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Painting Lucas – A Commission

I’m happy to share my latest custom painting of a cute little fellow named Lucas.

This was a memorial piece. That anyone commissions me to paint their furry-faced loved one to help them with their grief, and eventually turn sadness into happy memories, isn’t something I take lightly.

Sarah has been following my work for some time. In a recent issue of A Wilder View, I mentioned and shared my commission of Santé from a couple of years ago, prompting Sarah to ask about a painting of her little guy in my style.

She sent one photo with her inquiry, and I was instantly smitten with his little face. Lucas was a tiny little Yorkie who looked like a real-life cartoon character. I tempered my enthusiasm, wanting to see more photos and discuss Sarah’s expectations.

People often think that commissions are cut and dry. Here’s a photo, paint my dog. Several times in my career, I’ve had people ask for a very short deadline and balk that a custom painting costs more than $50. It’s one of the main reasons I turn down more commissions than I accept.

But when I’m working with a client who not only knows my art style and realizes the amount of time and effort a custom painting takes, it’s a thoroughly enjoyable experience. Sarah was a pleasure to work with.

Just a few of the more than a dozen reference photos I had to work from. Just a haircut can make the same dog look like a different pup. It’s then up to the client to point me in the right direction.

For the first month, before I even began sketching, she sent me several photos in different poses. Lucas often looked different from one photo to the next because of the length of his hair, age, and the colouring that had changed throughout his life. With these variables, I needed to narrow down how Sarah wanted him to look. Short or long hair? More grey hair than tan? Puppy, senior, or somewhere in between?

Communication is key with every commission. I can’t do my best work if I don’t know which details are essential to the client.

Finally, Sarah suggested an outdoor setting and mentioned that she had wanted to take him for a photo shoot with dandelions but never got to do that. I thought posing him in that environment sounded like a wonderful idea.

When I sent the final image at the beginning of August, Sarah responded, “I’m overwhelmed with your portrait of my little man, his eyes and all that hair! His cute little head tilt and the hint of a smile as he sits in the flowers is just perfect. I showed my Mom and she said she had a smile through tears and that was me too. What an incredible amount of work, I probably can’t really imagine but it is very obvious in the finished image!”

However…

“There isn’t anything wrong, but I am wondering how difficult it might be to make a small change to Lucas’ nose? He had a wee dimple at the top centre that gave it even more of a “heart” shaped appearance.”

I had painted Lucas with more of a rounded nose at the top like I do with some of my whimsical wildlife images. It’s often a feature of my cartoony style. But going back through the reference images, I saw that dimple detail in all the photos. I just didn’t put the weight into it that someone who knew Lucas would. In my opinion, that means I got it wrong.

Back to the drawing board, I corrected my mistake, and Sarah was pleased when I sent the revision. I’m genuinely relieved she mentioned it. Had she not, I expect it would be a distraction each time she looked at the painting, thinking, ‘Too bad he got the nose wrong.’Though Sarah and her spouse live near Edmonton, and I could ship the painting, she and her Mom had planned for a couple of nights in Canmore this past weekend, and I delivered the 18”X24” stretched canvas to their hotel. I took them outside into the sunlight for the reveal so they could see the bright colours and the details. Whether on paper, metal or canvas, my work always looks better in print than on a screen. People have been saying that to me for years. Sarah said it, too.

She started to cry and finally managed, “It’s him.”

I don’t get better compliments than happy tears.

The 18″X24″ canvas, which of course looks better in real life. Blame the photographer.

 

Thanks again for trusting me with this most personal of paintings, Sarah. I’m so pleased you’re happy with it.

I’m working on another commission that I hope to finish soon. With my current workload, they’re taking a little longer than usual, but thankfully, Sarah and my other client didn’t have deadlines. That’s an important factor when I consider taking on a custom piece, whether I can deliver what I promise.

If you’d like to learn more about what’s involved with hiring me for a custom pet portrait in my whimsical style, please visit my Commissions page.

Cheers,
Patrick