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Ukee Locals

SeagullsFINALI titled this painting, ‘Ukee Locals’ as that’s how residents in Ucluelet refer to their town.  Having lived in two tourist towns (Banff and Canmore) for the past twenty years, I often feel a kinship with locals in other tourist towns, knowing what it’s like to make your living from visitors.  It’s a love-hate relationship with the tourists sometimes so I have to fight the urge to tell every server, tour operator or staff member, “It’s OK,  I’m not one of them, I’m with you!” which I’m really not, since I don’t live there.

When you think of wildlife paintings, a seagull is hardly the first animal that comes to mind.  The fact that we’re so used to seeing them in urban environments makes many of us think they’re practically domesticated.  Expert scavengers, opportunists and thieves, they’re not usually someone’s favorite animal.  I kind of like ’em.

While out on my wildlife cruises in that area in June, something you’re likely getting sick of hearing about I’m sure, I saw plenty of different species of wildlife and took a lot of photos.  I’ll be painting animals from that trip for quite some time and each one I do just makes me want to go back for more.  While pulling into the dock one day, literally seconds before Al (with Archipelago Wildlife Cruises) cut the engines, I noticed two gulls perched on one of the many posts around the harbour.  What I was really aiming for was a shot of one of them flying, but when I got home and started sorting through my photos, I realized that this was the scene I wanted to paint and I used three different pics as reference, not including the one you see here.

GullPicOriginally this was just going to be a sketch painting, but the more I worked on it, I just couldn’t put it away.  Even when it was finished, I found myself still wanting to work on minute detail that nobody was going to see.  The wood on the posts, the aluminum caps, the feathers, the light…each presented another challenge and I had a lot of fun with this painting.  It turns out that I learned a little about the birds themselves, too.

Closeup01As I was painting them as a couple, I realized that I didn’t know if males and females of this species looked alike or not.  Birds of different gender will often have different plumage.  It would be embarrassing to paint them as male and female only to have somebody point out that females look completely different.  Keep in mind that I’d already done a lot of work on these when this popped into my head.  Fortunately I found out that the only visible difference in this particular type of gull is that the female is a little bit smaller, which also worked for the painting.  I also found out that the type of gulls in the Ucluelet area, all up and down the northern west coast actually, are called Glaucous-winged Gulls, something that isn’t going to matter to most people.  They’re seagulls.

For the technically minded, this was painted in Adobe Photoshop CC on a Wacom Cintiq 24HD display.  Photos were only used for reference and all of the detail was achieved using relatively simple brushes without any texture overlays.

Incidentally, I did get the shots I needed of one of them taking off from the post,  so there might be another seagull painting in my future.

Closeup02If you’d like to receive my newsletter which features blog posts, new paintings and editorial cartoons, follow this link to the sign up form.  Thanks!

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Gorilla Sketch Painting (sort of)

GorillaSketchFBIn my continuing efforts to paint more, I decided to do another rough painting sketch of a gorilla this afternoon.  I just couldn’t stop, however, so I took it further than I had intended.  I was having fun, dammit!  While I think I might compose it a little differently, maybe show a little more of the body, this may end up a Totem painting.

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Sketch Paintings

Meerkat

One of the things I noticed at the recent Calgary Comic and Entertainment Expo is that many of the artists were selling books.  Some were elaborately done with high production values (and costs, I’m sure) while others were smaller and  produced on a budget, but still looked great.  I’ve mentioned before that the Expo was a great learning experience and I’m still processing all of it.  In addition to drawing and painting, I also enjoy writing a great deal.  I’ve even got a couple of novels on the shelf I wrote years ago that I wouldn’t mind taking down and doing a rewrite with fresh eyes and a little more experience.  One of them, anyway.

Sailing and fishing my personal creative ocean day to day, the idea of publishing a book that combines my artwork and writing is something that is never far below the surface of the water.  As time passes, the idea keeps growing larger, is circling more often, and it’s clear that I need to haul this in pretty soon or I’m going to need a bigger boat.

While this future publication is still just in the idea stage, I do know that it will likely focus on my animal artwork.  What I like most about the books I’ve bought by other artists is seeing the sketches and work that isn’t as polished and detailed.  Since the goal for the majority of my animal paintings has always been to produce finished pieces for clients or galleries, I don’t actually have a lot animal sketches and paintings that weren’t destined for print.  I figured I’d better make time to do more of that work since I don’t want a book that is devoid of variety.

Had I gone to art school or started drawing animals when I was younger, I might have stacks of sketchbooks of this stuff in storage, but before the late 90’s, all I ever did was doodle.  After that, it was mostly editorial cartoon work and nothing I’d want to share now.  This painting obsession didn’t really take hold until sometime in the last ten years, well into my 30’s.  What I’d like you to take from that is that it’s never too late to learn new things and do what you love.

Grouper

In an effort to create these additional sketches and paintings, there are some great side effects.  One, of course, is that it’s wonderful practice.  With no client to please, I can spend a half hour, an hour, two hours and just stop whenever I want.  For somebody as obsessive as I am, just being able to stop and leave it alone, knowing there is plenty of room for improvement is an accomplishment by itself.  Secondly, it’s like a palate cleanser, a reset button in between larger projects, very much like getting up and having a stretch.  Having just finished two cat portraits for clients and moving on to another Totem piece, the meerkat sketch I did yesterday afternoon was a way of leaving one painting behind and starting fresh on another.

Finally, these are a lot of fun.  Pouring rain that turned to snow yesterday, which can happen any time of year in the Canadian Rockies, gave me no motivation to go on my afternoon walk in the woods.  Bored of training videos after about an hour, I just decided to make some fresh coffee (unusual in the afternoon), crank the tunes in the headphones, find a reference photo from a recent trip to the zoo and start drawing.  Before I knew it, it was coming to life and I was really enjoying myself.  Yes, I have deadlines right now, a long list of work I need to get done that will take me well past the summer, but making the time to do sketches like these on a regular basis is proving to be very good for me, almost like I’m taking a mini-vacation.

Expect more of these whimsical, cartoony characters in the coming months.  Who knows, maybe I’ll even turn one or two of them into a Totem painting later.

Giraffe