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A Long Overdue Return to the Alberta Birds of Prey Centre

The Alberta Birds of Prey Centre in Coaldale, Alberta, just outside of Lethbridge.

This weekend marks the end of the visitor season for the Alberta Birds of Prey Centre in Coaldale, Alberta. It’s a welcoming and beautiful facility home to many species of owls, hawks, eagles, and more.

A juvenile Great Horned Owl

Cofounded, owned and operated by Colin Weir since the early 1980s, the dedication it takes to keep this place going is remarkable and impressive. On days I feel sorry for myself for not having had a day off in weeks, I remind myself that people like Colin (and my friend Serena at Discovery Wildlife Park) go many months without a day off, and sometimes that’s only a sick day when they’re really ill.

Caring for animals is a calling, and these critters require constant care. When I expressed my admiration for his commitment, Colin humbly dismissed his efforts and likened it to farming, saying it’s a lifestyle more than a job.

A Barn Owl. The background in shadow made this capture look like a studio photo. Sometimes it almost looks like I know what I’m doing. Almost.

Colin is on call 24/7 year-round to rescue birds from all over Alberta. Though he can’t always be there in person, he’s told me that sometimes people just need encouragement and advice, a supportive voice on the phone to help them do what they can for a bird in need.

While many adult birds they rescue are nursed back to health and released, it’s not so cut and dry for birds missing a wing or for the little ones. Some will never develop the skills to survive on their own, but they find a home at the centre.

A Ferruginous Hawk. I have to look up the spelling every time.

Years ago, I painted a Golden Eagle named Sarah. I had taken the reference for the painting when I first met Colin and his daughter, Aimee, on their visit to Canmore with some of their birds for a wildlife event. Sarah has been with Colin since she was a year old, and I was delighted to see her again. She is still healthy and doing well at 42 years old.

From their website, “We do not receive any government operating subsidies, which means we rely solely on donations and volunteers to keep the birds fed and cared for year-round. One hundred percent of all donations we receive is spent on programs and projects that directly benefit the wildlife and wetland habitat we strive to conserve.”

I could go on at great length about their incredible work for wildlife conservation and rehabilitation, but I’d rather you visit their website as it does a much better job than I would.

Snowy Owl. I got some really nice shots of this little lady, including some reference that will no doubt inspire a painting.

The Alberta Birds of Prey Foundation is an official charity, and I’ve been supporting them with a monthly donation for several years, but I’ve only been to the centre three times. It’s a 4-hour drive, which usually means an overnight stay.

From deadlines and workload to weather and wildfire smoke, something came up every time I planned to get down there this year. But with the season ending, I had to make it a priority this past week or wait until next year.

As luck would have it, Wednesday was one of the worst rainstorms I’ve seen in years. There was a heavy downpour for most of the drive, with a strong crosswind from Calgary to Lethbridge. With poor visibility, water-filled ruts grabbing at the tires, and fun with hydroplaning, I was relieved to arrive in Coaldale at about 1 PM.

This little Kestrel is full grown, but adorably small.

Finally, inside the centre’s entrance, I was met by adorable juvenile Burrowing Owls, a young Saw-whet Owl, and a Kestrel, all on perches, chortling and squawking away.

I immediately started snapping pics with my phone, thinking, “I want to paint you, and you, and you, and all of your friends and family.”

Northern Saw-whet Owl

Colin had told me he was hosting a large group that day, but one of the staff said they had to cancel because of the weather. At that moment, I was the only guest in the whole place. I spent the next few hours taking photos on what felt like my own private tour.

On the weather app radar, the vast rain system occupied much of southern and central Alberta, rotating like a tropical storm. However, the eye settled and turned over Lethbridge and Coaldale for most of the afternoon. Cool and blustery, but no rain for a while, and fantastic light. A few other guests showed up, but the afternoon was quiet.

Just before 4, the rain began again, and I retreated to my hotel for the evening. It poured all night, but I woke to a clear morning and a light wind, perfect for another visit with the birds.

One of my favorite features of the Alberta Birds of Prey Centre is their Burrowing Owl breeding program. An endangered species, the foundation has released Burrowing Owls into all four western Canadian provinces.
This juvenile Burrowing Owl has big owl attitude. They all seem defiant and feisty, right up until they run for cover.

One of the reasons I wanted to get there before they closed for the season was to try and capture some shots of the flight training. For birds that can’t be released, they get regular exercise on two long runways where they fly back and forth for food.

Jefferson the Bald Eagle getting some exercise

Our romantic notion of eagles flying for the sheer joy of it, simply because they can, isn’t supported by reality. Birds of prey are pretty lazy, and if they don’t have to hunt, they’ll sit in a tree all day. The caregivers at the centre need to be careful not to feed them before flight training because if they aren’t hungry, they won’t fly.

I think her name is Grace.

They also tend to overheat, and it only takes two or three flights down the runway before an eagle will pant like a dog to cool off. After the training, they’re taken back to the aviary when handlers allow younger guests to give the birds a rain shower with the hose to help them cool down, something the birds clearly enjoy.

Jefferson, staying low to the ground for most efficient energy use, eyes locked on the piece of chicken he’s aiming to capture.

While the storm conditions made the light great on my first day, the wind cancelled the flight training. Clear skies and sunshine on Thursday made for good flying conditions, but the light was too bright, so while I enjoyed watching them fly, I didn’t get any good action shots for painting reference.

Wildlife and weather, you can’t count on either.

A juvenile Bald Eagle. The crown feathers eventually turn completely white between four and five years old.

I still took plenty of reference photos for future paintings, especially for one bird I’ve wanted to paint for years. And had I returned home with only the shots I’d taken thus far, I would have been pleased with the visit.

But after the first flight training, Colin texted me to meet him at the gift shop. He’d been off the property on Wednesday and responding to a rescue call that morning, so I hadn’t seen him yet.

I was pleased to see him again, as I hadn’t since my last visit in 2021. Colin told me he had a surprise for me outside. We walked out to his truck with Miyah, one of the senior staff, and he said he was going to let me release two Swainson’s Hawks back into the wild.

Cofounder, owner, and operater, Colin Weir, readying a Swainson’s Hawk for release back into the wild.

I would have been content just to see a release, but to let one go myself (let alone two) was an unexpected thrill. I thought perhaps I’d just be opening the door on a box, but I soon realized Colin was about to hand me an adult hawk…twice!

 
A rare privilege, holding a Swainson’s Hawk, about to release it back into the wild. At this moment, I’m thinking, “hold tight, but not too tight.”

Obviously well practiced in making this experience memorable for anyone granted this honour, Colin’s instructions were clear and specific to ensure the birds’ safety and be in the correct position for the best possible photos. He and Miyah had cameras ready to capture the releases and took plenty of pictures for me.

The second Swainson’s Hawk, unimpressed at my violation of its personal space.

While I wasn’t as graceful as an experienced hawk-thrower, I thrust each bird forward and upward as instructed and let go, a great feeling to see recovered birds once again flying free. Hopefully, mine are the last hands those birds ever feel, and they live a long and healthy life in the wild, thanks to the tireless efforts of Colin and his team.

Once released, each Swainson’s Hawk flew a wide circle up and behind me. It was a special moment watching these now healthy birds climb high into the air. Not even a thank you for Colin before they flew out of sight.

On the sunny, pleasant return drive home, I had time to reflect on the incredible privilege of having had that experience. I didn’t do any work to save those birds, but I got the reward. What a gift.

Their last day of the season for visitor access is Monday September 2nd. If a last minute trip isn’t in the cards for you or your family this weekend, the Alberta Birds of Prey Centre will open again in May. If you plan to be near the Lethbridge area next spring or summer, make a side trip to Coaldale and see these birds for yourself. In the meantime, visit their website or follow their efforts on Facebook and Instagram. Support them if you can.

Many facilities like this exist in communities worldwide, run by dedicated animal lovers trying to help nature keep up with our impact on the planet. Please consider donating to one of them to help these folks continue to do their incredible work for wildlife conservation.

Cheers,
Patrick

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Birds of Prey on Display

This past Thursday, I drove the four hours down to Coaldale, Alberta, to visit the Alberta Birds of Prey Centre before they close for the season. While the foundation operates all year long, rescuing and rehabilitating different species of owls, eagles, and hawks, the centre is open to the public between May and the end of August.

I first met Colin Weir and his daughter Aimee here in Canmore in 2017. They had brought a handful of their ambassador owls and a golden eagle named Sarah to the Town of Canmore’s WILD event at the Civic Centre.
The Alberta Birds of Prey Foundation began in 1982 when there weren’t any wildlife rescue endeavours operating in Western Canada. Colin has been rescuing, rehabilitating, and releasing birds of prey back into the wild for almost forty years. Birds with permanent injuries or those that can’t be released have been given homes at the centre, a beautiful spot in southern Alberta, right in the middle of a reclaimed wetlands area.

Over the past few years, I’ve gotten to know Colin and can’t accurately convey my respect and admiration for his dedication and commitment to wildlife conservation. The facility receives no government subsidies, and they rely solely on financial donations from regular people and some generous corporate sponsors like Fortis Alberta.

Anytime a facility relies on government funding, they risk having that lifeline cut or eliminated with each election or political party whim, which would continually put the wildlife at risk. Unfortunately, politicians are usually more concerned with the optics of a ribbon-cutting than a long-term vision for wildlife conservation.
As with any non-profit operation, caring for the birds is only half the battle, and it’s a never-ending quest to raise enough funds and resources. To attract people to the centre, it must be safe, appealing, and well-maintained, a feat they have managed well. The Alberta Birds of Prey Centre is an attractive, professional, and welcoming facility. All the enclosures, aviaries and structures are top-notch, serving as housing and rehab areas for the birds and an educational facility for the public.

If somebody hits a great horned owl with their truck in the middle of the night, they’ll often call Colin. Sometimes he’s simply a knowledgeable, helpful voice on the phone, but his efforts are the difference between life and death for the unfortunate bird on many other occasions. If somebody can’t deliver the bird to the centre, he often must retrieve it, which can mean hours on the road, all year long.
I’ve wanted to get down to the centre more than once this summer, but as with all things these past many months, best intentions haven’t always aligned with feasibility. Plagued with long stretches of record-breaking heat, a thick choking blanket of wildfire smoke for weeks on end and the uncertainty of changing pandemic restrictions, this summer has been challenging. Add long hours in the office working to diversify my business, and I haven’t been able to get away.

With the weather changing for the better, some welcome rain and reduced smoke, I had to prioritize the trip before their season ends.

I arrived in Coaldale around noon and spent the afternoon taking photos and chatting with the knowledgeable staff. Colin and I had an excellent long talk catching up, which I greatly appreciated, as he doesn’t have much free time. One of the biggest challenges this year is that his phone is constantly ringing with people asking if the centre is open (it is) and if there are any COVID restrictions (there aren’t). It’s an open-air outdoor facility, ideal for a natural escape, with plenty of room to keep a respectful distance. Colin takes those calls with his typical grace and friendly nature, but it must be frustrating sometimes, especially when they interrupt his long list of other duties.

It’s a long drive to get there, so even though I took plenty of photos on Thursday, I stayed the night and returned the following morning to get more pics of their flight training.
Over two days, I watched them fly a mature bald eagle, a juvenile bald eagle, and two red-tailed hawks. Bald eagles don’t get their full head of white feathers until four or five years old. One of the staff suggested on the second morning that I lie down on the ‘runway’ to take some head-on shots of the red-tailed hawk. To take advantage of a cushion of air just above the ground, the birds drop down low when they’re flying back and forth, only climbing again at the end.

From my spot on the grass, I was right in the hawk’s path, which allowed me to get some exciting photos. The trainer told me my presence was inconsequential and wouldn’t be a distraction. The bird’s primary focus was the piece of chicken held in a gloved hand above and behind me.
I could write a few thousand more words on their important work and all I learn whenever I visit the Alberta Birds of Prey Centre. The staff share some fascinating and amusing stories during the flight training presentation and are always available for questions from visitors. Nothing is off-limits, and they’re more than willing to talk about the challenges they face each day while caring for these birds.


It’s hard to describe the thrill of close-up visits with weeks-old snowy owl chicks and burrowing owls (above respectively), or to hold a great horned owl in a gloved hand, to feel the feathers of a golden eagle and hear their calls and cries. These opportunities are open to all visitors to the centre.
I’ve painted several eagles and owls and will likely paint more in the future. A few years ago, I painted Sarah, one of the longest residents, seen here with Colin Weir. Sarah is a beautiful golden eagle that Colin has raised since the 80s. She is a healthy 37 years old, a commanding presence, but gentle enough that children can pet her, under Colin’s supervision, of course.

While I enjoy seeing all the birds, and I take plenty of photos of each species, I’ll admit that my primary goal this time around was to get reference of a red-tailed hawk. I’ve wanted to paint one for many years. They’re a common sight around Alberta, often seen on fenceposts along rural roads or highways. However, whenever I’ve spotted one, it’s been in heavy traffic or on a road without a shoulder, and it was unsafe to stop my car.

I took over 2400 shots this week and spent a few hours Saturday morning sorting through them. As is often the case, most of those shots end up being useless to me, either from poor lighting or focus or uninspiring captures. I whittled them down to around 300 and will likely discard two-thirds of those of a second pass. This still leaves me with plenty of ‘keepers,’ and I was happy to discover dozens of reference photos for paintings among them.
Best of all, I finally have more than enough shots of a red-tailed hawk, so many good ones that I’ll have a hard time deciding which to use. Or maybe I’ll have to paint more than one. It’s a good problem to have. Feathers are much harder to paint than fur, especially when intricate patterns are involved, so don’t expect a painting anytime soon. It’ll likely be a winter project, but one I’m eager to start.

The Alberta Birds of Prey Centre is open until Labour Day, and if you’re looking for one last summer southern Alberta getaway, or you find yourself on a road trip in that part of the province, it’s well worth a visit.

However, if that’s not in the cards, please visit their website, look at the great work they do for wildlife conservation, and consider donating. Every contribution helps, and your support is greatly appreciated.

Cheers,
Patrick

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Bear Hug

It’s been a while since I’ve been able to focus on a whimsical wildlife painting. For those who follow my work specifically to see those, thank you for your patience.

Wacom hired me to create a video for them connected with a promotion they’re doing right now called “Find Your Gift.”

As many of you know, Wacom creates the tablets and displays on which I’ve created my work for more than twenty years. I’ve been their guest on webinars, created new product demo videos for them, represented them at an event in Calgary, presented at their booth at Photoshop World, and they generously allowed me to donate tablets to a local school.

My work wouldn’t be possible without Wacom.

So when my friend Pam asked me to create another video for them, there was only one answer.

What I like best about our relationship is that Pam lets me do my own thing. Of course, we have some back and forth to make sure my vision matches hers, but she knows what to expect from me, and I do my best to deliver.

In this case, I had the freedom to interpret the word gift and paint and write what I wanted, which allowed me to create my best work.

I spent the last three or four days chained to my desk, creating this painting, recording with the camera and screen capture, writing and recording the narration, and editing it all together a la Dr. Frankenstein. It was a lot of work, but I’m quite pleased with the result.

I realized that the three recent paintings I like best are ones I did for Wacom videos. Those include the Amur Tiger, the Ring-tailed Lemur and this one.

The model for this painting is one of the most handsome residents of Discovery Wildlife Park. Gruff was an orphaned black bear cub who had a rough start in life, but thanks to Serena and her staff’s tireless efforts, he has grown into a beautiful, gentle bear with a wonderful personality. The keepers try not to pick favourites, but they each have a special place in their heart for Gruff, as do I.

I’ve often written about how much I value my relationship with Discovery Wildlife Park. They allow me incredible access to the animals, for which I’m immeasurably grateful. On my most recent visit in September, I was able to sit inside the enclosure while they did their bear education presentation, where they teach people about bear safety, behaviour and conservation.

I took hundreds of reference shots and didn’t realize I’d be using ones from that session so soon.

One of the keepers, Jacob, was in Canmore last week, and I had a brief visit with him. I told him what I was painting, inspired by the poses I shot. He told me that Gruff almost always has a ball with him. It doesn’t need to be the same ball, but it’s kind of like his security blanket. He even takes a ball with him into his den when he hibernates.

On one visit to the park a couple of years ago, Serena sent me a text asking where I was. I said that I was watching a silly bear play with a ball. She responded, “Gruff.”

Gruff taught himself how to pose with the ball and because it was so endearing, the keepers used positive reinforcement to encourage that behaviour. It was this pose that inspired the painting. As the light wasn’t great in this shot, the sun beside and behind him, I had to use other reference photos for the details. Thankfully, I have hundreds of pictures of Gruff.

Even though I was pressed for time on this, more self-inflicted than not, this painting was a joy to create. It’s been a while since I’ve had this much fun painting one of my whimsical wildlife portraits. Considering the kind of year it’s been for all of us, that’s no small thing.

If you’ve got five minutes, you can see a high-speed time-lapse below of how I painted Gruff and hear some of my thoughts about the importance of finding and sharing your own gifts.

Take care of yourselves,
Patrick

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© Patrick LaMontagne
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Brown Bear Beauty


Yes, it’s another painting of Berkley, without apology.

Every time I see her, I think of all of the garbage I pay attention to in my daily life that just isn’t important, stuff I should let go. If I had to pick one word to describe this little bear, it’s joy. She sure knows how to live in the moment and has a personality that just can’t help but make you smile.

I was up at Discovery Wildlife Park in the middle of last month and Berkley’s enclosure was my first stop. With the camera ready, I went to the bottom of her large enclosure and seeing her at the other end, I called out to her. She looked, sniffed the air and came right to me. I tried to take shots of her while she was coming, but no dice.

Once she got to the fence and I started to talking to her, there was no chance for good photos, too close to the fence. She started digging as she usually does so I walked only the fence line with her and she followed me. Just a cartoonist and a bear going for a walk, it’s still a strange but wonderful experience.

At one point, other visitors came up to the fence so I stepped back so they could see her, but because I was behind them, she started digging again and accidentally hit the electric wire that surrounds the enclosure. There was a loud snap, Berkley let out a startled ruffing growl and ran away into her enclosure.

It’s important to note that the electric fence is the same as a cow fence. It doesn’t hurt her and is of low enough power that it just acts as an annoying deterrent and the animals learn to avoid it. The keepers regularly come into contact with the wires and get zapped themselves, with no lasting effects.

Berkley retreated to her large pile of tree trunks in the middle of her enclosure. Last year, she dug her hibernation den beneath it, so I imagine that’s her safe space. She was sulking a bit, but crawled around on top, and I was able to get some nice photos without the fence showing up in the shots.

It didn’t take her too long to forget about the shock and she came right back over to the fence to continue our visit.

There’s a lesson there, about moving on from the negative stuff, one I still have yet to learn.

Cheers,
Patrick
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Peaceful Panda

One of the things I value most in my profession is the relationships I’ve formed over the years.

Discovery Wildlife Park in Innisfail, The Alberta Birds of Prey Foundation in Coaldale, Archipelago Wildlife Cruises in Ucluelet, and of course, The Calgary Zoo. I’ve made friends at all of these places and remain grateful for their generosity in allowing me to get close to so many critters.

Some of my best work wouldn’t have been possible without their assistance in gathering the reference I need to paint my whimsical wildlife paintings. Whenever possible, I’ve tried to ensure these relationships are quid pro quo. I’ve created artwork for them, made donations, or have simply tried to promote the conservation work they do whenever I can.

My prints have been sold in the various gift shops at The Calgary Zoo for more than five years, along with licensed images on other products. During that time, I’ve become friends with the Retail Manager. Kathryn has given me invaluable marketing advice and has always been supportive of my work, helping me put my best foot forward.

In the spring of last year, the Calgary Zoo received four pandas from The Toronto Zoo. The two adults had been there for five years, on generous loan from China, with two cubs born during that time. As per the agreement with China, the remaining five years of the loan, they’ll live in Calgary, although the cubs will be returned to China sometime next year.

While I’m not a professional photographer, I take some decent photos from time to time and she needed some for her own marketing purposes to promote the pandas. The deal was, I could get into the habitat early, in exchange for some of my photos.

The Calgary Zoo is strict about no behind the scenes photography, so I should clarify that I was still only allowed in the public areas, just a couple of days early.
Early one morning at the end of April, Kathryn took me over to the brand new Panda Passage habitat and aside from a couple of keepers, we had the place to ourselves for a couple of hours. Of the four residents, I only saw Da Mao that morning, the adult male. He was active and accommodating, which is a rare treat when it comes to pandas. They spend a lot of their time sleeping.
I ended up with a LOT of nice photos, a couple of dozen I shared with Kathryn, and many others that will serve as good reference for paintings. I’ve already done one painting from that session (above) , and it became a popular acrylic magnet that sold well at the zoo. My previous Panda painting has been a best seller over the past year in their gift shops and I’m hoping this new one does equally well.

While I don’t often share the reference photos I use for paintings, I’m making an exception here to show that my work is more of an interpretation of the reference rather than a copy. This photo wasn’t one of the best quality I took that day and would have been of no use for promotional purposes for the zoo.
It was shot through glass, with a bit of a glare I couldn’t compensate for, not even with a polarizing filter. But with Da Mao climbing up on the log and looking right at me, the pose was a gift I couldn’t pass up. I used other reference for some lost detail, especially in the face.
This is one of the reasons I like to take my own reference. The pose is the same in both photo and painting, but both images are mine, so a photographer can’t say I copied their composition. When I buy stock photos for animals to which I can’t gain access, I try to create an image different than what the photographer took, but when it’s my image in the first place, it hardly matters.
This won’t be the last panda I paint; there might even be another this year. I’m pleased with how this turned out because it’s a full body image but still has that whimsical quality inherent in the rest of my work.

Cheers,
Patrick

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