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Photo Reference

In a blog entry from November, I wrote about the need for photo reference when it comes to my Totem paintings.  In the interest of keeping this blog entry from becoming lengthy, you can follow this link and read it, if you’d like more information on that.

While I usually get photo reference from photographer friends and colleagues, I’ve recently realized that I need to start developing some photography skills so that I can start gathering my own.  I have a decent digital SLR camera, a Nikon D60, and while it is by no means a professional rig, it’s enough for what I need it for.  The only lens I have is the one it came with, and I’m beginning to see that I’m going to eventually need a zoom lens in order to get the close detail shots, if the photos are going to be of any use to me.  Even in a zoo, the subject of the shot is going to need to be pretty close.

I happened to look out my office window this morning and saw this handsome fellow sitting on the fence making those wonderfully articulate sounds that ravens make.  Even though I’ve already painted a raven, there’s nothing to say I won’t paint another in the future, and you can never have enough reference.  I was able to get a LOT closer than I thought I would.  I would estimate that of the 20 or so shots that I took, the last one was from only about three feet away before he took flight.  He really didn’t seem all that concerned.

Photography is an elusive art form for me, and while I like taking photos, I’ve got enough talented and skilled photographer friends that I know the very large difference between real photography and the point-and-shoot method.  I’ve gotten to a point that I need to do more of the former and less of the latter. Fortunately, I belong to a vast community of talented creatives through the NAPP organization that I can go to for advice and resources.  I also believe that I’ll be taking some more photography classes at Photoshop World this year.

My true love is painting and illustration, so I have no desire to become a professional photographer, and I know that I will still rely on purchasing photo reference from professional wildlife photographers to get the detailed photo reference I need to bring my paintings to life.  I would, however, like to bring my photography up to ‘skilled amateur’ level, in order to make my paintings even better.  I’ve often spoken about the need for artists to continue to grow, and I think this is something that will help me do that.

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2011: The Year I Turn 40.

When I used to think of a midlife crisis, I thought of shallow guys buying flashy red sports cars, hanging out with twenty year old bleached blond bimbos, and trying desperately to hang on to whatever was left of their youth. The reality is a lot less ‘TV sitcom’ than that.

Some psychologists have started calling it ‘midlife transition’ instead of ‘midlife crisis’ because ‘crisis’ has a negative connotation to it. So far, their political correctness hasn’t figured out how to keep me in my 30’s, though.

In the grand scheme of things, 40 is just a number, and since nobody really knows when their time is up, midlife is an assumption. I could kick off tomorrow, or have 60 more years coming at me. There is no expiration date tattooed anywhere on my body, that I’m aware of, although I wouldn’t be surprised to find a ‘Best Before’ date.

Logically, I shouldn’t have a problem with turning 40, but as Spock (the Vulcan, not the baby guy) always told McCoy, humans are not logical.

Time’s ticking. I’ve had a great ride so far, but there’s a lot I want to do that I haven’t done, both in my work and in my life. In previous years, my New Year’s resolution has simply been to keep moving forward and try to be a better person. I’ve come to realize that’s a cop-out, because there’s no accountability. So for the first time in a number of years, I’m setting some actual goals for the year, some specific and professional, some general and more personal, but all overdue.

Learn Adobe Illustrator (again).

I used to work for a sign shop here in Canmore. Really interesting job and I found that I really liked creating vector art. To this day, I use paths and vectors in Photoshop regularly while drawing cartoons because I like using the tools. While I still do contract work for the sign shop from time to time, I’ve realized my vector skills haven’t kept up with each new version of Illustrator, even though I keep upgrading with each new release (although I’ve yet to buy CS5). Continuing education is important in any field, and I haven’t done much of it in the last couple of years.

Learn more 3D in Photoshop CS5 Extended.

This cartoon was created a couple of years ago using Hexagon, Carrara, and Photoshop. I’d like to use more 3D elements in my work. While I don’t intend to try and become an expert, it’s fun and challenging, and I want to get better at it. The whole reason I chose the Extended track of Photoshop was for the 3D and aside from building the occasional rudimentary model for an editorial cartoon from time to time, I wield those tools like I’m performing surgery wearing oven mitts. Very clumsy with no finesse. I’d like to change that this year.

Learn to sculpt

I’ve been feeling the urge to do this for a couple of years now. I’ve had ALL of the tools necessary sitting in a toolbox in my office closet for about a year. I’ve done my research, bought Sculpey polymer clay, a couple of books on how to use it (including the one pictured above), and acrylics for painting after it’s been baked. I have no excuse not to get started, and no pressure to produce anything good because I bought it just to have a hobby again. A wise man once said, when your hobby becomes your work, you need to find another hobby and I think this might be it. I’d just like to see if I’m any good at it.

Paint. Every chance I get.

Last year, I discovered what I love to paint most, so this year, I want to paint more animal totems. In a perfect world, I’d like to paint every day, and even if it’s only for 10 minutes, I plan to do that, starting today.

In 2010, I only painted one person, Bert Monroy, and I’m missing that, too. I’d like to paint some more images of people this year, and I have a list I’ve kept over the last year, with about a dozen names on it. The great thing is that while they’re all well known character actors, none of them are what you would consider A-list celebrities.

Work Less, Play More!

I work too much, and I put it ahead of everything else. I’ve often taken on work that I should have realized would do nothing to advance my career, made poor use of my best skills, and was of very little interest to me, not to mention that it usually wasn’t worth it financially. That stops completely this year. I learned how to say ‘No’ last year. This year, I’ll be saying it a lot more.

I get bored very easily, so while I still intend to be very busy, it’ll be on projects and commissions that are worth my time. There’s no point in being your own boss if you’re still doing work that you shouldn’t be doing.

When I do take time off, however, I’d like to slow down a little more, relax and enjoy life. Time off shouldn’t mean watching TV all the time or going for coffee every day. While those pastimes do have their place, I’m looking for more experiences that create fond memories. More, hiking, camping, caving…hell, I’m going skydiving this year. That last one is right out of the midlife crisis manual. Page 36, I think.

Be Less Cynical.
This one will be tough, because despite the successes of last year, I focused too much on the dark side of people. I’ll often blame that on following politics for a living, but I’ve recently realized that it’s a choice, and to paraphrase an all too familiar phrase, if I let it ruin my life, “then the politicians have already won.”

My wife says I hold people to unreasonably high standards, including myself. I expect everyone to take the high road, wanting to believe that people will do the right thing most of the time. And then inevitably, when someone’s unethical behavior still gets them ahead, I end up disappointed and angry. This year, I’m going to try and let that go and be less judgmental. Cut everyone a break, including myself. Nobody’s perfect.

You’ll hear of people who’ve faced life threatening illnesses that thankfully survive the ordeal. Often, they’ll tell you that the challenge they faced was the best thing that could happen to them because it made them realize that life isn’t to be taken for granted, that it was a gift to be given a wake-up call.

I’m going to try and look on turning 40 the same way. And just like last year and the year before, I’ll still try to keep moving forward, and to be a better person.

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NAPP-A-THON


Anybody who knows me professionally will have figured out that I’m a fan of the National Association of Photoshop Professionals. I’ve been a member for 6 years and I’ve often told people that if there was only one organization I could belong to, it would be NAPP. I have learned a lot from this affiliation.

Whether it’s their online training, their crash courses on the first day a new version of Photoshop is released, or the great experience of attending two Photoshop World events, NAPP consistently gives me good value. And best of all, I consider so many of the people I’ve met online and in person through NAPP to be valued friends and colleagues, not to mention some of the most talented people I’ve ever run across.

The best thing about NAPP, is that they try to have fun with their training, even though it’s often intentionally cheesy. If you’re not a NAPP member and would like to get an inside look at how they operate and what they offer, tune in tonight for NAPP-A-THON. Even though it’s free, be sure to register in order to qualify for prizes. 7PM Eastern for three hours. Should be fun.

And yes, there will be cheese. Guaranteed.

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NAPP-Canada Facebook Page


Having been a member of the National Association of Photoshop Professionals for the past six years, it should be pretty clear by now that I’m a fan.

There are only a couple of organizations I belong to, and this is the one I’d hate to be without. From weekly video tutorials, the latest news and info about the digital image industry, not to mention that these are the folks that put on Photoshop World twice a year, NAPP has almost everything I need to stay at the top of my game.

I consider many of the people I’ve met through NAPP to be good friends, and I’ve yet to meet a more helpful bunch of talented people. While many of the forums you’ll find online often degrade into squabbling playgrounds, the NAPP forum is well moderated, very civil and supportive, and is one of my most valuable resources. I can’t count how many times over the years I’ve had a problem that was solved instantly by posting it on the forums, whether it was specific to Photoshop or just freelancing in general.

Since social media is obviously not a passing fad, NAPP has recently expanded their already active online presence to include localized Facebook pages. In the U.S., they’re focusing on cities and states. Here are the links to the NAPP-Chicago page and the NAPP-Arizona page to give you an example.

Internationally, there are national Facebook pages for different countries. I was asked to run the NAPP-Canada page and I’m happy to do it. While much of the information I post will be related to NAPP events and releases that aren’t region specific, I intend to put a Canadian spin on things wherever I can, which will hopefully involve more than references to Tim Hortons and hockey.

You don’t need to be Canadian to ‘Like’ the page. You don’t even need to be a NAPP member, although when you see all of the great benefits, you’ll probably want to become one. Become a NAPP member, I mean. Not Canadian.

Here’s the link. Hope to see you on the Facebook version of the Great White North. Cheers!

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Photoshop World Guru Awards


Photo Courtesy of Doug Zeliff

Back from an exhausting week at Photoshop World in Las Vegas. Without going into every little detail of the week, I’ll just say that it was well worth the trip. Took some great classes, hung out with some incredibly talented people, and went with very little sleep. Just like last year.

As posted here before, I was fortunate to be up for the Illustration category and Best of Show for The Guru Awards. I was very pleased (and surprised) to win both categories. This really was the best part of the week, especially when you consider the wealth of talent I was competing with. I am very honoured to have won these awards.


Photo Link from www.photoshopworld.com

Big thanks to all of my friends and family who posted a LOT of comments on Facebook, Twitter and the NAPP forum, not to mention all of the emails I got after the win. It was very overwhelming and appreciated.

As much as the awards themselves are great, they came with a couple of very nice prizes. For the Illustration category, I won a Wacom Intuos 4 tablet, and for the Best Of Show, I won a Wacom Cintiq 12wx.

Photo Link from Wacom.com

To quote a friend this week, “Monty finally got his Cintiq.” While I brought the Intuos4 home with me, thankfully they’re shipping the Cintiq. Couldn’t imagine how I’d get all that through customs, otherwise.

Nothing quite compares with hanging out with other creatives for a week. Everybody I met wanted to be there, and there was no shortage of inspiring experiences. Would have liked to have seen a bit more of Vegas this time around, but that’s not why I was there, so it’ll have to wait for another time. Funny thing, I didn’t take any photos, so fortunately I have a few photographer friends who were willing to share.

Back to work tomorrow, but taking it easy today.