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Painting, Projects, and Promotion

As I’m not a fan of the holiday season, I’ll tend to keep to myself over the next couple of months.  With that in mind, I plan to keep busy with paintings and other projects and I’ve made sure that I’ve got plenty on the go, including a number of paintings.

One project I’ve planned is creating a short promotional video of my painted work.  Not sure how I’ll use it, but I still think it’ll be a fun challenge.  Basically, it’ll be a video commercial for one of my animal paintings, which translates to all of my paintings.

I recently acquired the license for four reference images for wildlife paintings and while I’m looking forward to working on all of them, there is one in particular that has me excited.  The image is very clear in my mind, and the photo I have to work from is incredible in its detail.  With that in mind, I’m going to create a 2.5 minute video of the whole painting process, from start to finish.  Most of the painting will be sped up quite a bit, but there will be sections from the entire process included in the video, sketches to finished work.

This video you see here is a test, using the bighorn sheep painting that I’m currently working on.  You have to look closely to see some of the brushwork that I’m doing in the video, something I’ll do better in the future piece.  This is about 20 minutes of painting, sped up to be around 2 minutes in the video.  I bought the royalty-free piece of music yesterday, and while the license cost more than three CDs, you have to pay for quality and it’s not like I’ll be doing this on a regular basis.

I’m a big fan of movie-making and movies in general, and there’s a lot added by an appropriate piece of music.  This one is fine for the bighorn sheep painting, but it’s a perfect fit for the actual painting and animal I’m planning to use it for.  In this video, you don’t get to see the whole painting, and that’s intentional, because it’ll be done this week and I don’t want to show it too early.  The real detail has yet to be painted.

This was a learning process, but not as difficult as I thought it would be.  Some of the things I’ve got planned for the next one will be complicated with the software I have, but figuring that out will be part of the fun.

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Ostrich – iPad Painting

Here’s another painting I did on the iPad over a period of three or four days.  This is the kind of thing I like to do while sitting watching TV, as it’s not on deadline and is just fun to work on.

This was painted using the Procreate app, the Wacom Bamboo Stylus and the Nomad mini brush, which arrived last week.  While I’m very happy with the Wacom, I’ve been seeing ads and reviews for the Nomad brush around the net and I thought I’d give it a try.  Because I like having everything portable, I bought the mini brush instead of the longer ones and I really enjoyed working with it.  It doesn’t really do anything I can’t do with the Wacom stylus, but when it came to working on the little hairs and some subtle shading, it was more enjoyable to work with as it glides over the screen a lot easier than a traditional stylus.

I wouldn’t want to be limited to only the Nomad brush, however.  While it’s great for painting, I don’t like it for drawing, but then, it’s not really designed for that anyway.  After finishing this painting using the Wacom and the Nomad, I’m going to continue to use them both.  They each have their strengths and I enjoyed using them both on this painting.  The only downside of the brush is that you want to be careful not to squash or wreck the bristles by leaving it lying around.  I was thinking that a little cap would have been a good thing to include with this brush/stylus.  But then again, I’d probably lose the cap, so it’s probably fine the way it is.

When I’m using the iPad, I have the brightness set to 50 percent.  Because I spend so much time in front of the computer, the brightness of my desktop monitor is set pretty low as well.  I plan to preserve my eyesight as long as possible, so I try to minimize my exposure to bright light.  The downside of working on the iPad is that it means making adjustments for that before posting.  There are a few apps out there that will make color and brightness adjustments but I’m still getting used to how far I have to push things to get them to look right online.  It’s an ongoing process, but I’m learning.

This close-up is actual pixels, 72 ppi, so you can see that this is one of the limitations of working on the iPad.  I have the first generation iPad, and I know the 2nd generation has better resolution, so you’ll be able to get a little more detail, but not a lot more.

So, in the interest of full disclosure, I did bring this into Photoshop for some color adjustment.  Every monitor is going to be different, but mine is calibrated and the color I saw on the iPad is not what it looked like when I emailed it to myself in order to post it.  So while all of the brush work was done on the iPad, I did do a Hue/Saturation and Levels adjustment on my desktop.  I also used a bit of Smart Sharpen.  Here, you can see the difference side by side.  While the one on the left is what I got from the iPad in my inbox, the one of the right (after adjustments) more closely resembles what I was seeing on the iPad when I was working on it.

The iPad will not replace my Wacom tablet and Photoshop anytime soon, so you might wonder why I bother.  It really is just for the fun and the challenge of it.  I’m enjoying seeing just how far I can take a painting before I can’t go any further.  This is equivalent to painting in low-res in Photoshop and that translates directly to my more detailed paintings because they all start in low-res.  Working on the iPad with limited tools and resolution does end up making my more detailed work better because it forces me to do my best on the foundation of the painting before working on the fine details.

While I intended this to end at being an iPad painting, I’m toying with the idea of bringing it into Photoshop, bumping up the resolution and making a full size, full resolution painting out of it, because I know I can take it further.  It’ll mean working a number of more hours on it, but I think the end result might be something I’ll be proud of.

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A dog and his painting.

Regular readers will know the story by now, but long story short, my friend Pat Wendt in Lincoln, Nebraska has this wonderful little dog named Don Diego.  When it came time to record my animal painting DVD for PhotoshopCAFE, I thought he’d be the perfect subject.  Since Pat is a talented photographer, I knew I’d get a great reference photo to work from, and I certainly did.  In exchange for the use of her photo (and her dog), I gave her some prints, copies of both of my DVD’s, my undying gratitude and the framed stretched canvas painting that you see here.

When it comes to digital painting, the finished piece ends up being a digital file, so when it comes to ‘the original’, it’s whatever the artist certifies as such.  As I included a certificate of authenticity with the painting, Pat now owns the original of this work.  It’s hanging in the bookstore, Bluestem Books, that she and her husband Scott own in Lincoln.  I asked Pat to take this photo for me so that I could see the painting with the subject.

Now there’s a dog with charisma!

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Titus

This painting was finished in mid-August, but I couldn’t post it until today.  The client had it done to give to her sister for her birthday this past weekend.  I had a lot of time to work on this, as it was ordered early in the year, so it was a long deadline, which is a rare but welcome thing.  It was printed and stretched on canvas at a size of 12″X16″.

Titus is an interesting story.  He passed away last year at the very ripe old age of 24, which is VERY senior for a cat.  Apparently he lived a great life, was a home and shop cat for their printing company and very lovable.  Having lost one of our own cats earlier this year, I’m recently acquainted with the pain of that loss, and was actually going through it while working on this one.  This gift was a very special one and I worked long hours on it.  The client was very happy with the final result and told me that her sister was as well, so that makes me happy.

Some challenges on this one.  While I had a LOT of reference photos to choose from, they were all low-res in an online photo album.  Basically no detail shots to work with at all.  The client couldn’t very well ask her sister for better photos without giving away that a gift of some sort might be in the works.  So I just had to work with what I had.  On my DVD for painting, I talk about different tricks to make less-than-great photos usable for reference and I had to use them all.  I found myself looking at my own cat for some of the more detailed fur and features, even though her colouring is completely different.  It worked, though.

I gave her the option of my usual caricature style or the more portrait style that I did of Don Diego for my DVD.  I was a bit relieved that she chose the former, because even though Titus still doesn’t look really happy in this painting, it’s a lot better than any of the photos depicted.  Dogs seems to smile naturally, just because of the shape of their mouth and muzzle.  Cats, not so much.  They just don’t often look pleased, but that’s part of their attitude that cat people love so much.  Good thing they purr and can make their eyes seem three times bigger when they want something.

Titus apparently liked to sit in the ‘paper cage’, a really large recycling bin for a mix of scrap and shredded paper and the client thought he should be in that setting.  I thought it was a great idea, because it made it even more of a personal image.  Painting the paper was tough, because I still wanted detail so that it didn’t look muddy, but not so much that it took away from the cat, because he is obviously the most important part of the painting.  This is the reason I left out any text on the paper.

I enjoy painting commissions.  Unfortunately, because of the work involved, not everybody can afford to give such a gift.  I’m very aware of this when I create a painting, and try to put my best effort into each one of them.  This was no exception and I consider it one of my best pieces.

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Golden Mantle Ground Squirrel – iPad Painting

This grumpy little fellow is a Golden Mantle Ground Squirrel.  They’re found in a number of places around here in the Bow Valley, and it’s usually pretty easy to get photos of them.

I painted this on the iPad using the Procreate app and the Wacom Bamboo stylus.

Even though I really like working on the iPad and using both the app and the stylus, I’m not able to go further than what you see here when it comes to real detail.  But I’m having fun experimenting with it, and if I wanted to take it further in Photoshop, this would serve as a decent foundation.

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Sometimes it’s personal.

Just returned from a quick trip to Red Deer (only a 2.5 hour drive) to see my folks and deliver a painting of their dog, Bailey.  I’ve been wanting to paint this for two years and finally forced myself to make the time.  Since I don’t think I could have done as good a job of it then as I’m able to do now, I’m glad I waited.  This was for my Mom’s birthday in July, but just like most mothers, she forgave me that it was late.  Thanks, Mom!

Both her and my Dad loved it, and it’s hanging in a prominent place where they can show it off and brag about their kid that draws and colours pictures for a living.  Funny, how it’s OK  now, but it wasn’t when I was drawing during high school chemistry.  Sounds pretty hypocritical to me.

A heart-stopping moment when I revealed the painting, though.  I set it down on the ottoman to take it out of the plastic, and Bailey proceeded to jump on it, sliding and scratching with her claws, right in the middle of the canvas.  Fortunately, the plastic protected it and there was no damage.  But for a moment, I thought I was going to have to reprint it.  Still can’t decide if that was her way of critiquing my work or not.  Maybe it’s because she just had a haircut and the painting doesn’t reflect that.  Everybody’s a critic.

When you’re a freelance artist, you end up with a unique ability to create gifts that most people can’t.  The downside is that you’ll often get friends and family asking you to paint or draw something for them that you really don’t have time to do.  You have to develop a thick skin when it comes to these requests.  In a perfect world, I’d be happy spending my days creating paintings for loved ones, but then I’d be homeless.

The same thing applies to giving discounts.  There is a big difference between your Aunt Edna who owns a pet food store giving you bags of dog food at cost, and your Uncle Joe who is a mechanic working on your car for free.  Edna doesn’t lose money on the deal, whereas Joe does, because what he is selling is his skill and his time.   The same thing goes for being a freelancer.  When you’re not working, you’re losing money.

So while there are favors that I will do when I can, it’s taken me a number of years to develop the most important skill of all, and that’s the ability to say No.  That doesn’t mean you never do the freebie jobs for people, it just means that you are very selective about them.  When the Bow Valley SPCA calls for artwork, I try to do whatever I can, because I believe in the work they’re doing.  If I can offer a discount to friends or family on commissioned work, I will try to do so as well, but not often.

Freelance is a tough gig, and you need to be ready for those that don’t understand that.  I’ve been called selfish more than a few times because I didn’t put a ‘friend’s’ free cartoon ahead of a paying gig.  Most of the time, the request is for something they feel will be ‘a quick job’ but will actually take me three of four hours.  And of course, they needed it yesterday.  If you don’t value your own work, nobody else will, either.

So when I do make the time to paint something personal, especially if it’s for a gift, it means a lot to me because it’s a rare thing.  This painting of Bailey is one of my favorite pieces, and I thoroughly enjoyed working on it, because she is a wonderful dog with a great personality and she makes my parents really happy.

It was a real joy to see my folks stealing looks at it all evening on Tuesday, telling me how much they loved it.  More than anything, I hope it reminds them on a daily basis that I wouldn’t be doing what I love for a living if it wasn’t for all they’ve done for me.

As for the dog, she didn’t give it a second glance.

 

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Wired for Wacom

If the name Wacom means nothing to you, we’ve likely never met, you’re not a digital artist, or you landed on this blog entry by accident.

I’ve been using Wacom tablets since the late 90’s.  It’s true that you’ll occasionally hear stories in chat rooms about other tablets, but much like the Sasquatch or the Loch Ness Monster, I’ve never met anybody who’s actually seen one.  Wacom is by far, the industry standard.

My first tablet was a first generation 4″ X 5″ Intuos and I used that for many years.  While I replaced the pen nibs a few times, and the transparent overlay at least twice, the tablet never gave up.  The only reason I replaced it was that it had a nine-pin connector, and my new computer did not.  Over the years, I’ve had a small Graphire, an Intuos and Intuos 2, and I currently own a medium Intuos 4, a small Intuos 4, and a Cintiq 12wx.  Add to that a Bamboo Stylus for my iPad, and my plans to buy a Wacom Inkling, and it’s obvious I’m a fan.

I’ve been fortunate to form a relationship with the company over the past year, and have been pleased to meet a number of great people from Wacom.  In the Spring, I was asked if I’d like to demo for Wacom at Scott Kelby’s ‘Light It, Shoot It, Retouch It’ tour when it came to Calgary in July.  It was a great experience, one I’m eager to repeat if the opportunity shows up again.  Not only did I get to see what it was like to be on the ‘other side’ of an event like that, but I was able to remove the fear of new technology for a few people.  These devices aren’t difficult, they’re a lot of fun, and often it just takes sitting down with somebody, and putting the pen in their hand to get them to realize it.

An added bonus of demoing for them was having every tablet Wacom makes show up at my front door a week before the show.  It was like winning the lottery for this digital painting art geek, until they insisted I send them all back once the show was done.  How is that fair?

Wacom recently announced their Inkling device, and rather than a clunky explanation from me, watch the video and you’ll get the idea.

When it was launched, I started getting emails and Facebook messages from friends and colleagues who insisted I give more details on what it’s like to use it.  Let me tell you what I told them.  I found out about the Inkling when the rest of the world did.  I was not a beta tester, and had no idea it was even being planned.  Wacom, like any smart tech company these days, doesn’t talk about products in development and is very good at keeping secrets.  Doing a demo for Wacom does not give you access to the vault.

But since it was launched just days before Photoshop World, I was really looking forward to putting it through its paces on the Expo Floor.   The staff at the Wacom booth were being pestered about it on Day 1 (hey, they did it to themselves!), but they didn’t have one available to try right away as they  had just received them and they needed to charge before releasing them to a lineup of eager testers.

I did not get to put the Inkling through its paces.  There were far too many people wanting to try it, so I got about two minutes with the device.  But Joe (patient, patient Joe) demonstrated the process, workflow and explained the pen and device quite well.  Bottom line, I will be buying one when it’s available in October, and I’ll be sure to provide further details after I’ve given it a good trial.

Wacom also announced their new 24″ HD Cintiq this week.  This thing looks beautiful and if I had the spare $2500 lying around, I just might get one.  But I’ve made no secret that my lack of traditional art training makes the Cintiq a ‘nice to have’ for me, but not a ‘must have’.  As much as I like painting and doing live demos on the Cintiq 12wx, I do the majority of my day to day work on the medium Intuos4.  I just prefer to see my whole screen without my arm in the way.

Finally, I was pleased to be asked to be a guest on Wacom’s webinar series this week.  While I will admit to being a little nervous about the whole thing, I relaxed into it quite quickly and had a lot of fun.  Wes and Joe (yes, the same patient Joe) were great to work with, and encouraged me to keep it light and casual, which is right in my wheelhouse.  The hour flew by and I would welcome the opportunity to do something similar in the future.

Thanks to so many of you that commented on Facebook, Twitter and email afterward, letting me know that you enjoyed it.  A few of you even apparently learned something, which is always a nice bonus.

It really is a thrill for me to be working for and with Wacom once in awhile, because it’s so easy for me to pitch and endorse their products.  People will often ask me if they need a Wacom tablet to do the type of work I do.  Most of the time it’s because they’re trying to avoid making the financial investment, even though they’re very affordable.

The answer, is an unconditional YES.  To paint digitally or do almost any type of creative artwork in Photoshop or Painter, you NEED a Wacom tablet.  Just as an oil, acrylic or watercolor painter needs to spend money on canvas, brushes and paint, a digital painter needs to spend money on the necessary tools as well.  A Wacom tablet is absolutely one of those necessary tools.

If you’d like to catch a replay of the webinar that was live earlier in the week, here it is, available on YouTube.

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Thoughts on Photoshop World

Spent last week in sunny Las Vegas at Photoshop World.  Thankfully, Las Vegas is also air conditioned, as this resident of the Great White North is not a fan of excessive heat.  Nothing more Canadian than whining about the weather, eh?

While the conference was at the Mandalay Bay conference center, I did actually venture out this year a few times.  Even managed to get to the other end of the Strip on the second day to try out indoor skydiving.  I would do that again in a heartbeat, as it really was a lot of fun.

While I was honored to be a finalist in the Guru Awards illustration category again this year, I didn’t bring home an award.  Hey, can’t win them all, and even if I had been fortunate to win again, it wouldn’t have been able to live up to last year’s experience which really did open a lot of doors for me.  Keeping them open, however, is now up to me.

Photoshop World is a mixture of education, networking (yeah, that word annoys me, too), and socializing.  This year, I managed two of the three fairly well, so I’ll touch on each.

The social aspect of this conference is always a good time.  Throughout the year, I regularly communicate with other creatives through email and social media, attend some of the same online webinars and events, and share information on the NAPP forums.  This is the one time of year I get to see many of them in person, some of whom I consider good friends.  There is a lot to be said for hanging out with other creatives.  You find out that many of the problems and challenges you face on a day to day basis as a freelancer are shared by people of similar professions.  And often, they’ve come up with solutions and workarounds you might not have considered.

Getting out of the office is always a good idea, too.  So many of us are workaholics most of the year, which is likely why there are so many parties, dinners, and social events at this thing.  It’s the only time most of us allow ourselves the luxury.  We shared some great meals, a few drinks and a lot of laughs.

Networking was a big focus for me this year, and while I did accomplish a lot in that regard, I really didn’t need five days to do it.  I could have packed in all of the people I wanted to talk business with over the course of an afternoon.  I’ve been working with PhotoshopCAFE on the DVD’s for almost a year now, but had never met the owner, Colin Smith, in person.  So it was good to have some face to face conversation, discuss how things were going with the current titles and throw around some ideas for future ones.

I enjoyed meeting the folks from Wacom in person, as I would like to build on my relationship with the people who design and promote what is easily my favorite line of products.  Was able to try out the new Inkling as well, but more on that later in the week.

There was a client meeting that went very well.  I presented sketches, the client was pleased, and I was able to get a better sense of direction and toss around some ideas.  I’ve always preferred to do that in person, and unfortunately, I rarely get to do that as most of my client communication is online or on the phone.

I had a few great ‘hall talks’ as I call them.  Easy to figure out, a hall talk is running into somebody in a corridor somewhere and before you know it, you’re having a great conversation.  Most of these talks have revealed valuable information, but more often the real benefit is getting to know somebody a little better and building on a professional relationship.  It has been my experience that this sort of thing often yields future opportunities, most often ones you likely never see coming.

Finally, there’s the education aspect of Photoshop World.  This year, I’m sorry to say, this part fell flat for me.  Talk to a photographer this week, and I’d expect many to have glowing reviews about the experience, because this really was a photographer’s conference this year, and I’m not the only one to feel that way.

I thrive on learning how to be a better artist.  I’m hungry for it, because I know that there’s always room for improvement, so I actively seek out people I can learn from.  There just didn’t seem to be any of that for me this year.

While it’s true that I’ve learned a lot from Bert Monroy‘s classes over the years, I’ve firmly established my current style and it’s very different from his.  So while I’ll always be a big admirer of his skill and talent, and I continue to enjoy his work, I don’t learn a lot from him these days that will further my own illustration and painting.  Faye Sirkis is a photo painter, or at least that’s what she’s teaching at Photoshop World, and regular readers will know that I have no interest in painting over photographs.  Finally, there’s Corey Barker who is very skilled and talented when it comes to Illustrator and Photoshop, and he’s doing some really great groundbreaking stuff with 3D, but again, it’s on a completely divergent course than the one I’ve charted.

So it can be argued that perhaps I’m looking for something too specific to expect it to be offered at a conference that can’t possibly please everybody.  It could also be argued that to offer advanced digital painting and illustration classes would alienate too many people who are trying to learn the basics.  Both are good arguments, and I can accept them.  That being said, I did talk to a number of other designers and illustrators that felt excluded this year, and some of them either won’t be back, or are on the fence about it.

This is a tough economy for any business, and if Photoshop World’s curriculum has been skewed more toward photography because that’s what the majority wants, I can accept that as well.  An event like that needs to attract vendors, sponsors and attendees, and in a perfect world, everybody would be happy.  But we all know that we don’t live in that world.

It’s unlikely that I’ll return to Photoshop World next year, although I still believe the event is very worthwhile if you’re a photographer.  The instructors are some of the nicest, passionate and knowledgeable people you’d ever want to learn from, and it’s an environment that promotes positive growth.  As a courtesy, and because I have little tolerance for the ‘online drive-by,’ I expressed these thoughts to the good folks at NAPP in an email earlier this week, before posting them here.  It should be noted that I’m being specific to Photoshop World here, not NAPP.  I value my membership in that organization a great deal and will continue to do so.

As a freelancer, you really do need to be constantly training, not only skills and techniques, but in business.  Setting aside money for that training is often a difficult task, and it means excluding events that aren’t going to propel you forward.  While Photoshop World has done that for me in recent years, especially last year, it doesn’t appear that it will continue to do so.   There are at least three conferences I’m considering next year, and while all of them would likely be a good time socially, I’ll attend the one that will make the most sense financially, the one that will move my business and career forward.

Unfortunately, as much as I’ll miss the experience, it’s unlikely to be Photoshop World.

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Painting DVD is now available!

It is my pleasure to announce that my latest DVD, “PhotoshopCAFE Masterclass | Animal Painting in Adobe Photoshop” is now available for purchase.  Painting is what I love to do most, so I’m very proud of this release.  The image that was created during this DVD is one of my favorite pieces and some of my best work to date.  It’s a real thrill for me that the whole thing is recorded from start to finish.  Here’s the text from the back cover…

In these highly informative sessions, Patrick will teach you how to paint a photorealistic animal from scratch. You will learn the entire process, from working with reference photos, setting up the digital canvas, blocking in shapes, adding detail and finishing the painting. Watch how an experienced painter approaches a piece and learn the tips and tools used. Pick up many closely guarded secrets that would otherwise take years to figure out on your own.

This video follows the entire painting from a blank canvas, all the way through to the completed masterpiece. Patrick clearly explains exactly what he is doing and why. Watch an original piece of art unfold before your eyes and learn the techniques so you can apply them to any painting that you desire to create yourself. This training is in-depth enough for a budding painter to start learning, or for a more experienced enthusiast to learn some new tricks from a master painter.

This fast loading DVD ROM contains 3 hours, 17 minutes of high quality video instruction! The advanced interface allows the user to instantly jump to any of the lessons with complete control over the playback.

If you have been looking for some excellent instruction from a real artist, look no further. Watch the entire workflow and become equipped to create your own paintings.

The DVD will be available at the PhotoshopCAFE booth on the Expo Floor at Photoshop World next week in Las Vegas.  If you happen to be attending, I will also be giving away one or two signed prints of the Don Diego image I created in this DVD, as well as some other prints throughout the week.

The giveaways will be announced each day on Twitter, so follow me @CartoonInk and if you’re in Vegas, you just might win a print!

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Bailey

This is my latest painting.  While I treated it like a commission, this was a labour of love, as it was a gift for my mother’s birthday.  Bailey belongs to my folks, but as anybody who has ever met a shih tzu knows, my folks actually belong to her.  She’s a real sweetheart and my parents just adore her.

I’ve wanted to paint this for a couple of years now, but could never seem to get out from under the work.  I finally made the time this summer and I’m pleased with how it turned out.  I couldn’t have done as good a job two years ago, but then I’ll probably want to do another one two years from now.

This one was incredibly tough because it was personal.  While I try to do my best with every painting I do, this one will be done on canvas, framed, and since I already know where my Mom is hanging it, will be displayed prominently in their home.  I’ll have to see this for a long time.  So I nitpicked it to death, and given unlimited time, I could probably work on it ’til Christmas.  Sometimes you just have to hit ‘Save’ for the last time and move on.

While I’ve still got other illustration commissions to work on in the next few weeks, this will be the last painting I work on until after Photoshop World, so sometime in mid-September.  That’s actually a good thing, because I’ve finished three in the past few weeks (including the DVD), so I’d like a little break from it.

But I’ve got big plans for a number of new paintings in the Fall.  Some of them are commissions, some are for my Rocky Mountain Wildlife series, and at least one will start off my Pacific Coast Wildlife series, which I’m very excited about.