Tag: Banff Christmas Market

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Canada Post and a Wrench in the Gears


Canada Post went on strike yesterday, which is just what every small business wanted to hear as holiday shopping gets going. Since courier shipping and pricing aren’t viable alternatives for anybody but Amazon, that will hurt many businesses.

The good news is, that the flurry of recent calendar and print sales have been filled and likely delivered already. If you haven’t received orders in the United States yet, there shouldn’t be a delay as they would have made it over the border by now.

I only had one order to get out when they announced the strike, and I offered that customer a refund because who knows how long this will last? It could be a few days or a month.

Unfortunately, even if this strike is short-lived, there will be a backlog to get through, which means that at a time when there’s already a seasonal delay, it’s about to get worse.

As a result, I’ve had to suspend orders and sales in my online store temporarily.

On a positive note, I set up my booth for the Banff Christmas Market yesterday, and the new venue at the Banff Train Station is beautiful. The organizers did a great job. Even though Warner Stables was a lovely setting, I prefer this new location.

My next door neighbour this year for the next four weekends is the same as last year. We get along great and have a good time, which always makes for a better show. They were nearby at the Calgary Expo as well. You see the same vendors at many of these shows, and there’s a nice sense of community.

Even though the first evening was only a four-hour preview, we were all pleasantly surprised at how busy it was. I figured it would be a tire-kicker kind of evening, but traffic was steady, and sales were great.

Thanks to subscribers who came to get a calendar in person, many who bought stickers, magnets, coasters and prints to go with it. It’s a humbling experience to hear in person that you enjoy the emails and my whimsical wildlife artwork. I love seeing the same people at different events, year after year, and meeting many of you person for the first time, hearing that you’ve been reading my emails for a while. You all say such nice things about the work, and I greatly appreciate your support.

I look forward to seeing more of you over the next four weeks—back to Banff this morning.

Cheers,
Patrick

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Bitter Blunders and Bedtime for Bears

Because I haven’t released a new painting in a while, I did not want to publish yet another post promising something new down the road. So, here’s a new piece: a weary-looking grizzly bear in the snow. I’m calling it Bedtime.

I had planned on sharing a different painting this week. Here’s why that changed.

Over the past twenty-plus years of my art career, both as a syndicated editorial cartoonist and a digital painter, there have been plenty of times when something I’ve drawn hasn’t worked out the way I had planned.

The beauty of digital drawing and painting is that it’s often easier to fix mistakes. I can create a new layer, play around and experiment; if I don’t like it, I delete it and try a different direction. Most creatives are familiar with happy accidents, something unexpected that improves an image. It happens all the time.

There’s always an element of discovery in any illustration or painting.

On the flip side, an image can sometimes become an exercise in frustration. Years ago, a bighorn sheep painting had me pulling out my hair. No matter what I did, I couldn’t get the curl of the horns to look right. They were either too flat, distorted, or just wrong, and every time I messed with them, I’d have to spend hours repainting the detailed texture I ruined.

It’s hardly a unique story. Every artist I know goes through this. For traditional artists who paint with oil, acrylic, watercolour or airbrush, it’s even worse. Sometimes, they try to fix something that isn’t working and get to a point where they’ve just ruined any chance of recovery. The canvas ends up in the trash, and they start over.

I began a painting of a group of Ring-tailed Lemurs months ago. I thought it would be finished this summer and again this week. I can’t begin to estimate how many hours I’ve spent on this painting. It has been one disappointment after another. But I finally got through the other work and deadlines holding up my progress and recently spent several mornings on it.

I was within what I thought was two or three hours of finishing, then realized I didn’t like it. That’s a hard truth to admit when I have invested so much time into a piece.

On my iPad, I took it to my buddy Derek at Electric Grizzly Tattoo. He’s a talented and skilled artist, and we sometimes ask each other for an unbiased eye. I can always count on his constructive criticism and willingness to help me produce a better piece of art. I do my best to return that generosity in kind, and when asked, offer my own thoughts on his paintings.

While Derek liked the individual faces, he agreed that the composition had problems. It was tough to hear, but it confirmed what I already knew.

After I got home, I spent a couple of hours messing with it, still trying to save it. But it was a gut-punch realization that I’d almost have to start from scratch. If I released the painting as is, knowing the obvious problems, even if others like it, I would hate it every time I looked at it.

So, while I’m not quite back at square one, it’s close. I’ve been sketching over the piece and trying new things, and I’m already much happier with the composition.

Reworking it, however, meant destroying what I had already painted. I must redo all the fur and hair, the detail in the muzzles and eyes, and add other elements that weren’t there before.

Whenever I finish the newer version, I will share more about this process, including what specifically I didn’t like and my thoughts on what I needed to change. I will also show you the piece I showed Derek and share why we both felt it didn’t work. But I don’t want to do that until I reveal the finished piece so you can see the comparison.

Anytime you do something creative, there’s a chance it won’t work. Authors have had to discard whole chapters and rehash plotlines when an editor has their way with a novel. Chefs have prepared complicated and ultimately inedible meals from experimental recipes. Filmmakers have spent years creating box office bombs.

As Benjamin Franklin said, “I didn’t fail the test; I just found 100 ways to do it wrong.”

If you’re not prepared to fail, you’ll never succeed.

So, I set the lemurs aside this week and began this bear piece on Tuesday as a palate cleanser before I jump back into the other works in progress I have yet to complete, including those lemurs.

Because when life hands you lemons, paint a grizzly bear.

That’s the saying, right?

Well, it works for me.

This Thursday, I’ll be one of 150 vendors setting up for the Banff Christmas Market. That evening, a locals’ preview event is already sold out. After that, from Friday to Sunday for the next four weeks, you’ll find me in my booth at the Banff Train Station, offering prints, calendars, coasters, magnets and stickers. Tickets are only available in advance on their website, and they go quickly, especially on Saturdays. I hope to see you there.

Thanks to so many of you who have purchased calendars already. I’ve been getting those orders out as soon as they come in, so if you’re waiting for yours, they’re on the way. If you still want one (or two, three, four…you get the idea), you can get them in the store while supplies last.

Cheers,
Patrick

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2025 Calendars Are Here!

After many inquiries over the past few months, I’m pleased to announce that the coming year’s Wild Animals calendar is now available in the store!

While the calendar is a Pacific Music & Art licensed product, I always have a hand in choosing which animals make the cut. In the 2025 calendar, you’ll find a gallery of popular paintings and images appearing for the first time.I love the cover this year. Big Bear on Blue is the latest print I issued earlier this summer and it’s already looking like it will be a bestseller.

My (sea) Otter is a perennial favourite, but my River Otter painting is also included this year. New pieces like Spa Day, Highland Cow, and Meerkat also made the final selection.
I’m pleased to see a couple of my personal favourites, too. One in Every Family is a painting close to my heart. Not only did I paint the great horned owls in that image from reference I took up at Grassi Lakes here in Canmore, but the piece won the Best In Show award at Photoshop World Las Vegas in 2014. Has it been that long?

The prize that came with that award was the Canon 5D Mark III camera I still use today to take many of my reference images, and it’s now an old friend. Professional photographers might consider it to be a little long in the tooth, but for me, it’s a workhorse that gets the job done. Who knew it would become such a big part of my process?
Each calendar purchased in the store will be hand-signed by me on the back. Whether you get 1 or 2 calendars, shipping is a flat rate of $6.50 in Canada or $9.50 for the US, all in Canadian funds. But as always, anything over $48 in the store qualifies for FREE SHIPPING. So, if you’re looking for prints, postcard sets, or stickers to go with your calendar purchase, feel free to mix and match. Get yours early to beat the holiday rush.

I will also have calendars available at the Banff Christmas Market every weekend from November 14th to December 8th. Hope to see you there.

Cheers,
Patrick

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Market Lessons


Sales were good for both Banff Christmas Market weekends, so I’ll book again next year. The weather was great, right up until a sudden snowstorm Sunday evening, just in time for load-out, but that’s life in the Rockies.

When you make art for a living, profitability is the critical metric for an event’s worthiness, but after you achieve the financial goals, there are intangible benefits, too.

At the Calgary Expo earlier this year, a new vendor introduced himself, thanked me for a couple of blog posts I’d written about the Expo, and said it helped him prepare for his first booth. I got plenty of help and advice when in his shoes, so I was pleased to pay it forward.

There are plenty more experienced vendors than I am, but I’ve done enough over the years to understand what works and what doesn’t.

Every vendor has something to teach you. From where to find a decent meal in a sea of deep-fried food trucks to when to get there on the last day for a good parking spot for load-out. Those who’ve been there before have the wisdom; most are happy to share it.

Keep good records. I have a detailed sales spreadsheet I update each day of the show, whether home or away. You may only do a particular market once, but if you do well and come back the following year, you won’t be able to remember what you sold, so you won’t know what to bring. It’s not enough that I know the Smiling Tiger or Otter were bestsellers. I need to know how the other 40 images did, too.

Be honest about your costs. You don’t make any money until you know what you’ve spent.

Because I got to come home each night, the expenses for these recent markets were low, mainly booth cost and insurance. At the Calgary Expo, once I added up booth cost, parking, power, insurance, hotel and meals, I spent $2000 before I sold one print. To make it worth my time, I must make much more there than at the Banff Christmas Market.

Then, every sticker, magnet, coaster, calendar, puzzle, and print has a cost that must be deducted from each sale before I know what I made. And every time somebody pays with a credit card, there’s a fee, too.

Shit happens. On Thursday, as I set up, I dropped the first metal print of my Blizzard Bear painting. Most wouldn’t have noticed the corner damage, and it still looked good on display, but a slip of my fingers and the profit from that piece was gone. Thankfully, another vendor, a fan of my work from Expo, was happy to buy it at cost. So, I didn’t lose money, and she got a big metal print that wasn’t in her budget at full price.Booth location and size might be inaccurate, neighbours may be challenging, organizers could be stressed out, and anything can happen. Roll with it until you can’t, and then ask for help.

Help your neighbours. It might be scissors, a hammer, or a band-aid, but somebody always forgets something. I have power at my booth, and occasionally, somebody needs to charge their phone. Keep an eye on a neighbour’s booth for a washroom break. Hold the other end of their banner while they hang it up. I get plenty of offers for help and do my best to return in kind. And it helps you make friends, too.

You won’t always connect with the people around you. I remember one Calgary Expo where none of my neighbours were interested in friendly small talk. That makes for a longer market, especially during slow periods.

In Banff, I had two fun neighbours. We were all on the same page with work ethic and professionalism, but I enjoyed their company when there was room for kidding around and chatting. I hope to share space with them again in the future.

Foam floor pads and comfortable shoes. If you do it right, you’ll stand long hours for multiple days. Don’t make it harder than it needs to be.

Don’t complain or talk politics. This past weekend, a woman started going off about world government plots and chem trails in the sky. One minute, we talked about the great weather and beautiful mountains; next, she headed down the conspiracy rabbit hole. I smiled and politely said, “It’s a strange world.” After I said it the second time, she seemed to realize I wasn’t taking the bait and moved on. Arguing politics and controversial topics with strangers is a waste of life and will do nothing good for your business.

Eat well and often. Pack small healthy items you can eat quickly between customers without stuffing your face: carrot sticks, protein bars, a pre-cut sandwich, and pieces of cheese. Drink water. Setting up and tearing down grid walls and hardware, expect to damage yourself. My hands are wrecked at the end of a show from dry skin, cracked fingertips, and chipped or split fingernails. Bring a first aid kit. Nobody wants blood on their prints or stickers. Bring hand sanitizer and moisturizer.

All these people you’re talking to, especially this time of year, several of them are spreading colds or flu they don’t even know they have yet. It’s unavoidable, but healthy habits are your best chance of prevention.

Lozenges and breath mints are a must. You’ll have to talk a lot, and foul coffee breath won’t help your sales.

You’re there to sell. One vendor told me about someone at another show complaining that he wasn’t making any money. He left his booth often to wander the show. I’ve often seen neighbours spend all their time on their phones, heads down, ignoring people who walk into their booth, failing to engage with potential customers. A vendor next to me at this market, her friends and family hung out at her booth all day long socializing. Customers came and went without a word exchanged.

Respect other vendors. If you’re chatting with a neighbour and a customer approaches, leave the conversation. If it’s their customer, they’ll appreciate it. If it’s your customer, a professional neighbour will understand.

Be positive. Slow times happen, but they can also turn around on a dime. Desperation is contagious, and customers will pick up on it.I’m a pessimist. I don’t have a lot of faith in people. It comes from following the news for a living for my editorial cartoons. I work at home and enjoy my solitude. And yet, at markets, I try to be upbeat, smile, happy and joke around. It’s part of the job. It’s not all an act; I’m genuinely pleased to introduce new customers to my art, and many have become friends over the years. I’m always happy to see them again.

You never know who you’re talking to. If you make assumptions about people, you might say something that makes you look foolish and miss a valuable opportunity. Many people ask about commissions, and I advertise them in my booth with a large metal print of my Luna painting from last year.

When they ask about pricing, I tend to soften the blow with “it’s an investment” before I tell them it’s $1900. The sticker shock is evident on most faces, but then I explain the amount of work that goes into each one, the many hours of painting, the back-and-forth photo exchanges and prep before I paint one brushstroke, and that, unlike my other work, there is no market for that piece when finished. Most people understand, but spending that amount on a painting of their dog or cat is not often a priority. I get that. It’s the reason I only get hired to do two or three of these a year.

But I also spoke to a couple this weekend who seemed genuinely interested, sharing photos and asking about timelines, shipping, and specific details. This was after they’d heard the price, which is always a good sign. They wanted it in my whimsical style, and their dog has a great face and character. I want to paint him.  Even if that possible commission never materializes, my next important client or avid collector could be standing in front of me at any time. That Luna painting? Six months after I first spoke with him, he hired me for the piece, and it was one of the best client experiences of my career.

Listen to people. Ask questions. You’ll discover why certain pieces connect with people and how to use that knowledge for future sales. I learn a lot from my customers. I’ll soon start a painting of an animal I wouldn’t have considered on my own. It must be trending because at least a dozen people (not kidding) have independently asked for it this year. I don’t get it, but I’m going to paint it because I’m clearly missing something.Ask people where they’re from, especially in a tourist town. I met people from all over the world this weekend.

One gentleman said he was from a town in Saskatchewan, and “you probably don’t know it.”But I asked, and then told him that I’m the editorial cartoonist for his local paper and have been for years. He and his wife know one of Shonna’s uncles because her large extended family is from the same area.  People like to tell you about themselves, and it’s nice to give them the opportunity, not just for the sales, but to connect with another human being, something we all missed more than we realized the last few years.

Celebrate the little things that make it fun. I reluctantly confess I found myself singing along to Christmas carols. It might have involved toe-tapping. Those who know me well…close your mouths. I know it’s shocking that this Grinch found a little holiday spirit. Damn that Mariah Carey!

Plenty of happy dogs (and puppies!) were walking around, and their people were most accommodating with requests to say Hello. It made my weekend.  Want an overdose of pure joy? A Bernese Mountain puppy. Take what you want from my booth; I’m no longer paying attention.

While this advice sounds easy, we’re human. People make mistakes. I have complained to a neighbour. I’ve allowed a problem to frustrate me instead of working on it. I’ve talked politics with someone and always wished I hadn’t. I’ve failed to ask for or declined help when it was readily available, usually out of stubborn pride. I have seen somebody who could have used my help but didn’t offer it because I was busy with my booth.

But making course corrections is easier than people think. Most of the time, it’s just a choice.

If you and I have encountered each other at a market or show, whether you’re a customer or visitor to my booth or a fellow vendor, I hope it was a good experience. And if so, I hope to see you again down the road. If you have any questions I can answer, post them in the comments. I’ll help if I can.

If you attended this year’s Banff Christmas Market and took some of my whimsical wildlife home with you, thanks for supporting a local artist. I love my work, and I hope you do, too.

Cheers
Patrick

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The Banff Christmas Market – Part 1

Trade shows and gift markets share similarities, but each is unique. Many vendors travel from one to the next each season. They know each other as coworkers and are on familiar terms with the organizers in different towns and venues. I always learn a lot from talking with these more experienced vendors, and I haven’t met one yet who wasn’t willing to share helpful information.

Because of my daily editorial cartoon deadlines, I can’t be away all the time going from market to market selling my prints, stickers and other licensed products. That’s not an issue for me, as I don’t want a life on the road.

I’m content working at home alone, getting up early each day, drawing cartoons, painting my whimsical wildlife, and doing all the other stuff that supports my self-employed artist lifestyle. But the occasional market weekend is good for me and my business.

As I wrote recently, I applied for the Banff Christmas Market at Warner Stables and was accepted for two of the three weekends. The first was this past weekend; I’ve got another December 1-3. Not having the middle weekend meant tearing everything down Sunday evening so I can set it all up again in two weeks, but it’s good experience and an opportunity to tweak my setup. I’m putting a positive spin on it, dammit!

Without boring you with a play-by-play, this first weekend was a good market. The event is well organized, I was happy with my booth placement, and it’s a venue with a lot of warm seasonal character. Of the several tents and buildings with vendors, mine was in Evergreen Hall, which is normally a horse barn/stable, so my own lighting was a necessity. Thankfully, I now have a good mix of lights and was able to feature my work well, though I had to add an upright LED lamp to shine on my print flip bins. It was effective.
You’ll have to forgive the blown-out sections of these photos where my phone camera overcompensated for the low light/spotlights.

Though a strong Chinook wind blew through the valley all four days, the weather was ideal for this time of year. I don’t miss living in Banff as Canmore is better suited to our lifestyle, but I enjoyed the old neighbourhood scenery for a few days.

The vendors around me were friendly and fun to talk with, and since my booth for the next weekend is right beside the one I just vacated, I look forward to seeing these folks again soon.

The crowd was a good mix of tourists and locals alike, and it was fun introducing them to my funny-looking animals. Quite a few subscribed to A Wilder View, and several others told me they already follow my work and like getting my emails.

Several people recognized the art from other places, having either seen or purchased it from The Calgary Zoo, Discovery Wildlife Park, Stonewaters, Art Country Canada and Branches Marketplace. Others have bought my licensed products elsewhere.

One of the things I love about this valley is how friendly and accommodating it is to dogs. I’m a sucker for a four-legged fuzzy face, and many brought their furry family members with them. I was happy to meet them all, including this wide-eyed pup.
Of course, my whole reason for attending the market was to sell my work, and sales were very good. Over three days, more than 7000 people came through the venue. Though it came and went in waves, it was a steady stream of people, likely because they admit 100 an hour via timed ticket sales. Once you’re in, however, you can stay as long as you like.

Every event has hiccups, but the organizers were friendly and approachable and handled any minor issues I encountered or heard about well. I’ll apply for this event again next year and hope to get all three weekends.

For now, I’ve counted and reorganized my stock and hardware, ready to set up again next Thursday for the third and final weekend of the market. I sold out of a couple of prints and one coaster design, but I still have plenty of stock and a large variety of available images. I know Saturday sold out quickly for this past weekend, so if you plan to attend, get your tickets early.

I hope to see you there.

Cheers,
Patrick

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The Banff Christmas Market

This will be my first year as a vendor at the Banff Christmas Market at the Warner Stables, and I’m busy getting everything ready. Shonna and I checked out this event last year, and it quickly became clear it would be a good fit for me and my whimsical wildlife.

When they opened applications in February, I applied for all three weekends. It’s a popular market, and they’re selective, but I’ve been living in this valley for nearly 30 years, over 20 as a cartoonist and whimsical wildlife painter, so I didn’t have to sell the local artist angle. However, that only gets me so far, as this area is filled with skilled and talented creative types.

With only one building offering power for lighting, it limited my placement options. For these reasons, I tempered my expectations but was delighted to be accepted for the first and third weekends. It means tearing my booth down after the first weekend and setting up again two weeks later, but I’m happy to pay my dues this first year and hope for all three weekends next year.
So even though the market is three weekends, the dates you see above, I won’t be there for the middle one.

I keep extensive inventory and sales records for each event, which helps me order for the next time. I did several Mountain Made Markets in Canmore for the past couple of years, which were worth it. Unfortunately, this year, the Town of Canmore limited the indoor space for vendors to the point that it seemed like an afterthought to the outdoor portion of the markets.

As I’ve mentioned before, my commitments to daily editorial cartooning and other work make it not worth investing in a tent and materials for the limited number of outdoor markets I can consider. I would have loved to be a part of an upcoming Mountain Made Market at the Canmore Rec Centre, but it conflicts with one of the Banff Christmas Market weekends.

So far this year, the only show I’ve done has been the Calgary Expo in April. As this upcoming event is new to me, I don’t know what to expect for sales, so I must play the speculation game. I’ve ordered what I think I’ll need, hoping I don’t run out while trying to avoid ordering too much, as the next opportunity to sell the stock won’t be until the Calgary Expo in April. Incidentally, early bird pricing for next year’s Expo is available until November 9th. You can buy those tickets here.

Banff and Canmore are different towns but part of the same Bow Valley community. With just a twenty-minute drive between them, many people live in one town and work in the other, and some city commutes are much longer than that.

It’ll be nice to come home each night rather than stay in a hotel, as I do for the Expo. It also means I can replenish my stock each day rather than stuff a whole three-day weekend’s worth of product into my booth at the beginning. They also have a setup day on Thursday, so there is no early morning time crunch for setup on the first day, and I can take extra time to nitpick the details.

The show has a rustic and cozy Christmas feel, with over 100 vendors. On both weekends, my booth will be in the main stable, Evergreen Hall. They also have the North Pole Pavilion and Candy Cane Lane vendor tents. There are photos with Santa, pony rides, live music, and some outdoor vendors.

You can even enjoy a fireside holiday drink at the Fire Lounge and bar. While it’s hard to find a bad view in Banff, the scenery surrounding Warner Stables is stunning, so here’s hoping for clear skies and pleasant weather.

My assigned space is a little smaller than Expo but larger than what I’ve had at the Canmore Markets. I’ve mapped out my booth setup in advance, but surprises always require on-site adjustments. I’m in a different space for the two weekends, which means some minor layout alterations but nothing complicated. I’m pleased with where they put me for both weekends.

Like Expo, this is a paid admission show, so if you plan on checking it out, you’ll have to buy tickets online in advance and choose an arrival time slot. They admit 100 guests every 20 minutes. Once you’re there, you can stay until closing, of course, but staggering the arrival times helps ensure it doesn’t get overcrowded and maintains a comfortable feel.
I’m looking forward to introducing my work to a new audience, especially since it’s been months since my last event. I’ll have my usual variety of products, including stickers, magnets, coasters, puzzles, and calendars, along with poster, canvas, and metal prints in various sizes, provided everything I’ve ordered arrives on time. Fingers crossed.

For more information, scheduling, and to buy tickets, check out the Banff Christmas Market website. I’ll be there next week from opening on Friday, November 17th to Sunday, November 19th, and again two weeks later from Friday, December 1st to Sunday, December 3rd.

Hope to see you there!

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Winter Tiger

This cool cat began as a design I pitched for a puzzle license that didn’t work out. But since I liked the idea, I decided to paint it anyway. It was challenging, and I spent a lot of time on the detail. I’m pleased with the finished piece.

While I could start shopping around a couple of designs to puzzle companies for their consideration, it can take up to a year for a licensing design to go from an initial agreement to a product on the shelf. So, if I want new puzzles for the upcoming holiday season, I must produce them myself.

In February, I applied to be a vendor at the upcoming Banff Christmas Market and was accepted for two of the three weekends. It’s a competitive show for admissions, and difficult to get a spot, so I’m happy I made the cut. Both are three-day events, and I’ll be there November 17-19 and December 1-3.

With a 10’x10’ booth inside the stable, I’ve got to start preparing my prints and products well in advance. If I go ahead with puzzles, I’ll have to order them in the next couple of weeks.

Since the pre-order for my first puzzles earlier this year went so well, I plan to do that again if there’s enough interest. I only have a few of each of those initial puzzles left, and though I might produce those designs again later, I want to try some new ones.

Although that puzzle license didn’t work out, I got some great advice about puzzle design, and I’m grateful for the experience.
This new Winter Tiger will make a nice addition to my available prints and other products, but I’ll need to change the design to make it a better fit for a puzzle. A closer crop on the face, contrasting shades of blue in the snow and much less background overall will make for a better puzzle experience. For most puzzlers, a design is better when there aren’t large areas of the same colour/texture.

This tiger has a lot of different contrasts and patterns in the fur and face, which is why I chose it for a puzzle in the first place. Shonna proposed adding some shaped snowflakes in the sky and snow to create landmarks and break up any monotony in those areas. While I’m still messing with it, here’s the idea of what a puzzle would look like featuring this painting. This is NOT a final version.
These next puzzles will also be 1000 pieces since many have asked for those. My recent Long Neck Buds painting was created with a puzzle in mind, so that’s another one I’m considering for this next launch.

I had thought about painting some lighter green foliage in the darker areas of my T-Rex painting, but I’ve learned that people prefer horizontal puzzles to vertical ones, which removes that fierce-looking dinosaur from consideration. It also means I’m less likely to consider other vertical options.

I’m still mulling all this over, so I’d like to ask you to answer these questions…
Would you like to see the Winter Tiger and Long Neck Buds as 1000-piece puzzles?
Would you buy them in a pre-order?
Are there other paintings I’ve done that you’d like me to consider for puzzles?

I’d love to hear your feedback in the comments and feel free to offer any other thoughts you have on the matter.

Cheers,
Patrick