In November of last year, I finished this painting of Kevin Costner as John Dutton from the top-rated Paramount show Yellowstone. Like many of the portraits I paint, it was a personal project, something I did for my own enjoyment. You can read about that piece here.
I don’t attach any expectations to these portraits, but sometimes they either reach the people I’ve painted or attract some attention after the fact that I couldn’t have anticipated. But I learned long ago that if you try to make stuff like that happen, it rarely works. All I can do is complete the painting, put it out there and move on to the next one.
I have a couple of favourite unexpected results, like when Emilio Estevez wanted to buy the original canvas of a painting I did of his father, Martin Sheen. That was almost ten years ago, so I won’t rehash it again. However, if you’re not familiar with that story, you can read about it here. The print signed by both of them hangs in my office.
Another was when I painted Canadian astronaut Chris Hadfield while he was in command of the International Space Station. He saw the painting online and sent me an appreciative tweet from space, which was a special moment.
This week, the Calgary Stampede announced that Kevin Costner would be this year’s parade marshal. I’m a fan, or I wouldn’t have painted the portrait in the first place. But I’m not big on crowds, and it’s unlikely I’ll attend the parade or Stampede. Still, the event is a big deal for Calgary. After the last two years, here’s hoping an unrestricted Stampede is a welcome economic boost for the city and surrounding communities, mine included.
As the Calgary Herald has been running my syndicated cartoons regularly for almost 20 years, I emailed the editor and suggested the painting as a cartoon for the announcement, with the caption you see below. He liked the idea, and it appeared in Wednesday’s edition.
As it also made national news, and Yellowstone is a wildly popular show, I sent it out to my other papers this morning, in case there’s more interest in it. For context outside of Calgary, I added “Calgary Stampede:” before the caption for those other papers.
I’ve done portraits for cartoons before, but most often, it’s for memorials, and they’re never as detailed as I would like. It took more than 20 hours to paint this portrait, so it’s not something I would have done specifically for this purpose. There wouldn’t be a decent return on the investment, and I couldn’t get it done on a tight deadline anyway. To have had the painting done and ready to use for this announcement was a nice moment of serendipity.
Newsprint is unfortunately a muddy medium. Publications use different colour profiles and printers, so a cartoon that might look bright and crisp in one paper might look too bright or dark and desaturated in another. I can do nothing about that, so I adjust the image to find the middle ground for all papers. I put a lot of time into getting the colour right in my work, so I’m most often disappointed when I see it in newsprint, but I’ve had to make peace with that.
The Costner portrait file is 30” X 40” with a lot of detailed brushwork. To shrink it down and prepare it for newsprint, I had to boost the contrast, oversharpen it, and make other Photoshop adjustments to mitigate a poor result. So while I was happy to see it printed in the Calgary Herald (digital edition above), I couldn’t help but see all the flaws in the reproduction, even though I know that most people won’t notice or care.
As always, I just hope people like it.
Cheers,
Patrick
When I’m not drawing and distributing daily syndicated editorial cartoons, I’m painting whimsical wildlife portraits for prints and licensing. Add in the usual office administration, marketing, writing and everything else that goes along with self-employment, and that’s pretty much how I spend my days.
I started this painting in July, and I worked on it for a couple of hours here and there whenever I could find the time. I had planned to have it done before the fourth season began this month, but the paying gigs always take priority. So this past week, I put in the last ten or so hours over a few days. With no deadline, there was no reason to rush it, but I also didn’t want this painting to last for too much longer. As much as I loved the work, the best part is calling it done.