed to yet another creative medium of expression, one they might not have considered.

I’ve had plenty of folks give me a leg up in my relatively short career as an artist and whenever an opportunity like this comes up, I realize it’s my responsibility to pay that forward. So, if I’ve got the time, I’m happy to help if I can.

I was scheduled to do two presentations to two different age groups. A slide show of my work, a little background on how I got into it, the type of work I do, plus a glimpse into how the actual drawing and painting is done.

In the back and forth emails leading up to the presentations, I became aware that the Banff Community High School didn’t yet have any drawing tablets. School budgets being what they are, students often don’t get all that we would like them to have. I thought that showing them how to draw and paint digitally and then denying them the means to do so would be a little cruel on my part. Hey, look at this delicious candy I’m eating…you can’t have any.

Over the past decade, I’ve been fortunate to have made some valuable contacts in this industry, and some even better friends. While I’ve used their products since 1997, it wasn’t until 2010 that I started getting to know a few people at Wacom quite well. Over the past four years, I’ve done webinars, tutorials and hangouts with them; written blog posts, recorded videos, done demos at their booth at Photoshop World, and even ran a booth on my own for them in Calgary at a Kelby Training Seminar. I’d hardly want to give the impression that this relationship is one-sided , however, so without getting into specifics, let’s just say that Wacom has been very good to me in return. It’s a very symbiotic relationship.

Needless to say, I’m lucky to call a few of them friends. With that in mind, without shame, I requested a discount on a couple of tablets, so that I could give them to the school. I figured I could afford it and two tablets are much better than none.

Much to my delight, my friend (who is choosing to remain anonymous, dammit!) donated five Intuos 5 Medium tablets to the school, free of charge. For those unfamiliar with these devices, I could do all of the work I do on one of these tablets. These kids aren’t being asked to settle for inferior hardware, mostly because in my experience, Wacom doesn’t make inferior hardware. While I’m currently using their 13HD and 24HD displays (seen on screen in photo below), I have had an Intuos 5 Medium tablet for quite a while and if you went to my portfolio, a lot of it has been done with that device.

I was pretty thrilled at the donation, and it would have been more than enough.

But then I realized that because they don’t yet have the Adobe CC software, the students had something to draw and paint on, now they needed a program to do it with. Lately, I’ve been using Autodesk Sketchbook quite a bit and thoroughly enjoying it. Their app for iPhone and iPad are the best I’ve seen for mobile art and those are only outshone by their desktop version. I’ve been doing a lot of sketching for my editorial cartoons with that lately, so I knew the students would benefit from it.

Even though I haven’t had a long relationship with Autodesk, Wacom works closely with them and had recently introduced me to some of the folks in charge, a direct result of the work I’ve been doing with their software. Since I was already on a roll, I sent an email to their Product Marketing Manager, told him about Wacom’s generosity with the tablets and asked if I could get some licenses for software to go with them. He simply asked how many I needed, and then made it happen.

Then, while mentioning all of this privately to an industry author friend of mine, (who also wants to remain anonymous), he asked if they could use any books. I told him they couldn’t be software specific as they’d be wasted if the students didn’t have those tools. So he asked his publisher Peachpit what they could do and sure enough they donated half a dozen books on design and photography, titles that the students will benefit from no matter what software they’re using.

While bragging about this on my Facebook page, a few people made references to these being great Christmas presents and ironic that this here often-Scrooge gets to play Santa. In truth, it really is just a coincidence of timing that I was asked to speak to the students this close to Christmas. I’ve no doubt that had I asked these wonderful folks for their assistance in September, they would have come through in the same fashion. I’ve made a point of thanking all of these people individually, and I know the school has as well.

But, I wanted to write about it for a couple of reasons. One, these companies and people deserve a little positive PR for helping out, even though that isn’t why any of them did it. Trust me on that.

Secondly, I would encourage you to consider how easy it is to give of your time and resources, no matter what it is that you do. You can’t always say yes to these requests, and over the years, I’ve had to decline these presentations almost as often as I’ve accepted them. Everybody has obligations and responsibilities, we’re all busy, we can’t give as often as we’d like. But it sure feels good when you can.

I would also encourage you to realize that when you need somebody’s help, especially to benefit someone else, don’t be afraid to ask. You’d be surprised how often people will say Yes when you need them to give a little, especially when it involves kids and education. If they say No, that’s OK, too, and don’t hold it against them.

It’s true that I was the one who got to stand up at the front of the room to reveal all of these great gifts from perfect strangers on Tuesday, and I got to do it twice. I wanted you to know that I was just the messenger. The real thanks go to my friends and colleagues, the ones who said Yes when they were granted an opportunity to give to complete strangers.

Thanks again, folks. You know who you are.

Posted on November 23, 2014November 23, 2014 by Patrick LaMontagne

Denzil – A Portrait

My latest painting, a memorial for a dog named Denzil. He was a very loved senior pup, almost 14 when he died earlier this year and I was commissioned to paint his portrait as a birthday gift.

As an animal lover myself, I always spend a little more time obsessing about these, trying to make each one the best of which I’m capable. Our pets occupy special places in our lives and unless you’ve had to say goodbye to a furry family member, something each of us must face eventually, you can’t really understand that unique loss. Eventually the sadness is replaced with only the happy memories, and that takes longer for some than others. This is often front of mind while I work on these and I’ll admit to getting a little misty eyed from time to time while painting a memorial portrait, especially when the personality shows up and it finally comes together.

This was printed at 12″ x 16″ on canvas giclée with a shadow box frame. I’ve often said that I believe my work looks best on canvas and this was no exception. These iPhone pics of the canvas (above and below) really don’t do the quality of this print justice, credit to Kelly at Chroma Surge in Calgary who never lets me down. I believe this is my best work to date and I was very pleased with the result.

For those interested in the tech info, this was painting in Photoshop CC using both a Wacom Cintiq 13HD and a Cintiq 24HD. I had the luxury of months to work on this painting, so I have no idea how long the actual painting took as I worked on it in between other deadlines. Photos were only used for reference and all painting was done with digital brush work alone.

Posted on November 9, 2014November 9, 2014 by Patrick LaMontagne

Sketch Painting Offer

Anybody who has ever run their own business knows that it’s all one experiment after another. In this day and age, our attention spans are shorter than ever so if you’re in the business of sales, you need to be looking for new ideas of promotion and catching people’s attention.

As an artist, the best way to do that is to continually produce new work. It keeps you in the collective short term memory of those who have found it worthwhile to follow you. The last thing an artist wants anybody to say about them is, “hey, whatever happened to that LaMontagne guy?”

While it’s true that I produce new editorial cartoons almost every day, many of the people who follow me on social media and my site are interested in my painted work, so it’s important that I keep them coming back. It’s not enough to tell somebody where to find me; I’ve got to make sure I make it worth their time to do so.

My Totem and commission paintings take a great deal of my time to complete, mostly because I have other work to do at the same time, like those editorial cartoons I mentioned. There can be weeks and sometimes (much to my horror) months in between finished full detail paintings. That’s a lifetime in the online world. While I’ll often post work-in-progress images during the process, I can’t always do that, especially if I’m working on a commission. Ruining your client’s surprise gift is bad for business.

To improve my painting skills, satisfy my desire to work on new things and to keep that new work flowing, I started doing what I call ‘sketch paintings’ a while ago. Some have taken exception to that title because they’re really not sketches and I’ll concede that. I call them that because in my mind, they’re not finished pieces, meaning that they don’t contain the meticulous obsessive detail of my other work.

I’ve recently realized that people don’t care and it does me no good to disagree with them when they say they like a sketch painting as is. That’s always good for business…tell your customers they’re wrong. I’m a slow learner sometimes, but at least I eventually get there.

A number of people have asked about prints of the sketch paintings and I’ve declined to offer them because the work isn’t finished. Again, somebody wants to give me money for my work and I’ve been telling them no. This Canadian cartoon guy isn’t too bright.

So, in order to correct my error, I decided to order up of a small selection of sketch paintings and offer them up for sale. They’re giclée professional quality prints, same paper and printing as my matted prints, but without the mat, bio, or clear sleeve. An 8”X10” print, which includes a ½ inch white border and each is hand-signed. They’re $15 each + shipping, which will be minimal because the print fits into a standard business envelope between two pieces of cardboard for protection.

This time around, only four of each was available, so it was first come, first served and newsletter subscribers had 24 hours to order before I posted the offer here. As a result some of the images below are already sold out and there are only one or two of the others available at the time I posted this. As they sell out, I’ll update this post to reflect that. I already consider this a success as some sold out quickly and a few early responders still didn’t get the ones they wanted, so I will do this again. Newsletter subscribers will still get first crack at them, so if you haven’t subscribed and want a shot at any future prints of this nature, I would encourage you to sign up at this link.

To order any of the available images below, send me an email to lamontagne@nullcartoonink.com with your mailing address and indicate whether or not you’d like me to send you a Paypal invoice or want to pay by Interac e-transfer. You can order as many as you’d like, while supplies last.

Posted on September 8, 2014September 8, 2014 by Patrick LaMontagne

The Other Side of Another Photoshop World

Last week found me once again at Mandalay Bay in Las Vegas for Photoshop World 2014. While I’d love to be able to say that it’s all work and no play, I’d be lying through my teeth.

While I did decide to take a break from the conference last year, this was the fifth time around for me at PSW. Every year is different depending on which classes I’m taking and which group of friends is showing up.

This creative community of artists is an interesting mix. Photographers, designers, illustrators, compositors… they come from all over the world and from a number of different generations, but everybody is looking to have a good time and learn a few things. Many of the people with whom I spend my time at this conference are ones I talk to all the time via email and social media, but only get to see once a year, sometimes not even that often. But it’s very easy to pick up where we left off and it’s definitely a working vacation.

On that latter point, I budgeted a little time to check one more item off the bucket list, a flight with Sky Combat Ace to experience some airshow acrobatics in an Extra 330LC, which was quite a thrill ride. Here’s a link to the video.

While the conference itself is very heavy on the photography side of things, it has still been worth this cartoonist/illustrator/digital painter’s time to attend. One thing I’ve learned from taking classes at this event is that whether you’re talking photos, design, or illustration…images are images. The principles that will make an image better in one medium will often translate to another, so a class on composition in portrait photography will help me become a better portrait painter, too.

Since I take many of my own reference photos for a lot of my recent work, editing those images and figuring out how to get the best from them will also help me produce better digital paintings.

In 2010 at this event, I was fortunate to have won two Guru Awards, one in the Illustration category and also the Best in Show award. This year, I submitted three images, again under the Illustration heading. While I knew ahead of time that two of my images were finalists, I assumed both were in that category. When the awards were announced however, my portrait of Bruno was the only one that came up in the Illustration genre. As I’d gone in with low expectations, I was OK with not winning.

Much to my surprise, however, my painting, “One in Every Family” was awarded the Best in Show award again this year and I was very pleased. While the prize that was announced ahead of time was a gift card from the sponsor, B&H (one of my favorite shopping destinations), a surprise addition to the prize was a Canon 5D Mark III camera with lens included. It now appears that I have to up my game when it comes to my knowledge of photography. My photographer friends at this event have all assured me that I now have one of the best cameras I could ever want and have physically threatened me if I don’t take advantage of this opportunity to become a better photographer.

With that in mind, I took the camera with me on one of my regular hikes the day after I got home, and managed to get a few photos that I thought were pretty decent, a couple of them shown here.

I still have a LOT to learn, but have plenty of resources with which to do so and many professional photographer friends who’ve offered their assistance.

As I was already going to be in attendance at the event, my friends at Wacom invited me to present at their booth on the Expo Floor for the second time. As luck would have it, the topic I chose was the story of discovering the family of Great Horned Owls at Grassi Lakes here in Canmore earlier this summer, which led to the painting that won the award the day before I presented at the booth. Add in a little painting demo and I think it went rather well.

I really enjoyed myself at the conference, largely because of the people with whom I spent the week. While it’s too early to tell if I will return again next year, this year’s trip was time and money well spent and I find myself inspired to produce even better work in the year ahead. You really can’t put a price on that.

Posted on August 19, 2014August 20, 2014 by Patrick LaMontagne

A Portrait of Bruno

The first time I asked somebody if I could paint their portrait, it was a spur of the moment thing and I was woefully unprepared. My buddy Darrel and I were attending a small concert at Ironwood Stage and Grill in Calgary last year for Alan Doyle’s debut solo album, ‘Boy on Bridge.’ An intimate venue, I could have put my feet up on the stage from where we sat. A trio of Doyle, Corey Tetford and Kendel Carson, all talented and accomplished musicians, it became one of my favorite live music experiences to date, just had a really great time.

During the show, when Carson was playing her fiddle in one of the songs, I noticed the way the light was bouncing off of the wood, her face and her long straight blonde hair. It was just this instant feeling of, “I want to paint her.”

While gearing myself up to ask, all I could think was, “no matter how I do this, she’s going to think I’m creepy.”

But, I knew I’d regret it if I didn’t try, so at the end of the show, I approached her with my business card and mentioned that I’d like to paint her portrait, showed her a few images on my phone and told her if she was interested, I’d love to see any photos of her playing that I could possibly paint from, really wishing I’d brought my own camera. It was that image of her playing that I really wanted to paint, but I had missed that moment. While she was friendly and polite, I knew right away this wasn’t going anywhere. Pretty sure she thought I was creepy, and in that profession, I imagine she’s got reason to be wary of strange men approaching her after a show. Who can blame her?

I’ve painted a number of portraits over the years, mostly characters from movies, and all personal projects. A few have ended up having some very nice stories to go with them. Emilio Estevez bought the original of my portrait of Martin Sheen to give to his father last year and when astronaut Chris Hadfield was hired to speak at a conference here in Alberta, the host company bought the original of his portrait to give to him as a gift. They all graciously signed prints for me, which hang in my studio.

Even though I make my living as an artist, portraits of people are solely for my own enjoyment, at least for the time being. Up until recently, they’ve all been painted from reference from movies or online video, nothing I’ve shot myself.

A few weeks ago, I was at the local outdoor market here in Canmore. A regular Thursday event downtown in the summer months, it attracts vendors from all over, selling all sorts of food and creative products.

One particular booth, Spirits of the Creek, sells pottery, jewellery, and bio magnetic products. It’s excellent quality handmade work. As I was perusing the merchandise and talking to the vendor, with his eclectic hat that he said was handmade by a friend in California (Head n Home), there was that little voice again. “I want to paint him.”

The next week, I returned to the market with my camera and while I wanted a candid shot of the gentleman, I also knew that if I started snapping photos of him, he would notice, so I just approached him, introduced myself, told him what I was after and showed him some of my portrait work on my iPad. Bruno seemed amused by the whole idea and said he was fine with my taking the shots. He later told me that he and his wife, Donna (the creative force behind the pottery) thought it amusing afterward. Were the roles reversed, I would have as well.

Now, no matter how well a person thinks they’re being natural, a camera will always make a non-professional change his demeanor, unless the photographer is very good at putting their subject at ease. So, I skulked around the other booths, taking candid shots of Bruno from a number of different angles, and was pretty sure that most of the time, he didn’t see me. But a couple of times, he did and sure enough, he changed his posture and expression.

At one point he was talking to a customer, and for a split second he noticed me and only his eyes moved in my direction. I snapped the shot and instantly knew that was the one. As I don’t like chimping (constantly looking at the display screen at the back of the camera while shooting), I waited until I got home and sure enough there was the shot I needed, that one out of about two dozen.

I set to work painting and over the next two weeks, managed to produce what I think is probably my best portrait piece to date.

When I showed up at the market with the finished image on my iPad, I was relieved that Bruno liked it. He asked me to email it to him so he could show his wife and she sent me a lovely email the following morning, approving of the work. It was really a lot of fun to paint and I look forward to sending Bruno and Donna a canvas print next month.

On the legal side of things, I did get him to sign a model release, which basically allows me to use the image as I see fit, whether it ends up in a book or some other media. From what my professional photographer friends tell me, a model release will rarely come into play for most people, but you get everybody to sign one just for the one person that makes it necessary.

Perhaps the best thing I’ve learned from this experience is that I want to repeat it. The next time I see a person with an interesting look or character, and that little voice pipes up inside my head, I’ll be more willing to take a risk and ask if they’ll let me paint them. Some will say No, I’m sure, but for those who say Yes, I can only hope that I do them justice.

And if it’s a woman, I’ll probably get my wife to ask her.

If you’d like to receive my newsletter which features blog posts, new paintings and editorial cartoons, follow this link to the sign up form. Thanks!

Posted on August 4, 2014August 4, 2014 by Patrick LaMontagne

Ukee Locals

I titled this painting, ‘Ukee Locals’ as that’s how residents in Ucluelet refer to their town. Having lived in two tourist towns (Banff and Canmore) for the past twenty years, I often feel a kinship with locals in other tourist towns, knowing what it’s like to make your living from visitors. It’s a love-hate relationship with the tourists sometimes so I have to fight the urge to tell every server, tour operator or staff member, “It’s OK, I’m not one of them, I’m with you!” which I’m really not, since I don’t live there.

When you think of wildlife paintings, a seagull is hardly the first animal that comes to mind. The fact that we’re so used to seeing them in urban environments makes many of us think they’re practically domesticated. Expert scavengers, opportunists and thieves, they’re not usually someone’s favorite animal. I kind of like ’em.

While out on my wildlife cruises in that area in June, something you’re likely getting sick of hearing about I’m sure, I saw plenty of different species of wildlife and took a lot of photos. I’ll be painting animals from that trip for quite some time and each one I do just makes me want to go back for more. While pulling into the dock one day, literally seconds before Al (with Archipelago Wildlife Cruises) cut the engines, I noticed two gulls perched on one of the many posts around the harbour. What I was really aiming for was a shot of one of them flying, but when I got home and started sorting through my photos, I realized that this was the scene I wanted to paint and I used three different pics as reference, not including the one you see here.

Originally this was just going to be a sketch painting, but the more I worked on it, I just couldn’t put it away. Even when it was finished, I found myself still wanting to work on minute detail that nobody was going to see. The wood on the posts, the aluminum caps, the feathers, the light…each presented another challenge and I had a lot of fun with this painting. It turns out that I learned a little about the birds themselves, too.

As I was painting them as a couple, I realized that I didn’t know if males and females of this species looked alike or not. Birds of different gender will often have different plumage. It would be embarrassing to paint them as male and female only to have somebody point out that females look completely different. Keep in mind that I’d already done a lot of work on these when this popped into my head. Fortunately I found out that the only visible difference in this particular type of gull is that the female is a little bit smaller, which also worked for the painting. I also found out that the type of gulls in the Ucluelet area, all up and down the northern west coast actually, are called Glaucous-winged Gulls, something that isn’t going to matter to most people. They’re seagulls.

For the technically minded, this was painted in Adobe Photoshop CC on a Wacom Cintiq 24HD display. Photos were only used for reference and all of the detail was achieved using relatively simple brushes without any texture overlays.

Incidentally, I did get the shots I needed of one of them taking off from the post, so there might be another seagull painting in my future.

If you’d like to receive my newsletter which features blog posts, new paintings and editorial cartoons, follow this link to the sign up form. Thanks!