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Cartoons Amid the Chaos

As many of you know, my art business consists of editorial cartooning and whimsical wildlife paintings. My syndicated editorial cartoons used to provide a decent full-time living, but with the decline of newspapers, it’s now less than half of my income. Fortunately, my painted work keeps growing and carries more of the load when it comes to paying the bills.

But editorial cartooning is still a big part of my job. The images you see in this post show the different stages of each cartoon I draw, this one about the unwelcome trade war Canada now finds itself in with the United States.
Each week, I draw five or six syndicated editorial cartoons. I follow regional, provincial, national and international news and draw illustrated commentary on prominent stories. Many of my weekly clients across Canada only run my cartoons in their publications, some for over a decade. Other clients, especially daily papers, will pick and choose from submissions from several cartoonists. Despite the belief that journalism is unbiased, it most certainly is not. Some newspapers lean left while others lean right.

Prime Minister Trudeau is deeply unpopular everywhere in Canada, so most newspapers will run a cartoon that casts him in an unfavourable light. But, sometimes, I will draw a cartoon that calls out a right-leaning leader, like Opposition Leader Pierre Poilievre or Alberta Premier Danielle Smith, and even as I draw the toon, I know that some of my Alberta newspapers won’t run it.

Editorial cartoons are not unbiased, nor are they supposed to be. Just like a written opinion piece, the cartoon is my perspective. Some readers will agree with it; others will not.

In addition to my syndicated work, I draw one weekly local cartoon for The Rocky Mountain Outlook, the newspaper of record for Banff, Canmore, Lake Louise and the rest of the Bow Valley. I’ve been their cartoonist since day one in 2001, and it’s a point of pride that I have never missed an issue. It’s rare that the cartoon on the editorial page isn’t about an issue close to home. While the Outlook has mostly supported my work for many years, each idea is subject to my editor’s approval. I don’t own that spot on the editorial page and can’t simply draw whatever I want.

With syndication, however, I have free reign. It’s then up to my newspaper clients to decide whether they want to run a cartoon I submit. If one rubs them the wrong way, they get four or five others that week to choose from.
Years ago, I recall that somebody in Canmore came up with a proposal that each business in the community should contribute to a tourism promotion fee. Some businesses complained they shouldn’t have to because they weren’t in the tourism business.

Even if you only ever see locals in your business, if they work in tourism, then so do you. Without tourism to pay your customers, your customers can’t pay you. If tourism suddenly vanished around here, so would most businesses in town and the people who work in them.

This weekend, in an unjustified demonstration of selfish aggrandizing aggression, the President of the United States levied a 25% tariff on all goods from Canada, with 10% on energy. I won’t get too deep into why none of this makes sense, but one easy objection is that this is not about fentanyl trafficking, as he claims.

A Homeland Security Commission in 2022 concluded that “Canada is not known to be a major source of fentanyl, other synthetic opioids or precursor chemicals to the United States, a conclusion primarily drawn from seizure data.”

A 2020 DEA intelligence report stated, “While Mexico and China are the primary source countries for fentanyl and fentanyl-related substances trafficked directly into the United States, India is emerging as a source for finished fentanyl powder and fentanyl precursor chemicals.”

Canada wasn’t implicated by either agency. But it’s hardly surprising, because the President changes his reasons for the tariffs with each passing day. One day it’s fentanyl, then immigration, then a wildly exaggerated trade deficit number that he calls a subsidy (it’s not), and today it’s that “Canada doesn’t even allow U.S. Banks to open or do business there. What’s that all about?”

It was another false claim that was easy to debunk, as the Financial Post did within two hours of the President’s declaration. US banks have been operating in Canada for a long time, one for more than 100 years.

You will have no trouble finding educated insight into this recent tariff issue, especially from economists and business leaders on either side of the border, who say this will be incredibly damaging to the economies of both countries.
Canada and the United States have had a unique, enviable, and friendly relationship for longer than any two countries. We’ve often referred to each other as family. We’ve had our ups and downs; every relationship does, but it has always endured.

This unprovoked schoolyard bully attack has Canadians upset and angry. The 51st state nonsense is insulting, rude and childish, especially repeated ad nauseum over the past few months. But we hoped it might pass, and the President would find other means to distract his supporters from his false promises to make their lives better. Shouldn’t at least those voters be his primary focus? Because this ain’t that, regardless of how he paints it.

Tariffs will not decrease grocery prices in the United States. Those prices are going to go up, as they will for cars, furniture, gas, heavy equipment, and many more components, parts and products that Americans import from Canada. Even the average oil change in the US will likely increase by 30%. Tariffs will impact purchases most people never even think about, and those in Congress more concerned with keeping their titles and salaries than serving their constituents know it.

But hey, their financial security isn’t in jeopardy. Not yet.

Realtors in Florida and Arizona are seeing more second homes on the market than in years as Canadians leave communities, no longer feeling welcome in the United States. My parents lived in Arizona in the winter for over a decade. A hairdresser once told my Mom she had to get a part-time job during the pandemic when Canadians couldn’t travel south.

Canadians represent 27% of all international visitors to the US, contributing $16.4 billion in 2018, according to the US Travel Association. Whether talk translates to action is anyone’s guess, but I’ve heard several Canadians say they won’t take a U.S. vacation anytime soon. Why go where you’re not welcome?

Buy Canadian stickers are now popping up all over Canada, and trade barriers between provinces will likely disappear, as they should have years ago. It’s ironic that an unwarranted attack by our closest trading partner might do more to unite Canadians than our own politicians have managed in recent memory.

The tariffs levied against Canada this week and our retaliation measures will severely impact both economies, and some experts suggest that Canada may fall into a recession. And just like businesses in this valley who didn’t think they were in the tourism business, Canadians and Americans will soon find out just how much it’ll hurt all of us when people in other professions start losing their livelihoods.

Late Breaking Edit: As of Monday afternoon, the threatened tariffs have now been delayed for 30 days following a phone conversation between Prime Minister Trudeau and President Trump. This is not a reprieve. Canada remains under the same threat.
On Saturday, I paid my deposit and applied for the Banff Christmas Market this year. While anything can happen between now and the end of the year, I’m already lowering expectations. I’m currently sourcing and buying stock for the Calgary Expo at the end of April, but I’m no longer planning on some products. I don’t think people will have money to spend on luxuries, and my work certainly qualifies.

It’s clear this manufactured conflict will continue to escalate and dominate the news for the foreseeable future. People have suggested to me, that with all this fresh material every day, I must love the return of President Trump.

I can assure you I do not.
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©Patrick LaMontagne 2025

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Raptor Rain

Painting the wet look in this one was challenging because I had to decide where to draw the line. I could have added more rain in the background and foreground, but I’d risk it looking too busy. The same could be said for the water droplets I painted on the feathers. More definition might equal more distraction.

Had I made the eagle wetter, it would mean flattening the feathers, making a dome out of the crown of its head. More accurate, perhaps, but I like painting fur and feathers, so I kept the wet look but still showed the definition. Maybe it had just given its head a shake.

Ultimately, I chose to go with what I do best: the detail in the face, expression and personality. Too much time spent on painting the forest might mean nobody sees the tree. A painting is not defined only by what you include but also what you choose to leave out.

I already have a bald eagle painting that’s been popular for many years in both prints and licensing. It often feels that if I paint more than one of an animal, the second might not be as good as the first, or at least as well received.

That’s foolish, of course.

People like both of my Snow Leopard and Snow Queen paintings. I’ve watched snow leopard fans choose between them at markets, and neither is the consistent winner. I’ve also painted more bears than any other animal, and there’s no chance I’ll stop anytime soon. I’ve also heard no complaints.

Jackie and Shadow on the FOBBV webcam in their nest in Big Bear Valley, California

I’ve seen plenty of eagles on several trips to Vancouver Island and on visits to the Alberta Birds of Prey Centre in Coaldale. A few years ago, a subscriber (Hi, Eileen!) sent me a link to a wildlife cam near her home in Big Bear Valley, California. Ever since then, right around this time, I enjoy checking in on Jackie and Shadow as they try again for another viable clutch of eggs. Nothing so far, but fingers crossed.
Though we romanticize eagles, imagining them soaring high in the sky for the sheer joy of flying, they’re experts at energy conservation and efficiency. Flying takes a lot of effort, and unless it’s for food or mating, an eagle is most content sitting in a tree all day. That’s also why some scavenge and eat carrion when available rather than hunt for fresh prey.
They have exercise runways at the Birds of Prey Centre, and the flight training is fun to watch. Though they try to release most rescued birds back into the wild, it’s not always an option and some become residents. The staff weigh the birds to keep them hungry enough that food is still a motivator. When it’s time for exercise, food rewards entice the birds to fly back and forth on the runways.It doesn’t take many trips for the eagles and hawks to get tired, and bald eagles and other raptors will overheat if they fly a lot. They cool off by holding their wings open and panting like dogs. After training sessions, especially on warm days, the eagles return to the open aviary for a shower. Placed on a perch, the staff hose them down, and the eagles obviously enjoy it.
I’ve taken several wet eagle photos on multiple visits, and had the idea for this painting a few years ago. My recent trip down there this summer reminded me to paint this raptor in the rain.

Cheers,
Patrick

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Eagles and Reality TV

Late last month, a subscriber sent me a link to a live cam of a bald eagle nest on Big Bear Lake, California. She has a cabin on this lake.

These cams exist all over the place; there’s one of an osprey nest just down the road from me. I took to this one because of the story of the breeding pair, Jackie and Shadow, and the beautiful scenery in which they live. The image quality and camera placement is fantastic; it switches to infrared at night, providing a clear image without disturbing the eagles. Their nest is 145 feet high in a Jeffrey Pine Tree.
I’ve been checking in on them every day, sometimes more than once, as it lets me scan backward several hours to see if I missed anything good. I only end up watching a few minutes each time, and I’ll admit to preferring the scenes where both eagles are in the nest, which is usually only a minute or two.
Jackie laid her eggs in January, and ‘pip watch’ begins next week. Jackie and Shadow haven’t had a successful clutch the last couple of seasons, so hopefully, they will this year. But, unfortunately, nature can be pretty brutal, and life isn’t as rosy and fairy tale as we’d like to imagine. There’s no guarantee that these eggs will produce healthy offspring that survive to leave the nest, between predators, the elements, and all that can go wrong. That makes those that do even more of a wonder.

The information shared on this camera space by Friends of Big Bear Valley is extensive, as is the commentary in the sidebar chat. While I’ve not participated in that conversation, I’ve learned a lot from reading through it.

I’ve enjoyed watching the two eagles switch off incubating the eggs so the other can go eat, fending off marauding ravens, and interacting with each other. The chatter between them when one flies in is amusing and fascinating. That tree also gets rocking when the Santa Ana winds blow over the lake. A snowstorm blew in fast and heavy last week, and while the eagles certainly didn’t look like they were enjoying themselves, they handled it well.

I didn’t see them complaining about it on their phones, at least.

 


© Patrick LaMontagne

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Business and Pleasure

While driving to Calgary the other day, I realized that I hadn’t left the mountains since October. Between avoiding the holidays, COVID restrictions, and a cold snap, there wasn’t any reason to leave the Bow Valley.

After placing our Costco orders online the past couple of years, I actually set foot in one. Although I had a small list, it was quiet, so I enjoyed browsing the aisles for stuff I didn’t need. But I stuck to the list, so that’s impressive.

After leaving Costco on Stoney Trail, I drove down Beddington Trail and was surprised to see a Bald Eagle perched on a lamp post. As that’s a rarity for me around here, I parked in a residential area and walked back to take some pictures.
It was a scraggly-looking thing with uneven plumage—likely a juvenile, younger than five years old as the head feathers hadn’t yet turned white. Unfortunately, the pics aren’t anything I can use for reference, but it was still fun to see.

The real reason for the drive into Calgary was to drop off an order of prints at The Calgary Zoo. I’m pleased to announce that a selection of my vinyl stickers is now available in the Gift Shop, where I couldn’t help but be aware of many of my funny-looking animals staring back at me.
From my own prints on several shelves, plus coffee mugs, art cards, and calendars from Pacific Music and Art to T-shirts and hoodies from Harlequin Nature Graphics. Two of the staff excitedly gushed over the stickers, and a couple of prints neither had seen. That never gets old.

Of course, any visit to the zoo would be incomplete without a couple of hours taking reference photos. It was a cool, quiet day, above zero, not too windy, and overcast, making for great light. I’ve already given the photos the first pass, pleased that I got some excellent reference for another giraffe painting and a chameleon. As the gorillas were outside when I arrived at their enclosure, I took several photos I can paint from.

The best score of the  visit was a very accommodating snow leopard. I couldn’t have posed her (I think) better, as she sat in perfect light, looking right at me several times. Even her expression was already leaning toward cool and whimsical. But, of course, that could just be how I see animal faces, which is a good thing in my line of work.

I’ve already painted a snow leopard, and it’s a popular print, currently on re-order in fact. But I’m happy to paint another. After all, I’ve painted more than a dozen bears and you can’t stop me from painting more, especially a particular favorite.
It was a pleasant excursion away from my desk and office, but I also realized how much more of a hermit I’ve become the past couple of years. Even though the roads were good, traffic was light, and I wasn’t around that many people, I’m happy to be back at my Wacom display alone this morning, continuing a painting of a happy, playful dog.

Cheers,
Patrick

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Flight or Fancy

When you create art for a hobby, it doesn’t matter how you spend your time. It’s an escape, a leisurely pursuit. You can read about art, sketch, watch videos, take courses, visit galleries, or attend workshops or clubs devoted to the same goals. You can doodle for an hour, then throw it in the recycling.

But when art is your work, how you spend your time and energy is directly related to your income. If you’re not making art that sells, you’re risking your financial security. Bill collectors don’t take good intentions as payment, nor do they accept the absence of a creative spark as an excuse.

Anyone who has ever held any job knows what it’s like to have a horrible night’s sleep and wake up feeling unmotivated to do anything. But you haul your ass out of bed and go to work anyway. Because your boss is unlikely to accept “I’m just not feeling inspired today” as a valid reason for not showing up.

Talk to anyone in a creative field who does it for a living, and they’ll tell you that waiting for inspiration is for amateurs. Professionals get to work, even when they don’t feel like it. Art for a living is no different. You stick to a schedule, show up every day, and you do the work, even when you don’t want to.

But just as people in many fields go away for conferences, take additional training in the latest techniques, or keep up to date on industry literature to remain competitive, artists also need to make time for the unquantifiable.

The only way to improve on skills is to invest in them, even when it feels like you’re not getting any work done.

Whenever I start a new painting, my intent is most often to create a production piece. If it’s a painting of an animal, I want the result to be a print or an image for licensing, something that goes into the inventory to generate future income.

On occasion, I’ll make room for a character portrait for my own enjoyment (I’m working on one right now), but when it comes to the whimsical wildlife, I don’t often make time for sketching, or experiments, or ‘let’s try something and see what happens.’

But I should.

Even though I never went to art school, I know enough from talking to artists who have, that sketching and playing around is essential. It’s where you find your happy accidents, those unexpected gems that pop up simply from drawing for fun or practice.

My Grizzly, the very first whimsical wildlife painting in 2009, was an experiment. I was trying something new to see what might happen, and it eventually changed my entire career, leading me to the work I enjoy most.

It’s an easy bad habit to get into, judging the art I create to be only as valuable as its revenue. But, unfortunately, that’s a short-sighted view of what has been a long career and will hopefully continue to be.This eagle-in-flight could have become a production piece, but I got to a point where I realized that even though I enjoyed it, I didn’t feel like taking it any further. It was good practice; I recorded it, so I get to show another time-lapse, but this is as far as I’m taking it. It’s more than a sketch but less than my usual hyper-detailed renderings. Click here or on the image to see the full sized piece and the 2-minute video.

I’m going to accept that it was a practice piece and creative time well spent.

Sometimes, that’s enough.

Cheers,
Patrick